The Alexandrian

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GM Screen @ The Alexandrian

The use of a GM screen can be a surprisingly contentious subject in the running of a roleplaying game. The critics consider them superfluous at best or intrinsically damaging to the dynamic of the game (due to inducing issues of trust and social separation) at worst. But I, personally, find them valuable more often than not, and I’d like to share my thoughts on how they can be used to best effect.

First, I don’t like the older style of portrait-oriented screens. Their height does, in my opinion, create an unnatural barrier between the GM and the players. They feel like a giant wall, cutting off the natural expression of body language.

Landscape-oriented screens, on the other hand, don’t have that problem. As the GM, I can see everything that’s happening on the table and the players can freely see my body language. As long as you’re playing with a table surface, there’s no meaningful disadvantage to the use of the screen and, in my experience, there are two significant advantages.

SIGHT LINE OBSTRUCTION

The most basic function of the screen is to block the player’s line of sight to my notes and maps. This is important to me not because I think my players are horrible cheaters who are trying to peek at my notes; it’s because I consider it a common courtesy. If I’m inviting people over to watch a movie, I don’t hang a poster with spoilers for the movie next to the TV screen and ask them to avert their eyes from it.

The same principle applies here. In fact, rather than inhibiting a personal connection between me and the players, I often find that a landscape screen enhances it: When you don’t obstruct your maps and such, players will often avert their eyes from your end of the table in order to avoid glancing at them.

VERTICAL REFERENCE

I’m a pretty huge advocate of being able to simultaneously display multiple pieces of information in order to facilitate rapid referencing and cross-referencing while running the game. (This is also why I don’t like running games from a laptop: The search functionality can be useful, but being able to only look at one page of information at a time while GMing is like trying to run a marathon with your legs tied behind your back.)

Therefore, being able to position reference material in a vertical place (so that it doesn’t take up surface space) is, in my opinion, insanely useful. In addition, positioning persistent reference material for the system and/or game world on the screen creates a consistent spatial familiarity that makes referencing that material faster and more efficient. (Instead of figuring out where the cheat sheet packet is currently lying on the table, picking it up, and flipping through it, I instead know that I can reach out to my right, flip up a piece of paper, and look directly at the skill difficulty guidelines. After just a couple of sessions, I basically don’t even have to think about it any more. It becomes autonomic.)

My typical table arrangement when GMing is:

  • A customizable, landscape GM screen with four panels of information.
  • 2-3 pieces of paper displayed behind the screen.
  • One or more TV trays to my left side, which I use to hold my rulebooks and also display 4-6 additional sheets of information (which often includes one or more rulebooks flipped open to the appropriate page reference).

Without the GM screen, my quick reference material not only becomes less efficient, it also begins encroaching into the space I use for other reference material. This becomes a cascading problem, as useful resources get bumped out of circulation. With less information at my fingertips, it becomes more difficult to run complicated, interconnected scenarios.

MAKING THE SCREEN

GM Screen @ The Alexandrian

As useful as the reference material on a GM screen can be, the sad reality is that most published GM screens feature a lot of non-essential information while not including material that would actually be useful when running the game. As a result, I use a modular, customizable landscape (like the ones you can buy here or here).

IMAGES: Buying the PDF version of an official landscape screen is often a good way to stock the player-facing side of your screen. But in an era of Google Image Search, the whole world of art and photography is your playground.

Personally, I tend to avoid trying to find single mural-style images that will go across the entire breadth of the screen. Finding multiple images to make up a polyptych is easier, and it also gives you the opportunity to highlight multiple facets of the game / world / campaign. I also recommend finding images that depict things the PCs could theoretically see, rather than images of main characters who aren’t the PCs doing awesome things. (It’s more immersive and suggestive of the game world that way, while allowing the table to remain focused on the narrative you’re creating instead of some other narrative that’s being depicted.)

(In the past I’ve also played with stocking the player-facing side of the screen with player-relevant reference material. But I’ve found that reading the material at any meaningful distance is usually difficult and, for players (who usually juggle less reference material), it’s easier to just use cheat sheet packets. Your mileage may vary.)

