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NODE 8: MINNEAPOLIS FEDERAL RESERVE

(502 Marquette Ave., Minneapolis, MN)

BACKGROUND:

• 1913: Federal Reserve Act signed by Woodrow Wilson.
• 1914: Federal Reserve Bank of Minneapolis incorporated May 18^th, directors elected over the summer.
• October 1914: John H. Rich is appointed the first Minneapolis Federal Reserve Agent.
• January 1915: Offices established at New York Life Building (2^nd Ave. South & 5^th Street). Vault space for cash rented from nearby banks.
• 1921: Federal Reserve had outgrown its current offices. Site purchased at 5^th Street  & Marquette. Excavation of the site begins by the end of the year.
• During construction of the new building. John H. Rich dies and is replaced by John Barca. By this time, all nine directors of the Minneapolis Federal Reserve are Tanit cultists.
• Designed by Cass Gilbert to feature classical architecture, the new building was also designed to include a secret Tophet sanctuary beneath the vault in which child sacrifices could be used to create tophet serum.
• 1923: Cornerstone of the new Federal Reserve Building is laid. (The cornerstone contains a Tanit reliquary, part of a series of ceremonies which sanctify the building as a holy site.)
• 1924: Primary construction is completed. John Barca and the cultists begin using the Tophet sanctuary create Tanit serum. Officially, the board of directors and various other officers (all cultists) begun using the offices.
• February 1^st, 1925: Historically, the new Federal Reserve Building is occupied. The New York Life Building offices are shut down and vault deposits are centralized in the new building’s state-of-the-art vault.

WHAT THE FED OFFICIALLY DOES

• Economists: Collect and analyze data from across the Midwest to help the federal government monitor the economy and set interest rates.
• Cash Reserve: The Federal Reserve Bank is a bank for banks. When the banks need bank notes or coin, they request them from the Federal Reserve. That cash reserve (consisting of millions of U.S. dollars and other currency instruments) are stored in the Fed’s vaults.

INFILTRATION

Make an Appointment: Whether with John Barca or another member of the Fed staff. Although these are all cultists, official business is being conducted as a cover for their activities.

Charity Event: Dolls for Family Welfare is a charity which, as the name suggests, involves selling dolls to raise funds for charity. On Saturdays through the end of the year, they set up in the lobby of the building, also offering people the opportunity to do a short tour. The small crowds and/or tours offer the opportunity to perhaps slip away into the deeper recesses of the building. (Prop: Dolls for Family Welfare)

Fake Delivery: There are frequent deliveries to the building. These include periodicals and other material for the Archives (which are currently in the process of being transferred from the New York Life Building) and also construction material for the crews still working on finishing the interior features and décor.

Breaking In: If the vault were operational (and full of cash), this would be virtually impossible due to the extreme security measures that would be in place. Fortunately, this is not the case and only a minimal security team is onsite (see below).

Search Warrant & Police Raid: The PCs are working with Fred Watson, so it’s quite plausible that they’ll go to the police with the evidence they have. If they do so, make sure the PCs get an invite to be on the team serving the search warrants and expect a bloody shoot out between cops and cultists. (Fred taking a bullet seems dramatically awesome.) Alternatively, if you want to keep the ball in the PCs’ court, then “jurisdictional issues” can be invoked between the federal government and local law enforcement that will delay the law enforcement response by days or possibly even weeks.

NEW YORK LIFE BUILDING

Core Clue: John Barca spends little or no time at the old offices, conducting all of his business out of the offices in the new Federal Reserve Building. (Basically any investigation into the Fed’s activities at the New York Life Building should lead to some variation of, “This is all just business as usual… but the new building is weird / upper management is being very secretive about it / I keep trying to get transferred over there and apparently only people on a special list are allowed / etc.”)

New York Life Building:10-storey building with lower stories of St. Cloud granite and the upper stories of pressed brick. Built in 1890.

