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Waterdeep: Dragon Heist - Manshoon

Something I’ve been asked several times since sharing the Alexandrian Remix of Dragon Heist is, “How are the PCs supposed to pull off the heist at Kolat Towers?”

The perception is that the opposition at Kolat Towers is so deadly that, if the PCs choose to engage it, they’ll get wiped out.

The first thing to understand is that, to a large extent, that’s what makes this such a great heist. The fact that the PCs can’t just bull rush their way through the opposition is both why they need to perform a heist (in order to avoid direct confrontation) and why the heist will be so utterly satisfying when they do pull it off.

With that being said, let’s talk a little bit about how this heist works in actual practice.

BROAD TOPOGRAPHY

If you’re not familiar with Dragon Heist or the Alexandrian Remix, here are a few key facts that should help you understand what follows.

(1) Kolat Towers is the headquarters for a sect of the Zhentarim ruled by Manshoon.

(2) There is a force field around Kolat Towers. Those wearing a pass-amulet can pass through the force field.

(3) You can also access Kolat Towers by means of teleportation circles that are located in various Zhentarim outposts around Waterdeep/Faerun. The Kolat Towers side of these teleportation circles are all located in a single hub at the top of one of the towers.

(4) This hub also contains a secured teleportation circle that leads to an interdimensional fortress that serves as Manshoon’s Sanctum. Using this teleportation circle requires the use of a teleportation signet ring.

(5) The primary target of the heist is a magical Eye, which Manshoon keeps in an astral vault in his library. The library is located at the top of one of the three spires in the Sanctum.

(6) Manshoon spends most of his time in his quarters or laboratory, which are more or less located at the top of the other two spires.

So, broadly speaking, you need to get access to Kolat Towers, use a teleportation signet ring to get access to the Sanctum, and then steal the Eye out of the library.

KEY FACTORS

There are a couple major factors to keep in mind when running the Kolat Towers heist.

First, as noted in the remix:

…most of the Towers’ inhabitants will simply assume that anyone who has bypassed the force field must have a pass-amulet and, therefore, must have legitimate business there. Their incredible security system has, ultimately, made them somewhat lax when it comes to actual security, and PCs who are smart enough to lean into that assumption can effectively seize a surveillance opportunity for themselves mid-heist.

This is really important. If you screw this up — by, for example, having the first NPC to see the PCs immediately scream bloody murder and call for help — then it’s going to be much, much more difficult to pull off a successful heist.

(It’s okay if the PCs screw it up, of course. That’s their unique prerogative.)

Second, the remix also has a section on “Questioning the Zhentarim” which describes what the typical Zhentarim thugs, apprentice wizards, and lieutenants all know about the layout of Kolat Towers, the location of Manshoon, the Stone of Golorr, and the location of Manshoon’s Eye.

The important thing to remember here is that all of these NPCs can (and likely will) be encountered before they enter Kolat Towers. That’s by design: If the PCs stumble blindly into a direct confrontation with Manshoon, then they’re probably screwed. To avoid that, they need to know where to go and, equally importantly, where NOT to go in the Sanctum.

Third, if things do go haywire and the heist fails, the original description of Manshoon from Dragon Heist (p. 160) should be kept in mind:

This version of Manshoon isn’t spoiling for a fight. He commends the characters for making it this far and shows no concerns for the Zhents they defeated to each him, since he considers all his followers expendable. The characters’ best chance of survival is to convince Manshoon that they can be cowed or bribed into working for him. Weary of his conflict with the Xanathar Guild, Manshoon suggests that the players prove their usefulness to him by hunting down and killing Xanathar in its lair…

I’d tweak this slightly, for the purposes of the Remix, to suggest that Manshoon’s top demand will be for the PCs to steal back the Eye that Xanathar stole from him. (Hopefully the PCs will do a better job of this new heist they’ve been pointed at.)

Regardless, at this point in the campaign it is very likely that the PCs have access to information (or people) that Manshoon dearly desires, and they should be able to trade that for their freedom and/or to form an alliance with Manshoon. This effectively gives them a mulligan on a failed heist at Kolat Towers.

THE FIRST HEIST

Let’s look at how this actually played out at my table.

One of the Zhentarim faction outposts is Yellowspire, a tower on the west side of Waterdeep used by Banite priests that contains one of the teleportation circles leading to Kolat Towers. The PCs learned of Yellowspire from their contacts in the Doom Raiders, a different sect of the Zhentarim who were opposed to Manshoon’s control.