REFERENCE MATERIAL: I design System Cheat Sheets for many of the RPGs I run, particularly those featuring complicated mechanics. These reference sheets can then be conveniently slid into the modular screen.

A major conceptual breakthrough for me was the Hackmaster GameMaster’s Shield, which included flip-up panels:

Hackmaster GameMaster's Shield - KenzerCo

Copying this same technique, I now use reverse-duplex printing to create sheets that I can tape together and flip up to reveal additional information behind them. This allows me to easily put 12 landscape-formatted sheets within easy reach. (And there’s no reason I couldn’t expand that to a third layer of information to give me 20 sheets, although I haven’t actually found a game so complicated that I would need to do that yet.)

FURTHER READING
Rolling Behind the Screen

Wizards of the Coast has finally made the PDFs for OD&D available again! For those unfamiliar with the evolution of D&D throughout the years, check out A Nomenclature of D&D Editions. (Which is somewhat out of date at this juncture, but should more than suffice for the current topic.)

If you’re a newer reader here at the Alexandrian, you may be wondering what the fuss is all about. The short version is that exploring the strange nuances of OD&D proved to be an incredibly insightful journey for me, most notably culminating in my understanding of the importance of an Open Gaming Table for roleplaying games. I wrote a number of short articles here at the Alexandrian about my reactions, and if you’d be interested in visiting (or revisiting) those thoughts here are some quick links to explore:

Reactions to OD&D
The Ur-Game
Thinking About Morale
OD&D in the Caverns of Thracia
Ranged Combat
Prime Requisites
The Scope of the Game
OD&D Character Sheets
Gygaxian Rulebooks
Experience Points
Encounter Probability
Size Does Matter?
Turns, Rounds, and Segments… Oh My!
Bachelor Party OD&D
(Re-)Running the Megadungeon
The Intemperate Jungle
My Favorite Character Sheet
Keep on the Borderlands – Factions in the Dungeon
Treasures Maps & The Unknown: Goals in the Megadungeon
Wandering Adventures
Interesting Facts About the Blood Shield Bandits
Untested: Reserve Items
Vampires as Lycanthropes
Untested: At Death’s Door
The Ruined Temple of Illhan
The Subtle Shifts in Play
Turn Undead in Blackmoor

You might also find these interesting:

Gary Gygax’s House Rules for OD&D
Justin’s House Rules for OD&D

The Tomb of Horrors - Gary GygaxJohn Wick has written an article describing the Tomb of Horrors as the Worst Adventure of All Times. Personally, I disagree. Although back in 1999 I wrote a review of the Tomb which was critical of its many flaws and shortcomings (particularly by modern standards), even then I wrote that the module tantalized me “because it accomplishes exactly what it sets out to do”. My interest in the module eventually culminated in 2005 when I wrote a 3.5 adaptation which sought to make the module more usable by presenting it in a format easier for DMs to use (while also clearing up some of the design flaws). The result has been a really great one-shot scenario that has provided nearly a dozen different groups with some incredibly memorable experiences.

Everyone is entitled to their opinion, of course, and if John Wick considers it to be the “Worst Adventure of All Times”, that’s certainly a thing he’s allowed to think. I can’t object to that.

But you know what you’re NOT entitled to? Your own facts.

So what I do object to is the fact that Wick’s article is filled with the most ridiculous lies about the Tomb of Horrors.

SPOILERS FOR THE TOMB OF HORRORS

My players picked the entrance with the long corridor rather than the two other entrances which are instant kills.

No they’re not. Lots of things in the Tomb that will instantly kill you, these two things explicitly are not that.

The devil’s face has an open mouth just big enough for someone to fit inside. The booklet told me to say that.

It does not tell you to say that.

Told me to encourage players to climb in.

Bullshit. In fact, the module tells you to do exactly the opposite. It tells the DM specifically NOT to give helpful hints or mislead players into taking certain courses of action.