• Lobby: The lobby is simple incredible, featuring a pair of floating, double-helix staircases.
• Federal Reserve first rented offices in 1915. They currently occupy two floors.
• Building contains 250 offices.
• Other tenants include: The National Mutual Life Association, Walter L. Badger Real Estate and Loans, the Tontine Savings Association, Hennepin Commission Co. (a grain and stock company), the Gale Agency (representing various stock companies), and multiple attorneys (including Cross, Hicks, Carleton, & Cross; Weed Munro, Geo. Harold Smith; Edward C. Gale & Walter C. Tiffany; Alvord C. Egelston & George H. White; Booth & Douglas).

RESEARCH

History: Easily pull up the public history of the Federal Reserve and, specifically, the Minneapolis Federal Reserve as described above.

Art History – Newspaper Morgues: Local reporting features photographs of art being moved into the new Federal Reserve Building. Art History indicates that this includes rare examples of Carthaginian sculpture.

Bureaucracy: Obtain copies of the architectural plans for the new Federal Reserve Building.

• Architecture: It appears that an unusual steel alloy was used in the construction of the building; reputedly for tensile strength, although it’s unclear why that would be necessary. (Sourcing this alchemically infused steel could lead to another Tanit cultist operation at your discretion.)
• Architecture: Studying the public plans makes it’s clear that there’s something missing from them — a void directly underneath the Vault for which there are structural supports, but no indication of what’s actually there.
• Architecture 1: There’s also something weird about one of the elevator shafts. It’s designed for a greater height of operation than the other shafts, but there’s no visible reason for it.
• GM Note: Copies of the full, uncensored plans can be found in Barca’s office. At your discretion, copies might also be on file with the construction company (or, alternatively, they’ve been mysteriously destroyed). Cass Gilbert, the architect, would almost certainly have kept personal copies, but he now lives (and keeps his offices) in New York City.

Oral History / Intimidation – Construction Company: Talking to workers can probably shake free whispers about a “secret” area of the site that only certain workers were allowed into.

• Those workers (who were actually Tanit cultists) have all left the company and vanished. The person responsible for hiring them, Carl Mason, left the construction company and, strangely, now works as an economic analyst for the Minneapolis Federal Reserve.

The Cass Gilbert Rabbit Hole: Pursuing Cass Gilbert, the architect who designed the Minneapolis Federal Reserve, on the assumption that he must be part of the conspiracy can turn into a huge rabbit hole. For example:

• He designed the Minnesota Capitol Building (completed in 1905).
• He designed the Woolworth Building in New York City (currently the tallest building in the world). And does that mean that F.W. Woolworth, the founder of the F.W. Woolworth Company, is a Tanit cultist? Are his nationwide five-and-dime stores acting as operational centers for cult cells?
• He is currently designing the U.S. Supreme Court Building (which will be completed in 1935). If they’ve infiltrated the Federal Reserve, how deep has the cult penetrated the U.S. government?
• Where is he now? On a trip to England with his family, where he’s to be granted an audience with the British Royal Family. Can the PCs stop the British Empire from being suborned?

Or, alternatively, this really is just a rabbit hole: Cass Gilbert was just hired to do a job, modifying the building to include the sub-vault space at the instruction of John Barca after the death of John H. Rich. (You could even have him conveniently visiting family in Minnesota — he was raised here — and available for questioning, revealing Barca as the source for the sub-vault modifications.)

IN THE AREA

Streetcars: Streetcar lines run on all sides of the Federal Reserve Building.

Coleman’s Greasing Station: Located directly behind the Federal Reserve Building. (It’s like a service station / gas station.)

Syndicate Building: Built by a syndicate (thus the name) in 1883, the Syndicate Building contains a quarter-million feet of retail space. Assume the investigators can buy almost anything they want here.

Go to Node 8B: Inside the Minneapolis Federal Reserve

Go to Part 1

In (Re-)Running the Megadungeon, we looked at how you can evolve a megadungeon over time, actively playing it just like the players actively play their characters: You repopulate it. You modify it. You roleplay the inhabitants.

In the process, you create a dynamic experience that’s constantly surprising and delighting (and terrifying) your players, while also dramatically extending the amount of high-quality playing time you can get out of surprisingly simple prep.