Long story short, the PCs cleared out Yellowspire and the teleportation circle would become their access point for Kolat Towers. They also had a pass-amulet that they had obtained from raiding a different Zhentarim faction outpost.

At this point, the didn’t know much about what they would find on the other side of the teleportation circle. So they disguised themselves as Banite priests, using vestments and holy symbols gathered from Yellowspire, and went through.

Waterdeep: Dragon Heist - Kolat Towers

Working their way down the tower from the teleportation hub, they encountered the statue of Duhlark Kolat in Area K10. They used the pass-amulet to get past the statue. (In reality, the statue simply floats into the air, issues a magic mouth challenge, and then sinks back down a minute later. But their experience was being challenged, holding up the amulet, and then watching the statue sink back down.)

Crossing to the other tower they provoked an attack from gargoyle guards and the sound of their fight attracted the attention of Yorn the Terror, a half-orc who had been trying to enjoy a little piece and quiet in the adjacent reading room with his signed copy of Volo’s Guide to Monsters.

Yorn saw their Banite robes and the pass-amulet they wore… and promptly ordered the gargoyles to stand down. “You have to show them the amulet,” he explained. “Otherwise they’re almost as big a terror as I am. Who are you here to see?”

The PCs thought quickly and offered up a basically random name that they knew to be associated with the Zhentarim: Agorn Fuoco.

I called for a Charisma (Deception) check at this point. It was a success.

“Agorn?” Yorn said. “I think you just missed him. He headed back through the portal to his quarters in the sanctum.”

“Through one of the other portals, then?” Pashar frowned.

“You came from Yellowspire?” Yorn said. “Yes. You’ll want the other teleportation circle. Do you have a signet ring?”

They did not. I could have called for a Charisma (Persuasion) test, but I decided to just let the result of the Charisma (deception) test ride forward.

“All right,” Yorn said, slipping a ring from his finger. “You can use mine. But make sure you have it back to me before dawn!”

“Pardon my ignorance,” Kora said. “But what happens if we don’t get it back before dawn?”

“I rip your arms off!” Yorn roared.

“Thank you! Much appreciated!”

Yorn gave them some brief instructions, telling them to ask Kaejva, on the other side of the teleportation circle, to give them directions to Agorn’s quarters. “And tell Agorn he owes me one.”

Yorn went back to his book, and the group rapidly backtracked to the teleportation hub.

At this point, of course, the PCs had everything they needed to smoothly access the Sanctum. And that’s exactly what they did.

THE SECOND HEIST

Ultimately, however, the first heist was not successful in retrieving the Eye: They lacked the key information of where it was located. Instead, they poked around for a bit, got a general sense of the Sanctum’s layout, and talked to a couple more Zhentarim who inadvertently told them where Manshoon’s quarters were located. Then they withdrew.

(In the process of withdrawing, they actually lured Agorn Fuoco back to Yellowspire and murdered him, too, but that has only a minimal impact on subsequent events.)

The first heist effectively became what we refer to as a “surveillance opportunity” in the heist scenario structure. They now knew a lot more information about their target, and they were going to use that to plan a second heist.

Their information, however, was incomplete. And, as a result, they drew an erroneous conclusion: They felt confident that Manshoon would be keeping the Eye on him. Thus, they believed that the target of the heist was Manshoon himself!

However, they also recognized that there was no way that they could go toe-to-toe with Manshoon, the Night King, Lord of Zhentil Keep, Master of the Black Network, and Scourge of Shadowdale.

Their solution was to go back to their contacts in the Doom Raiders — the other faction of Zhentarim in Waterdeep — and make a simple offer: “We know where Manshoon is. We have a way past his defenses. We’ll help you kill him, but you have to agree to let us take possession of a specific magical item in his possession.”

Waterdeep: Dragon Heist - Doom Raiders

They didn’t even need to make a check for this: They’d already proven themselves to be reliable friends to the Doom Raiders, and given the circumstances there was no way that the Doom Raiders wouldn’t leap at the opportunity they were being given.

Independently I determined how long it would be before Zhentarim agents realized that Agorn Fuoco and the Yellowspire operation had been compromised. If that had happened, Manshoon’s Zhentarim would have cleared out Yellowspire, severed the teleportation circle, put Kolat Towers on high alert, and left the PCs high-and-dry. But the PCs moved quickly, and returned to Yellowspire before Manshoon’s Zhentarim realized anything was amiss.