The actual text from the adventure:

The mouth of the green devil’s face is the equivalent of a fixed sphere of annihilation. Anyone who passes through the devil’s mouth appears to simply vanish into the darkness but they are completely destroyed with no chance to resist.

That is not actual text from the adventure. I actually made a point of going through every version of the Tomb of Horrors that I own (and I’m pretty sure I own all of them) to make sure that Wick hadn’t just accidentally grabbed a quote from the wrong version of the adventure. This text doesn’t appear in any of them. As far as I (or Google) can tell, Wick just made this up out of whole cloth.

(This is also where I went from scratching my head about Wick getting his facts wrong to deciding that I was going to write this exposé. Because there’s no way that you just accidentally make up an imaginary quote. That signals that you’re deliberately lying.)

If we walk down that corridor and try to open one of the two doors, a stone wall drops down, trapping us in. The walls then collapse on us, crushing us.

The fact that the stone wall doesn’t drop down but instead comes in from the side of the passage is a largely inconsequential inaccuracy. But the entire second sentence is a lie.

I didn’t tell them about the secret passage at the bottom of the pit at the very beginning that allows you to skip a third of the dungeon because it isn’t a trap, but it’s there anyway, and you should find it and save yourself the trouble of trudging through a third of this worthless, piece of shit adventure.

Taking that secret passage doesn’t “skip a third of the dungeon”. It actually leads you into a dangerous combat and then a series of painful traps before dumping you out in the exact same location that you’ll end up if you puzzle out the correct exit from that room.

If you do finish the adventure, to prove the whole thing is nothing more than a way for a sadistic prick to get his jollies off, as a final “FU” from Gary, the treasure in the lich’s tomb is cursed.

Sort of true, but not really. While the final treasure does include three cursed weapons, the vast majority of the treasure is not cursed.

After repeatedly telling bafflingly unnecessary lies about what the text of the module actually says, Wick then tells us a couple of stories about his experiences with the module: The first is about how he ran the module for friends in grade school, one of them beat him up for killing them, and then they ostracized him for an entire year. The second is about how he joined a convention game of the scenario many decades later, watched the other players kill themselves, and then had his character take their stuff, leave the dungeon, and retire on the proceeds from selling it.

Those stories could be true. Unlike all the bizarre lies he chooses to tell about easily verifiable facts, I have no way of fact-checking his personal anecdotes.

But you know what?

I don’t believe him.

Go to Part 1

LABORATORY #24: WHITE DRAGON CASSANDRA

Lost Laboratories of Arn - Map Courtesy of Dyson Logos

This area is inhabited by the white wyrm Cassandra. She betrayed the Arn, but a sorcerer named Sargas stole her blue key, stranding her here. She will be instantly enraged by anyone with a Sorcerous Brand of Arn, but might be willing to negotiate with others if they can release her. She knows the entire blue network of teleportals.

AREA A – CAVERN OF ICE: All of the caverns are coated in ice. This is where Cassandra primarily lairs (75%). She will crawl up the icy walls, skittering here and there with seemingly impossible speed.

AREA B – CASSANDRA’S HOARD: Cassandra is here 25% of the time.

  • Coins: 12,880 sp, 4,320 gp, 106 pp
  • Gems/Jewelry: banded agate (10 gp), tourmaline (60 gp), silver pearl (130 gp), violet garnet (430 gp), silver anklet (30 gp), crystal bowl and pitcher (300 each), mithral wind chime (400 gp), silver broach inscribed “Tauros of Minoc” (800 gp), holy vestments of samite bearing the holy symbol of Vehthyl (1,000 gp), golden pendant with ruby (1,700 gp)
  • Items: divine scroll (bull’s strength), arcane scroll (unseen servant, spectral hands), arcane scroll (burning hands, disguise self, minor image), arcane scroll (suggestion, tongues), potion of levitate, potion of resist energy (fire), +1 short sword, wand of magic missiles (5th level caster, 34 charges), +1 frost longsword

AREA C – CASSANDRA’S EGGS: 6 white dragon eggs, worth 2,000 gp each. Bitter cold to the touch.