Now I want to return to the series, flip things around, and take a closer look at how the players can evolve the megadungeon over time.

(If you’re here because you’ve innocently just started reading the series: Alert! The last link skipped you forward in time by a dozen years! Don’t worry! Any resulting temporal anomalies will resolve themselves shortly without disrupting your personal continuity.)

INTO CASTLE BLACKMOOR

Of course, almost any action the PCs take in a megadungeon will affect its future form. This is, after all, a back-and-forth dynamic. Killing all the lizardmen is what allows the elementalist to move in and set up shop, right? But what I want to spotlight today are the cases where the PCs more deliberately (and proactively) transform the dungeon.

Most of the examples we’ll be looking at here come from the open table campaign I ran in Castle Blackmoor, the original megadungeon created by Dave Arenson in which the modern roleplaying game was invented, and from which modern D&D was born. Running Castle Blackmoor provides a deeper look into how I set up and ran the campaign, but all you really need to know for now is that Castle Blackmoor sits atop a hill and beneath it lies the dungeon.

When the PCs enter the dungeon, this is the first room they encounter:

Speaking frankly and from experience, this room is incredible.

First, it’s too large for normal torchlight to fully illuminate it. So you’re immediately thrown into a fog of war.

Second, even if you have a more powerful light source, the shape of the room means that you can never see the entire room when you first enter it, no matter which entrance you use. Whether you’re entering the dungeon for the first time or returning to this chamber in the hopes of escaping to the daylight above, you can never be entirely certain if the room is empty… or if there’s something lurking just around the corner.

Third, and most importantly, there are ten doors. (Plus three more secret doors, including two hidden in the columns that aren’t indicated on the map here.) Literally the moment a PC steps into the Blackmoor dungeon, the player is confronted by the absolute necessity to make a choice: Which door are we going to open? Where is our adventure going to take us? The DM isn’t going to make that decision for you. You’re in control of what happens here.

Even if you have literally never played a roleplaying game before (and I’ve run Blackmoor for such players), this room inherently pushes them into actively engaging with the scenario while simultaneously teaching them that the game is about the choices they make.

The entire room screams player agency, and then holds forth the promise of endlessly varied adventure (every time you come back, you can pick another door). It tells you literally everything you need to know about Blackmoor, about dungeons, and about the game in an instant and without ever explicitly explaining any of it.

Playtest Tip: Describing the shape of this room verbally is impossible. If you’re playing in the theater of the mind, nevertheless make a rough sketch of its shape and be prepared to show it to the players. I kept a copy of the sketch I made clipped to my Blackmoor maps. But I digress.

The reason I bring it up here is that it’s a really simple example of player transformation of the dungeon: Confronted with all those doors, the players were confusing themselves when discussing their options and making their maps. So for the sake of clarity, they labeled the doors: First on the maps and then, shortly thereafter, in the dungeon itself.

Starting with the door to the left of the staircase, they labeled them alphabetically, A thru J. (Hilariously, however, the group who first did this missed one of the doors, so “J” ended up out of sequence.) The doors were first labeled in chalk (which one of the PCs had purchased), and this was later made more permanent when mischievous sprites in the dungeon started erasing the labels.

In doing this, my players were unwittingly echoing what Dave Arneson’s original players had done nearly fifty years earlier: After arbitrarily choosing the northwest door, they apparently fell into the habit of using it to mount most of their expeditions. It became known as the “Northwest Passage,” and eventually one of the players hung a wooden placard over the door with this name written upon it.

A later group took this even further, making coded markings at the various stairs in the dungeon to serve as navigational aids. These codes actually referred back to the door names (so for example, a staircase labeled G2 indicated that they were on the second level and this staircase would take them back to Door G… assuming that they hadn’t gotten lost or confused and encoded the wrong information).

TANGLEFUCK

Becoming lost and confused reminds me of another fun story from my Blackmoor table.

Looking at this section of the dungeon on the map, it seems fairly straightforward, although you may note Arneson’s devilish penchant for oddly angled diagonals.