They came with a Doom Raider strike force: Ziraj, Tashlyn, and Davil Starsong, all major leaders of the group, led a mixed force of four veterans and ten thugs. (The composition of the strike force was based on page 17 of Dragon Heist: “Tashlyn offers affordable mercenaries, either thugs costing 2 sp per day each or veterans costing 2 gp per day each.”) Yagra, the PCs’ primary contact with the Doom Raiders, also tagged along.

Their plan was simple: The PCs, once again dressed as Banite priests, would teleport through to the Sanctum. They knew from their previous visit that Kaejva, a wizard, stood watch over the arrival platform from an observation chamber off to one side. They would bluff their way past her, then circle around and kill her, before returning to usher the Doom Raider strike force through.

Here, however, their plan hit a snag: They flubbed their cover story with Kaejva and she, suspicious, prepared to cast a sending spell to summon Manshoon. One of the PCs were prepared for this however, and used misty step as a bonus action to pop into the observation chamber next to her, disrupt the casting of the spell, and throw the lever that would open the door for the other PCs.

Having killed Kaejva, they brought the Doom Raiders through.

From that point forward, their raid was basically clinical: Successful Stealth tests saw them systemically ambush and slaughter the Manshoonian zhents. (Several were sleeping. And the PCs knew where the others were likely to be congregating based on their prior surveillance.) It was overwhelming force applied to isolated, unprepared resistance.

The strike force did not, in fact, suffer a single injury before they burst into Manshoon’s private quarters.

THE DEATH OF MANSHOON

Manshoon was not so easily overwhelmed.

But what Manshoon had coming through the door at him was a platoon of twenty-four hostile warriors (including the PCs), and because there had been no warning he wasn’t prepared. He barely managed to get his robe of the archmagi wrapped around himself as the door burst open. He bought himself a few more seconds of time with a misty step followed by a wall of force, but he was pursued with misty step in kind and his concentration on the wall of force was broken. He managed to trap Davil Starsong in an imprisonment spell (the consequences of which are rather far-reaching and remain uncertain as of this writing), but then he was pretty much swallowed up by the Doom Raiders and PCs.

What’s the fall out of all this?

Well, the PCs have Manshoon’s Eye and are one step closer to restoring the Stone of Golorr. They also have his spellbook, robe of the archmagi, and staff of power. I made the decision to not limit the robe by alignment, so Pashar, the 5th level PC wizard, is glutted with power. The consequences of this, particularly with the PCs liberally spreading the word of their role in Manshoon’s death to the Harpers and Force Grey, are still to be seen.

If Davil Starsong had been around, he probably would have made a claim to these items. But with him imprisoned, the other members of the Doom Raiders who were present lacked the knowledge to push the issue. They’re fairly happy in any case: Not only did the PCs help them wipe out Manshoon, but with Manshoon dead they assisted in cleaning out the rest of Kolat Towers so that the Doom Raiders could move in. Even if/when Davil returns, he’ll probably rank “private interdimensional fortress” as a fair trade for the robe and staff.

OTHER APPROACHES

I don’t want to convey the sense that any of this is the One True Way for tackling Kolat Towers. Quite the opposite. The great thing about a well-designed heist scenario is that there ISN’T a One True Way. The whole point is that the PCs are free to make their own plan and then we find out together whether or not that plan is going to work.

Honestly, even after the PCs made their alliance with the Doom Raiders I figured the most likely outcome of this plan would be that, at some point, the alarm would be raised and then Manshoon would arrive and lower the boom. It was exciting to see the plan come together and get pulled off in defiance of all expectations.

Other options that I’ve thought could work:

  • Using disguise self spells to mimic the appearance of known Zhentarim agents and infiltrate the Towers.
  • Actually pretend to join the Zhentarim in order to gain access to the Towers.
  • Simply cut a deal with Manshoon.

What cool plan have you concocted? What have your players attempted? Did it work?

IN THE SHADOW OF THE SPIRE

Liquid light in a diamond flask was brought forth. The glowing liquid was poured across Rehobath’s brow, bathing him in its light as it coursed down over his shoulders.

A circlet of elfin gold was produced and placed upon Rehobath’s brow. As it settled into place, the liquid light flowed back up across his body, becoming concentrated in a great glowing bauble that shone forth from his forehead.

About twenty years ago now, I opened a Word document on my computer and saved it as “Fantasy Materials.” It was originally intended to be a magazine article, but it quickly became the sort of project that’s never finished because it can’t be finished. The document became a storehouse for fantastical materials: Not magic items, but rather those strange substances that can only be found where pervasive magic has changed the very substance of mortal reality.