  • Freezing Zone: All of the small caverns in this area are artificially cold, inflicting 1d6 points of cold damage per round (Fort DC 20 negates).

AREA D – TELEPORTALS:

  • D1: Teleportal to area 23.
  • D2: Teleportal to area 25.
  • D3: Teleportal to area 21.

CASSANDRA – ADULT WHITE DRAGON (CR 10+2*): LE Large Dragon
DETECTION – blindsense 60 ft., darkvision 120 ft., low-light vision, Listen +10, Spot +10; Init +0; Aura frightful presence; Languages Common, Draconic, Elven
DEFENSES AC 26 (-1 size, +17 natural), touch 9, flat-footed 26; hp 576 (18d12+72); DR 5/magic; Immune cold, paralysis, sleep; Resist spell 18; Vulnerable fire
ACTIONSSpd 60 ft., fly 200 ft. (poor); Melee bite +24 (2d6+6), 2 claws +18 (1d8+3), 2 wings +18 (1d6+3), and tail slap +18 (1d8+9); Ranged +17; Space 10 ft.; Reach 5 ft. (10 ft. with bite); Base Atk +18, Grapple +28; SA breath weapon, spells; Combat Feats: Blind-Fight, Cleave, Flyby Attack, Hover, Power Attack, Snatch
SQ blindsense 60 ft., darkvision 120 ft., frightful presence, icewalking, spell resistance 18
STR 23, DEX 10, CON 19, INT 18, WIS 11, CHA 12
FORT +15, REF +11, WILL +11
FEATS: Alertness, Blind-Fight, Cleave, Flyby Attack, Hover, Power Attack, Snatch, Weapon Focus (bite)
SKILLS: Appraise +9, Bluff +8, Concentration +11, Diplomacy +8, Fly +7, Intimidate +11, Jump +14, Knowledge (arcana) +9, Knowledge (the planes) +7, Perception +10, Search +9, Sense Motive +11, Spellcraft +14, Stealth +1

Spell-Like Abilities (CL 6)
3/day—fog cloud, gust of wind

Sorcerer Spells Known (CL 1)
1st (4/day, DC 14)—obscuring mist, bless, entropic shield, shield of faith
0th (5/day, DC 13)—create water, detect magic, detect poison, guidance, light

Breath Weapon (Su): 6d6 cold (Reflex DC 23, half damage), recharge in 1d4 rounds

Frightful Presence (Su): 180 ft. radius, 18 HD or less, Will save (DC 20) or shaken for 4d6 rounds

Icewalking (Ex): Like spider climb on icy surfaces.

*Potentate.


LABORATORY #25: THE LESSER TOMB

Swastika-shaped halls (inverted compared to Laboratory #17). The walls are undulated in irregular wave patterns. There is a large sarcophagus of iron at the center of the swastika.

SARCOPHAGUS: Bears the appearance of a man armored in ornate plate with a crystal ball clutched in his hands.

  • Trap: The sarcophagus is filled with burnt othur fumes (Inhaled DC 18, 1 Con drain/3d6 Con), Search DC 16 (pneumatic mucus seal), Disable Device DC 24 (need something to vent the fumes into)
  • Corpse: The corpse wears technomantic animated armor; a high metal collar is plugged into the desiccated corpse’s head.
  • Potion: In the corpse’s hands is a stoppered vial filled with an oily green paste. Anyone who slathers this paste into their eyes and ears will enter a delirious fugue for nine hours, during which time they will commune with the Demon Gods. At the end of this time, they must make a Fortitude save (DC 32) to avoid blindness and deafness and a Will save (DC 25) to avoid insanity.
  • Alchemy/Spellcraft (DC 25): To conclude how the paste is to be applied (based on bio-magical catalysts), but there’s no way to determine what it actually does short of divination.

POWER LEAK: The magicks worked in this hall have been damaged, resulting in a slow arcane power leak. Once per minute, arcane spellcasters must make a Will save (DC 20) or lose a random spell of the highest level they have prepared. Characters with magical equipment must make a similar save or one of their magical items loses +1 or a random ability. It requires a Spot check (DC 24, -1 per failure) to notice what’s happening. (The leak is a temporary draining of magical potential and equipment abilities return at a rate of +1 or one ability every 24 hours.)