One evening, however, a group headed into this section of the dungeon and began going in loops. Their map rapidly metastasized (because they were mapping the same corridors over and over again as if they were new passages), and by the time they realized what was happening they were hopelessly disoriented. They began making navigational marks (labeling walls and intersections), but because they were already lost, most of these marks were incorrect, contradicted each other, and

Fortunately, everyone at the table was having a great time with this, laughing uproariously whenever the PCs circled around, confident they were breaking new ground, only to come face-to-face with their writing on the wall or floor. (At this point, the sprites had already begun messing with the door labels, so there was also paranoia that something was here in the hallways with them and was altering their signs.)

One memorable moment came when they arrived at an intersection, confidently declared that they had gone left the last time they were here, so they were going to go right this time and they would definitely get out! … except that wasn’t right, and so they ended up looping back around and coming back to the same intersection again.

“Okay, so we definitely went left last time, so we need to go right this time.”

They did this four times!

Ironically, the door out was, in fact, immediately to the left of that intersection.

When they finally figured this out and, with great relief, headed through the door, one of the PCs stopped, took out some charcoal, and wrote in large dwarven runes on the wall, as a warning to all who might come here in the future: TANGLEFUCK.

And so this section of the dungeon came to be known forever after.

OTHER TALES FROM THE TABLE

In another campaign I ran, the PCs began collapsing tunnels to prevent anyone else from entering a section of the dungeon haunted by a malevolent force. In yet another, the PCs memorably hired a group of mercenaries to guard the entrance to the dungeon and prevent other adventurers from entering. (An effort which met with mixed success.)

These player-led transformations are particularly wonderful in an open table: Because there are other players exploring the world who were not part of the group which made the original changes, those players get to discover (and, conversely, leave their own transformations for others to discover in turn).

These long-term interactions across multiple sessions and groups can pay off in a multitude of gloriously unexpected ways. For example, I mentioned that my Blackmoor players began encoding navigational markers. But there were actually multiple characters who had the same idea, which meant that different groups were encoding information in different, overlapping ways. And then there was the memorable group where only player had previously been part of an encoding group… and he screwed up the code. So not only did that group leave miscoded marks, but the other PCs in the group — who had been taught the incorrect method — carried that mistaken information into other groups and spread it even farther.

So who made these markings? Another group of explorers? Or monsters looking to trick the interlopers?

The fact that there are other real people interacting with this shared game world and that you can see the consequences of their actions and they can see the consequences of yours is intoxicating. (And can easily lead to motivating players to make even larger and more meaningful impacts on the game world.)

Even at a dedicated table, however, player-led transformations are great. It’s basically GMing on easy mode: You can often just lean back and take notes.

More importantly, the players are metaphorically throwing you a ball. They’re inviting you to play with them, and in the process making it a lot easier for you to generate your own responses that will continue to evolve the dungeon. (Like those sprites altering the navigational markings.)

All you need to do is pick up the ball and throw it back.

FURTHER READING
Treasure Maps & The Unknown: Goals in the Megadungeon
Keep on the Borderlands: Factions in the Dungeon
Xandering the Dungeon
Gamemastery 101

DISCUSSING
In the Shadow of the Spire – Session 33E: Maggots & Ratsbane

Someone threw themselves against the door Dominic and Tor were propping themselves against. It barely budged. They glanced at each and made a quick, unspoken decision. Dominic stepped away and Tor, timing things perfectly, yanked the door open at precisely the right moment.

A young elf woman – ebon-skinned like Shilukar – came stumbling through, thrown off-balance by the sudden disappearance of the door she had been planning to throw herself against.

Dominic and Tor were quick to take advantage – the former’s mace crushing her upper arm and Tor’s sword cutting deep into her thigh. She stumbled further down the hall, shouting over her shoulder. “Theral! There are six of them! Grealdan’s dead!”

Dominic looked through the open door and spotted Theral – the Brother of Venom that Tee had seen discovering Reggaloch’s body – beginning to cast a spell. He promptly slammed the door shut.

Back in Session 13B: The Tragedy at the Door, the PCs lost control of a doorway and nearly paid the ultimate price. In this session you can see them take control of a doorway and repeatedly use it to their advantage during the fight.