As I wrote in the introduction to the article-that-was-not-to-be:

These are not the common materials of history or the modern world. Items of marvelous grandeur may be forged from gold and silver, but such items lack the spark of the fundamentally fantastic which even a simple blade of mithril possesses. This, then, is a catalog of things which never have been and will never be. Here there are gems which will never sparkle; trees which have never been felled; stones from quarries which will never be mined; metals which will never be forged.

They are the building blocks of a world which can live only in our imagination.

Some of the material in this article was stuff I had created out of wholecloth – like taurum, the true gold which makes common gold naught but a bauble, or wave cypress, a pale blue wood that never rots. Others, following in the grand tradition of mithril, were the result of kitchen-sinking, like Terry Pratchett’s darklight or Fritz Leiber’s snow-diamonds.

This is clearly something that Monte Cook also enjoys, as the Ptolus sourcebook includes a number of unique special materials, too. (Including the liquid light referred to above.)

The utility of this storehouse is manifold:

  • It’s an easy resource to tap when you want to put magic in the set dressing.
  • Any time you want to infuse an element of the game world with the fantastical, you can reach for this list and do so. For example, the ritual of the novarch’s inauguration is studded with liquid light (what it says on the tin), godwood (a pale white wood that glows in the presence of divine magic), and elfin gold (an alchemical admixture of gold and ruby dust with tremendous flexibility).
  • It allows you to craft structures and vistas impossible in the mundane world. For example, the lighter-than-air stone known as heliothil which makes floating towers and flying ships possible. Or the sheets of ruby crystal which can be used to create literal gemstone rooms.
  • It can be used to create fantastical challenges for high level characters. Ironwood, for example, requires adamantine axes to fell and can be used to construct incredibly sturdy doors and other structures. Or locks made of cortosis that resist magical knock spells.
  • It can provide memorable and noteworthy treasures (much like Bilbo’s original mithril shirt). For example, abyssopelagic gems that are fused in the depths of the ocean and melt at the pressures of sea level unless preserved with magical stasis fields. Or the lens of phantomglass that allows you perceive invisible spirits. Or the woven shirt of ghost grass which has the protective properties of chain.

It would be a mistake, though, to constantly fill your world with novel, never-before-seen material. The reason “mithril” resonates with meaning when I say it to you is because you have been exposed to it countless times; its redolent with lore. So the new fantastical materials you introduce to your campaigns will gain meaning over time as you reincorporate them into new contexts: The PCs encounter a statue of elfin gold, the individual strands of its metallic hair impossibly blowing in the wind. They see it used as magical circlet by Rehobath. They discover small craft-ingots of it in the alchemical laboratory of a dark elf. And so forth.

It’s great when the players recognize and truly know these fantastical materials. It’s even better when they’ve internalized them and start seeking them out: “You know what would be useful for this? Some shadow-veined rock.”

IN THE SHADOW OF THE SPIRE

The doors of the cathedral opened again. The holy symbols of the nine gods – each crafted from glowing godwood – were brought forth. As they passed Dominic, each symbol pulsed with scintillating brilliance, prompting a fresh cheer from the crowd. The symbols were placed in a circle around Rehobath, who kneeled in the center of them and lowered his head in prayer. After a few moments he raised his face to heaven.

One of the things that I think can add a lot of depth to the world is populating it with specific rituals: Not just, “I say a prayer to my god.” But, “How, specifically, do Imperial priests say their prayers?”

Invoking the rites of smart prep, it’s probably best to only prep rituals that are of particular significance to the PCs: Either rituals that they’re going to participate in, or which are part of events which have particular significance to them. (As, for example, in this session of In the Shadow of the Spire.) Particularly large and complex rituals can also be used as the basis for entire scenarios. (For example, I have not infrequently used them as the backbone of a party-planning scenario.)

When it comes to creating these rituals, it’s a little too easy to just say, “Become familiar with lots and lots of real world rituals.” For example, when designing this particular ritual — the inauguration of a Novarch — I’m pretty sure I just spun it up without additional reference; I was drawing on a lifetime of familiarizing myself with different religious traditions. I don’t say that to pat myself on the back, but to point out that studying the real world is the best way to improve your fictional creations. As the old saying goes, if you want to write better fantasy, you’ve got to read more stuff than just fantasy.

The important thing, though, is that you want the traditions and rituals of your world to be more than just thinly veiled copies of some real world tradition or ritual. There’s a ton of mediocre D&D worldbuilding you can find out there, for example, that’s based around people only familiar with the Christian traditions they grew up with basically trying to map those traditions directly onto fantasy pantheons.