TELEPORTALS: Located in each end of the swastika. Non-operational red, two operational blue, and a black.

  • Black Teleportal: No key for this teleportal can be found in the current network. (If it could somehow be activated, it would lead to a different network of laboratories not on the map.)

TECHNOMANTIC ANIMATED ARMOR

Animated armor resembles plate armor, but it is covered in moving iron bars, some gearlike apparatus, and even tough, resilient tubing. All the plates and pieces of the armor share sturdy joints and connections so that, once the wearer has donned the suit, it is more like an outer shell than armor. The wearer must attach her headclamp inside the helmet of the animated armor. Without a headclamp, this armor functions as normal plate armor, except that it weighs more. The devices attached to the armor allow it to move under its own power, as directed by the wearer. Thus, it adds its strength to the wearer’s, granting a +4 enhancement bonus to her Strength score. Further, because the armor can walk and run for the wearer, she can move twice the distance she normally could travel before facing fatigue. It provides an armor bonus of +9, has a maximum maximum Dexterity of +2, an armor check penalty of –2, and an arcane spell failure chance of 40 percent.

Headclamp activation; Craft DC 42; Price 20,000 gp; Weight 80 lbs.

Headclamp: A chaos surgeon inserts this small deviceinto the temple of a living creature, or otherwise near the brain. The living portions of the device instantly heal thesurgical wound, then extend tiny filaments into the host’s brain while keeping a small circular opening available on the outside of the head. Numerous non-intrinsic chaositech devices have tubes or other extensions that attach to this opening and clamp into place. This connection allows a device to receive mental commands or to transfer information directly into the host’s brain. The headclamp has no intrinsic abilities or benefits. A host can have no more than two headclamps. Should someone attack a headclamp cord, it has an Armor Class of 14 + the host’s Dexterity bonus. The DM may also grant the cord any of the host’s dodge, deflection, or other Armor Class modifiers, but not armor bonuses, unless the headclamp is a part of the armor (as with animated armor). The cord has a hardness of 1 and 5 hit points. Headclamp cords are fairly easy to repair (Craft (chaotic technomancy) DC 18), but a device that requires the connection cannot function until the broken cord is repaired. One can pull a cord out of a headclamp with a Strength check (DC 8).

Chaos Surgery DC 22; Procedure Time one hour; Recovery Period one day; Price 10,000


LABORATORY #26: THE THRONE

A broad, circular chamber of dark, silver-grey stone. There are three teleportals around the periphery of the room. On a throne of black stone in the center of the room is draped a mass of purple putrescence.

PURPLE PUTRESCENCE: If approached, the purple putrescence will suddenly rear up, revealing a horribly bloated and deformed face. It wants nothing more than death after long centuries of decayed existence. “Kill me…” (But its body will fight to the death out of pure instinct.)

THRONE:

  • Search (DC 22): The throne can be pushed back, revealing a vertical tunnel of stone with a ladder of mithril. Climbing down the ladder has the effect of a permanent rope trick, emerging onto a stone table in the middle of a stone circle near Oakhill in the Borderlands.
  • Search (DC 28): Compartment on the back of the throne contains a RED KEY and a bejeweled crown (worth 10,000 gp).

PURPLE PUTRESCENCE (CR 11): 137 hp (15d8+70), AC 22, slimy protuberance +20/+20 (2d8+7), Save +14, Ability DC 20
Str 17, Dex 10, Con 22, Int 14, Wis 6, Cha 4
Skills: Knowledge (arcana) +20, Perception +14, Spellcraft +20
DR 10/acid or slashing
Regenerate 20 (vulnerable: cold iron)


Any material in this post not indicated as Product Identity in the Open Gaming License is released by Creative Common Attribution-Share Alike 3.0.