I often see doors getting ignored during fights. I think part of that is tied into some of the issues I discussed in Dungeon as a Theater of Operations: We have a tendency to get strongly locked into the idea that there’s a “fight keyed to Area 5” and, therefore, the fight takes place in Area 5 (and nowhere else). This, of course, frequently eliminates the door leading into Area 5 as being irrelevant.

I’m uncertain how much the proliferation of VTTs may be affecting this (since they often persistently feature the entire map of the dungeon), but “put the PCs in the room and then start the fight” is an attitude that you can even find infecting published adventures.

But just look at what a door can do for you! (Or to you.)

They’re natural chokepoints, allowing small groups (like PCs) to control their front line against much larger groups.

They can be used to control line of sight (and also effect), as seen here with Dominic using a readied action to slam the door shut and negate an enemy spellcaster’s entire action.

They can be used to separate groups, tactically isolating them and allowing them to be defeated in detail. (This is similar to attacking an enemy force when they’re halfway across the river.)

Conversely, if you move through a door and engage an enemy on the opposite side, then the doorway becomes your means of retreat. If you lose control of the doorway or are otherwise cut off from the doorway, then you’ll become trapped.

If someone is holding a door and using it against you, then you need to develop some method for breaching the door. (Or, alternatively, creating an alternative method of egress — using a window, teleporting, blasting a hole in the wall, turning ethereal, etc.)

In practice, of course, all of these myriad tactical considerations will be swirling around each other in the chaos of battle.

And we haven’t even started looking at doors with special features!

• How can a trapped door be used to your advantage during a fight? (Particularly if the trap resets whenever the door is shut.)
• What about doors that have magical effects attached to them? (Like magic portals!)
• You can get similar effects with non-magical portals, too! (For example, you might have a portcullis that’s rigged to come crashing down when someone pulls a lever.)

Some of these will create unique tactical opportunities. Others will simply complicate the ones we’ve already discussed!

Campaign Journal: Session 34A – Running the Campaign: A Confusion of Names
In the Shadow of the Spire: Index

Go to Part 1

NODE 7: HARRIS CHEMICAL PLANT

(4121 Minnehaha Ave., Minneapolis, MN)

• Located along Minnehaha Avenue, which runs between downtown Minneapolis and Minnehaha Falls.
• A Milwaukee Road rail line runs behind the chemical plant, servicing other factories and grain silos that run up and down the western side of Minnehaha Avenue.
• A rail spur runs into the Harris loading dock, it’s not unusual for 1-3 tanker cars to be parked there (loading or unloading chemicals).

BACKGROUND

• Founded by Ezra Harris in 1895.
• Ezra Harris died in 1905 and the company was inherited by his son Clarence.
• Clarence died in 1923 without heir and the company was acquired by John Barca. (Clarence was actually poisoned by Tanit cultists specifically so that they could acquire the company.)
• Harris Chemicals has a contract with the federal government to denature alcohol: Although banned by Prohibition, alcohol still has a wide variety of necessary uses in industry. When it became clear that this industrial alcohol was being used to create illegal liquor, the government began denaturing the alcohol — adulterating the alcohol with foul-tasting additives that wouldn’t affect its industrial uses, but made it unpalatable for drinking.
• Under Barca’s direction, some of the denatured alcohol is also adulterated with Tanit parasites. This alcohol is then dropped off at an otherwise abandoned warehouse a few blocks south on Minnehaha Avenue, where Oleg Andersson picks it up and takes it to Node 6: Davis Farm to be renatured and turned into Minnesota 13.
• The secret section of the denaturing plant where the Tanit parasites are added to the alcohol is also being used as a convenient holding facility for kidnapped kids before they are taken to Node 8: Minneapolis Federal Reserve.

SURVEILLANCE

Workers: The plant employs nearly fifty people. It operates twenty-four hours a day in three shifts, although the night shift is a skeleton crew.

Security: There are four security guards on the day shifts (one at the front desk, one at the loading docks, and two on patrol). At night this is increased to six security guards. (This seems like an unusual amount of security for a business like this.)