So as you’re broadening your studies of real world history and culture, it’s not just about increasing the number of sources you can copy-and-paste from. Rather, it’s about seeing how different cultures took meaning (often similar meanings) and turned them into symbols. And as you come to understand the breadth and variety of that process, you’ll be arming yourself to duplicate the process rather than just pasting in various bits.

REAL-WORLD ANALOGS

For example, if I had been faced with creating a ritual for inaugurating the novarch when I was just starting out as a DM in the early ‘90s, my instinct would have been to look at a real-world analog (say, the coronation of the Christian pope). And then I would have basically taken that ritual, reskinned each step of the ritual with some fantasy equivalent, and been happy with the result.

If you’re in the position of wanting a real-world analog to work from, though, the first thing I’d suggest is to look for a real-world equivalent that is more distant from the fictional ritual you’re trying to create. For example, maybe you’d want to look at the rituals by which a British monarch is crowned. The reason for this is that the greater distance between the real-world analog and the fictional reality will force you to make larger creative decisions, transforming the ritual into something truly unique to your world.

You can do this with other elements of the game world, too. For example, let’s say that you’re looking for inspiration to fill in the history of a kingdom in your world that looks a lot like medieval France. Your first instinct would be to look at the actual history of medieval France, right?

What I would do instead is reach for the history of Japan. Using the cool bits of Japanese history that resonate with you in a medieval European-esque kingdom will force you to translate them — politically, culturally, geographically — in such radical ways that the result will necessarily be infused with a healthy amount of your own creativity.

Layering is also good: Go through the history of Japan and pull out the cool stuff you like. And then go through the history of, say, Russia and do the same thing. Now you’ve got a whole gestalt of influences and the kingdom you’ll end up with will feel unique and rich; and not just a cheap copy of Charlemagne.

PRACTICE SESSIONS & SIMPLE RITUALS

Bringing it back to rituals, the key thing to understand is that all ritual is fundamentally about symbolic equations. In order to make a cool ritual, you need to figure out what the ritual is trying to say or do and then symbolically realize that.

Using the novarch’s inauguration, for example, the ritual is about indicating that this person is now in charge of the Imperial Church of the Nine Gods. So:

  • They have the approval/blessing of the Nine Gods. (The holy symbols of the Nine Gods are placed in a circle around them. Over time, these symbols are likely to be made out of a special material. Godwood makes sense.)
  • They are symbolically transitioning from a mortal life to one divinely chosen. (Liquid light washes their former life away.)
  • They are given a symbol of their new authority. (The liquid light is drawn up into a circlet of elfin gold. They are dressed in the crimson robes of their new office.)

At the other end of the spectrum, there are the daily, simple rituals that are part of everyone’s life in the world. When you’re designing these, you don’t want to overcomplicate them. Look at the daily rituals people do in the real world. Generally speaking, they are not ornate or overwrought.

One of the reasons for this, of course, is that any daily ritual that starts out as particularly complicated will simplify itself over time. Think about how, for example, the complexities of Christian prayer have generally simplified down to “put your hands together.”

You can actually duplicate this process in developing your own rituals. (This is also really good practice for getting a gut instinct for how these symbolic representations work.) For example, you worship the God of War and you want to request their blessing for a battle. What is it you’re asking for? To be better at killing your foes, right? And what’s the most literal way you could do that? Kill a foe.

So, asking for this blessing from the God of War would have originally consisted of plunging your blade into the heart of a captured foe.

But that’s obviously really complicated and difficult. So how could it be simplified?

  • Instead of needing to kill a human foe, you can symbolically use an animal sacrifice instead.
  • Killing one animal for every single person in your army is inconvenient, so everyone just needs to get their blade bloody from a single common sacrifice.
  • What if there’s no animal handy? Well, cut your thumb on the edge of your blade. Blood is blood, right?
  • What if you’re not using a bladed weapon? Could you could instead prick your thumb on the sharp point of the God’s holy symbol instead?

And there’s your simple ritual: Followers of the God of War prick their fingers with their god’s bladed holy symbol before going into battle.

You could also look back over this progression and find interesting variations or combinations:

  • A feudal lord cuts himself with the God’s holy symbol and holds out his hand so that the knights he is leading into battle can each receive a drop of his blood on their blades.
  • It’s not unusual for followers of the God of War to incorporate the God’s holy symbol into the hilt of their blade. A hidden catch or similar device that can provide a sharp edge allows them to knick themselves for their before-battle prayer.