Go to Part 1

Čeština: Karlův most, Staré Město a Malá Strana, mezi Křižovnickým náměstím a Mosteckou

LABORATORY #22: COUNCIL CHAMBERS

A long, oval chamber with a circular bulge in the middle filled with a low, stone table surrounded by multi-hued floor cushions. In the center of the table is a large contraption of colored glass.

Around the perimeter of the chamber stand six stone statues depicting knights dressed in full plate and regalia. At one end of the chamber stands a seventh statue of a man in tattered crimson robes.

PERCEPTION (DC 16): The seventh statue is incredibly life-like and its cloths drift slightly in the slight breeze from the incoming teleport.

STONE GUARDIANS: The six stone statues are stone guardians who will attack anyone without the Sorcerous Brand of Arn.

SEVENTH STATUE: This man has been permanently paralyzed save for his eyes and brain. His mouth is frozen in a scream. After centuries in this state, he is quite insane.

KEY RECALL DEVICE: The glass contraption in the center of the chamber can be used to recall any extant keys for the teleportation network.

  • Arcana (DC 20): To figure out that there are six concealed levers that must be depressed simultaneously. (However, these levers only work if depressed by someone with the Sorcerous Brand of Arn.)
  • Arcana (DC 25): To conclude that there is a color-coded selector device. Three of the colors (black, purple, and yellow) have been smashed. Three others (red, green, and blue) have not.
  • Arcana (DC 35): To discover an additional selection device coding for specific “etheric frequency”. Several such frequencies are attuned to each color. (These were unique codes which could be used to pull back a particular key, thus revoking someone’s access to the teleportal network. There’s no way to determine which code belongs to which person/key without the original code books, which are not present.)
  • There are 2d4+1 of each color key type left in the world (including any possessed by the PCs). Determine randomly to see if the PCs pull back one of their own keys.

STONE GUARDIAN (CR 6): 60 hp (8d8+24), AC 19, slam +11/+11 (2d6+4), Save +9, Ability DC 16
Str 20, Dex 11, Con -, Int 10, Wis 6, Cha 11
Skills: Knowledge (Arcana) +11, Perception +8, Spellcraft +11
DR 10/adamantine
SR 18


LABORATORY #23: LABS OF THE ARBORETUM

Laboratories of the Arn - Map Courtesy of Dyson Logos

Map Courtesy of Dyson Logos

AREA A – TELEPORTALS:

  • A1: Teleportal to/from area 21.
  • A2: Teleportal to/from area 24.
  • A3: Teleportal to/from area 22. And a black teleportal. (No key for the black teleportal is present in the current network. If it could somehow be activated, it would lead to a different network of laboratories not on the map.)

AREA B – FOREST CAVERN: A large, vaulted cavern filled with thick, green foliage.

  • Husks(x3): Inhabit this cavern.

AREA C – FOREST CAVERN: A large, vaulted cavern filled with thick, green foliage. About half way up the wall of the cavern (50′ high up to 70′ or so) runs a curved ramp.

  • Dormant Arboreoid: In the center of this area is the Dormant Arboreoid. It bears dozens of curious green-red fruits that do not spoil after being picked. If more than three fruits are plucked in a single day, however, the creature awakens. (Use roper stats.)
  • Fruits: The fruits are bitter to the taste, but they immediately have the effect of a cure light wounds potion on the eater.

AREA D – UNDERPASS: This underpass is inhabited by four powerleeches (which will drop from above or rush out from small burrows to the sides). Powerleaches have the appearance of snakes, but their heads are surrounded by plates of hard, keratinous plates that are vaguely mollusc-like and gleam iridescently. As they leach energy, a small ball of lightning gathers between their fangs.

AREA E – CAVERN OF ASH TREES: This long cavern is filled with ash trees — literally trees which have been reduced to ash, but still stand in their underground grove.