Loading Dock: There are usually 1-3 tanker cars on the Harris rail spur, which are filled or emptied with special pipes and hoses before being picked up. Trucks arrive throughout the day, loading and unloading barrels.

Secure Denaturing Facility: External surveillance will note a special freight elevator on the loading dock that requires special keys to access. (This freight elevator leads to the denaturing facility.) PCs who gain access to the plant interior (getting hired, posing as inspectors, etc.) will be able to identify the location and public function (denaturing alcohol) of the secure facility.

John Barca: Barca will intermittently stop by the facility. He’ll visit the management offices and then go into the secure denaturing facility (on his way to the Tanit infusion area). Streetwise or Bureaucracy pegs him as out of place (his suit and shoes several tax brackets above anyone else working here). He can be followed back to Node 8: Minneapolis Federal Reserve.

Company-Owned Truck: Harris Chemical Plant has a single company-owned truck, which can be noticed as distinct from the other trucks coming and going from the loading dock. Following this truck will reveal a handful of local deliveries, but also notably:

• Being loaded with barrels of denatured alcohol that’s dropped at an abandoned warehouse a few blocks north. (Oleg Andersson then picks these barrels and takes them to Node 6: Davis Farm.)
• Transporting kidnapped kids (see below).
• Leaving empty to pick up tophet serum from Node 8: Minneapolis Federal Reserve and bringing it back here.

Moving Alex Griffin: During the night shift on Sunday, November 15^th, Alex Griffin is moved to Node 8: Minneapolis Federal Reserve by four Tanit cultists in the company-owned truck. (He’s brought down the secure elevator and loaded into the company truck.)

QUESTIONING WORKERS

Drivers: The Harris drivers can give details about their normal delivery schedule and the secure freight elevator used for processing denatured alcohol.

• They also intermittently pick up crates from Node 8: Minneapolis Federal Reserve, which are sent up the secure freight elevator to the denaturing facility.
• Any Interpersonal 1 / Credit Rating 1: The Harris drivers will reveal that they intermittently drop denatured alcohol at an abandoned warehouse a couple blocks north of the chemical plant. They don’t know, but they suspect what happens to it after they drop it off.

Other Workers: Any Harris worker can tell the PCs about normal plant operations, layout, and the secure denaturing facility.

ENTRANCES / GETTING IN

Front Entrance: On the corner of the building. Leads to the Front Office.

Loading Dock:

• Front Office: A door leads from the Loading Dock to the Front Office.
• Factory Floor: Large doors lead from the Loading Dock to the Factory Floor.
• Freight Elevator: Goes up to the Testing Labs on the 3^rd Floor.
• Secure Elevator: Goes up to the Denaturing Facility on the 4^th Floor.

Windows: 1^st Floor windows are barred (except in the Front Office). Windows on the higher storeys are unbarred (except for the 5^th Floor, which are heavily secured and cannot be opened).

INTERIOR

1st FLOOR

1st FLOOR – LOADING DOCK

• Trucks can drive into the rear loading yard from the street; there’s an entrance gate and an exit gate.
• The rail spur leads directly across Harris Chemical’s yard and into the loading area.
• There are two freight elevators — one leads to testing labs on the 3^rd Floor; a secure freight elevator leads to the Secure Denaturing Facility on the 4^th Floor.
• Large loading doors lead to the Factory Floor.

FRONT OFFICE

• Located on the corner of the building.
• Staff here manages customers and processes shipping documents brought here from the loading docks.
• Stairs lead up to the Management Offices on the 2^nd Floor; and down to the Basement.
• Bureaucracy: There’s plenty of evidence to be found here of John Barca’s ownership of the company, although he seems to take little interest in the day-to-day management, except for the denaturing contracts.

FACTORY FLOOR

On the far side of the loading docks from the Front Office.

• Various vats, pressure vessels, and the like.
• The ceiling is two storeys high with windows primarily on the upper level.
• Stairs lead down into the Basement; and up to the Testing Labs.
• The Management Offices overlook the factory floor; there’s a balcony and also large glass windows. A staircase leads from the offices down to the factory floor.