  • Improved Shadows (x8): Lurk amidst the trees.
  • Ash Trees: Any disturbance of an ash tree will cause it to collapse, creating a 20′ radius cloud in which creatures within 5 feet gain concealment and creatures beyond 5 feet gain total concealment. (The ash does not block darkvision and the shadows can see just fine. A moderate wind (11+ mph) disperses the ash in 4 rounds; a strong wind (21+ mph) disperses the ash in 1 round.)
  • Chest: Contains 10 crescent amethysts (each with a crystal imperfection at their heart) worth 500 gp each, a synaptic mask with a meld stone of the alchemist, and a set of crystal lenses set in golden rims (worth a total of 10,000 gp).

AREA F – CINDERSHARD CAVERN: This cavern contains a thick outcropping of cindershard, consisting of 100 crystals.

  • Cindershard: A creature carrying a cindershard crystal (although not in an extradimensional space like a bag of holding) is immune to the harmful effects of sickstone. Once a cindershard is exposed to sickstone, it automatically “burns out” after 1d4 hours, turning into a powdery, non-glowing lump of stone. An intact cindershard is worth 25 gp. Cindershard powder is a mild curative (primarily useful as an ingredient in cure potions).
  • GM Background: Cindershard often erupts in areas near sickstone; a sort of natural reaction to sickstone’s disruption of local balance.

AREA G – SICKSTONE CAVERN: Two hundred feet down this tunnel beyond the edge of the map is an outcropping of sickstone with alchemical equipment focusing its emanations up toward Areas F (in order to stimulate the growth of cindershard crystals there).

  • Sickstone: Those within 30 feet of sickstone must make a Fortitude save (DC 12) or become sickened for 1 minute (10 rounds). This save must repeated once every minute. If engaging in strenuous activity (like combat), the save must be made every round. If a character who is already sickened fails a saving throw, they became nauseated for 1 minute (10 rounds). If a character who is already nauseated fails a saving throw, they suffer 1 point of Constitution damage (and continue to be nauseated).

AREA H – SECRET DOOR: This secret door leads to a staircase that leads up to a barrow mound in the distant lands of Hyrtan. Once outside, characters can teleport normally.

AREA I – ARCANE DOORS: 20′ high doors of copper and brass, engraved with strange runes, have been welded shut.

  • Behind the Doors: If the doors are opened, they lead to a malfunctioning gate (corruscating cascades of purplish light which are painful to the eyes). Characters passing through the gate are returned to the same location 1d4 hours later after suffering torturous extradimensional exertions (inflicting 8d6 damage, Fortitude DC 19 for half damage).

AREA J – COPPER POLES: Two copper poles stuck into the floor, covered in verdigris.


HUSKS (CR 7): 75 hp (10d8+30), AC 20, slam +12/+12 (2d8+3), Save +10, Ability DC 17, Reach 15 ft.
Str 10, Dex 10, Con 12, Int -, Wis 10, Cha 6
Skills: Hide +13, Listen +13, Perception +13, Stealth +13
Exude Spider Swarm (Ex): One full action or when reduced to 30 hp, exude 6d6 spider swarms.
Lurching (Ex): Cannot run.
Spider Reach (Ex): The creature’s arms partially detach (remaining “connected” by an interlinked swarm of extending spiders), allowing them to slam nearby creatures within 15 ft.
Spider Grab (Ex): If both slams hit, start grapple as free action (spiders pouring out to suck the target in).
Spider Swallow (Ex): If it starts a turn grappling, a husk can attempt a grapple check to overwhelm a target in a mass of spiders. Swallowed creature suffers 3d6 damage per round from numerous spider bites. Victims can escape with two successful grapple checks. (Husk can reassert its grip at the start of its next turn if it is still grappling.)


POWERLEECHES (CR 6): 60 hp (8d8+24), AC 19, leechfangs +11/+11 (2d6+4 and leech), Save +9, Ability DC 16, Tiny
Str 8, Dex 16, Con 12, Int 10, Wis 6, Cha 11
Skills: Balance +15, Climb +10, Perception +7, Stealth +15, Swim +10
Burrow 30 ft.
Leech (Su): On a successful attack, spellcasters lose a random spell of the highest level they have prepared. Magical equipment loses one +1 or a random ability. (The leech is a temporary draining of magical potential and equipment abilities return at a rate of +1 or one ability every 24 hours.)
Leeching Rake (Su): If the powerleech strikes a single creature with both attacks, they deal an additional 2d6 damage to the target and leech an additional spell or ability.
Pounce (Ex): As a full action, a powerleech can move up to twice its speed and then perform a full attack.
SR 14


SHADOW, IMPROVED (CR 4) – CE Medium Undead (Incorporeal)
DETECTION – darkvision 60 ft., Listen +7, Spot +7; Init +2 (Dex)
DEFENSES AC 13 (+2 Dex, +1 deflection), touch 13, flat-footed 11; hp 45 (7d12); Miss 50% (except incorporeal attacks); Immune incorporeal immunities (grapple, nonmagical attacks, trip), undead immunities (ability damage, ability drain, critical hits, cold, death effects, disease, energy drain, exhaustion, fatigue, mind-affecting, nonlethal damage, paralysis, poison, raise dead, sleep, stunning, and any effect requiring a Fortitude save (unless it also works on objects or is harmless))
ACTIONSSpd fly 40 ft. (good); Melee incorporeal touch +5 (1d6 Str); Ranged +5; Space 5 ft.; Reach 5 ft.; Base Atk +3; Grapple -; SA create spawn, strength damage; Combat Feats Dodge, Flyby Attack
SQ darkvision 60 ft., incorporeal traits, turn resistance +2, undead traits
STR -, DEX 14, CON -, INT 6, WIS 12, CHA 14
FORT +1, REF +3, WILL +4
FEATS: Alertness, Dodge, Flyby Attack
SKILLS: Hide +11*, Listen +8, Search +5, Spot +8

Create Spawn (Su): Any humanoid reduced to Strength 0 by a shadow becomes a shadow under control its killer in 1d4 rounds.

Incorporeal Subtype: Immune to all nonmagical, corporeal attack forms. Even when hit by a magic weapon, spells, spell-like abilities, or supernatural abilty it has a 50% chance to ignore any damage from a corporeal source (except for positive energy, negative energy, force effects, or ghost touch weapons). Holy water can affect incorporeal creatures. Can enter or pass through solid objects, but must remain adjacent to its surface (enemies have total concealment while the shadow remains inside the object). Automatically succeeds on Move Silently checks. Invisible to nonvisual senses (scent, blindsight).

Incorporeal Attacks: Attacks ignore natural armor, armor, and shields.

Skills: +2 racial bonus on Listen and Spot checks. +4 racial bonus on Search checks. *+4 racial bonus on Hide checks in areas of shadowy illumination, -4 penalty to Hide checks in brightly lit areas.


SYNAPTIC MASK

A synaptic mask consists of several thin leather straps that affix to the wearer’s face. Most of the wearer’s face is visible through the leather webbing. The strands that make up the mask all come together at the wearer’s left temple, where a setting is affixed. The setting contains a clamp in which owners can set various types of special stones.

A synpatic mask uses up the same area on the body as a headband, hat, or helmet.

Synaptic masks have AC 5, 10 hp, hardness 3, Break DC 15.

Synaptic masks are always active while worn (they do not require activation). A synaptic mask confers an effect only when a shard or meld stone rests in its setting. Without a specified stone in its setting, the synaptic mask confers no extra abilities.

Manifester Level: 13th; Prerequisites: Craft Universal Item, fabricate; Market Price: 3,000 gp; Cost to Create: 1,500 gp and 120 XP; Weight: 1 lb.

Meld Stone of the Alchemist: When set in a synaptic mask, the meld stone of the alchemist grants its wearer a +8 competence bonus on their Alchemy checks, a +6 bonus on their Appraise and Use Magic Device checks, and a +4 competence bonus on their Knowledge (arcana) checks.

Manifester Level: 13th; Prerequisites: Craft Universal Item, fabricate; Market Price: 3,000 gp; Cost to Create: 1,500 gp and 120 XP; Weight: 1 lb.

 Go to Part 8: Laboratories 24-26

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