BASEMENT

• Non-volatile storage.
• PCs can waste a lot of time down here, but there’s little of interest.
• File Cabinets: Digging through these dusty records with Bureaucracy will reveal the factory’s history of ownership (including John Barca’s current ownership). It will also reveal that the 4^th Floor was heavily revamped to accommodate the federal denaturing contracts, and further construction work was done up there following Barca’s acquisition of the company.

2nd FLOOR

MANAGEMENT OFFICES

• These offices overlook the Factory Floor. (There’s a balcony and a glass wall. Stairs lead down from the balcony to the Factory Floor.)
• In the corner of the building directly above the main entrance, there’s a spiral staircase leading up to John Barca’s office (which is on the top floor of a tower). Bureaucracy in Barca’s office both identifies him as the owner of Harris Chemical and reveals that chemical shipments are being made from Node 8: Minneapolis Federal Reserve which he’s personally overseeing (which doesn’t make a lot of sense, although they’re tied to the federal denaturing contracts).

3rd FLOOR

TESTING LABS

• Chemistry reveals that these labs are conducting perfectly mundane testing and development work; exactly what you’d expect from an industrial chemical plant.
• Well-secured doors limit access to the 4^th Floor.

4th FLOOR

SECURE DENATURING FACILITY

• Can be accessed via well-secured stairwells from the 3^rd Floor or via the secure freight elevator from the Loading Docks.
• Evidence Collection / Bureaucracy: John Barca has left detailed instructions on the specific quantity of denatured alcohol which, instead of being directly shipped out, should be redirected to the 5^th Floor. (These instructions explicitly identify John Barca.)
• Entrance to Tanit Infusing Facility: The entrance to the secure facility on the 5^th Floor is hidden, requiring a 1-point spend to find. (Any leveraged clued pertaining to the secure facility — records of the facility, noticing the 5^th Floor windows on the outside of the building, etc. — removes the requirement for the 1-point spend.)

5th FLOOR

TANIT INFUSING FACILITY

• In this special chemistry lab, Tanit parasites — stored in glass bottles containing purplish liquid — are carefully infused into the denatured alcohol.
• Chemistry: Procedural notes here reveal that the Harris Chemical denaturing process has been carefully designed to prepare the alcohol for infusion with the “tophet serum.” (Infusing raw alcohol would apparently “sterilize” the serum.)
• Crates: Labels on empty and half-empty crates indicate that the “tophet serum” is shipped here from Node 8: Minneapolis Federal Reserve.
  • Bureaucracy 1: The markings indicate that the crates were stored in the vault at the Federal Reserve Building.

HOLDING CELL

• Alex Griffin is held in a small, heavily soundproofed cell on the far side of the Tanit Infusing Facility.
• Alex Griffin: Alex was kidnapped from Node 4: Harriet Tubman’s Asylum for Colored Orphans and brought here several days ago. He doesn’t really understand what’s happening, he’s very scared, but he’s just barely managing to keep it together. Any show of human kindness or a suggestion that the PCs are going to take him somewhere safe triggers an emotional breakdown (Reassurance can help pull him back together). Alex notably overheard someone say that he was going to be “taken to the Fed,” although he doesn’t know what that means.

NPCs AT HARRIS CHEMICAL

HARRIS CHEMICAL SECURITY: Athletics 5, Mechanical Repair 4, Scuffling 6, Fleeing 4, Weapons 5, Health 8

Alertness Modifier: +1 (Careful Eye)
Stealth Modifier: -1 (Uniforms stand out)
Weapons: .38 revolver (0), Billie Club (-1), Fists (-2)

TANIT CULTISTS: Athletics 5, Firearms 4, Scuffling 6, Weapons 5, Health 8

Alertness Modifier: +1 (three eyes are better than two)
Stealth Modifier: 0
Weapons: dagger (0), fists (-2), small caliber pistols (-1)
Stability Loss: +0, if seeing the eye

Go to Node 8: Minneapolis Federal Reserve