And so forth.

You can see how a similar process, in the real world, leads to “hold your sword up in front of you as if it were a cross and ask for the Christian God’s blessing,” but because we started with a different symbolic base we ended up in a distinct and interesting place.

It should be noted, of course, that there’s not a single right answer here. This is the progression that occurred to me. You could start with a completely different initial ritual (breaking a weapon captured from a foe) and end up in a symbolically different place (you bend the blade of your holy symbol, representing the broken blades of your enemies). Or you could start in the same place and end up in a symbolically different place. (When the priest of a god of war provides a blessing – i.e., casting a buff spell like bull’s strength – it actually creates a small, illusory animal that the recipient of the spell must “sacrifice” in order to receive the god’s boon.)

Ptolus - In the Shadow of the Spire
IN THE SHADOW OF THE SPIRE

SESSION 21: THE SAINT’S SCHISM

May 11th, 2008
The 9th Day of Kadal in the 790th Year of the Seyrunian Dynasty

Tee turned around. “Ranthir?”

Ranthir muttered a few words of magic and then carefully examined the invisible barrier. “It’s completely impenetrable. And beyond my ability to dispel.”

“I thought we got rid of the ghost.”

“Apparently not,” Agnarr said.

“Or there’s more than one ghost haunting this place,” Tor said.

Tee grimaced. “Let’s hope that’s not the case.” She paused for a moment and thought things over. “All right. We can’t get out this way, but we can always climb down the walls. Let’s head back up to that collapsed balcony. I think that’ll be easiest.”

Tee headed back into the courtyard. A flash of lightning drew her eye upwards… and she suddenly caught sight of a large, hunched figure leaning over the edge of a walkway that stretched between two of the keep’s towers. Instinctively she whipped out her dragon pistol and fired.

The blast of energy struck the edge of the bridge. The figure jerked back and then shambled off towards one of the towers – disappearing from sight.

“What was it?” Elestra asked.

“I don’t know,” Tee said, slowly holstering the pistol. “I couldn’t see it clearly.” (more…)

Go to Part 1

NODE 3: ALICIA COREY’S BOARDING HOUSE

  • A wooden, hand-painted sign declares as much on the sloped front lawn. An attached lower placard reads ROOM FOR RENT.
  • Ma Kelley is a woman in her mid-50s. Widowed when her husband was killed in the war. She knows what the Girls know (below), and can also provide Alicia Corey’s rental application.
  • Men are generally not allowed through the door at any hour; if they have official credentials, she won’t make a fuss about it, but it will nevertheless startle the girls.

Bedrooms: One of the second floor Chambers is occupied by Ma Kelley. The other four are furnished for rental. Three are occupied (including Alicia’s); the fourth is currently available for rent.

ALICIA COREY’S RENTAL APPLICATION

  • She moved into Ma Kelley’s in July.
  • Lists a forwarding address: 169 Page Street West, St. Paul, MN.  (Node 5: Fatima’s Shrine)

QUESTIONING THE GIRLS

  • Betty, Grace
  • They probably don’t’ know that Alicia is dead (unless it’s been a couple of days, in which case the cops have followed up).
  • Alicia always paid her rent promptly in cash.
  • She worked as a secretary, but they realize they don’t know for what firm.
  • She never had any guests that they can recall, but she did keep strange hours from time to time. (Ma Kelley doesn’t have any sort of curfew, so this wasn’t considered a problem or anything.)
  • She’d once mentioned during dinner that she had been in Cairo. The girls thought this was terribly exotic, but it didn’t seem as if Alicia wanted to talk about it. (Betty is convinced this means that she has a dark and mysterious past; probably featuring a lover who tragically died.)

ALICIA COREY’S ROOM

Furnished with care and love. A handmade quilt on the bed. (Features an arabesque design indicative of it being Egyptian in origin.)

Writing Desk: Everything is meticulously clean. Any written matter has been carefully destroyed.

Loose Floor Board: Under the bed. Alicia Khouri’s Diary is hidden inside.

ALICIA COREY’S BACKGROUND

Alicia’s real name is Alicia Khouri. She is of Egyptian descent.

Rashida Khouri, Alicia’s mother, is a Hu-manifestation of Ra and a Sister of Fatima. Alicia learned the teachings of the Sisterhood from her mother, but had not yet been indoctrinated into the inner mysteries of the coven. (She didn’t know that her mother was a Hu-manifestation of Ra.)

Gladys Roy had alerted the Sisterhood that there was Tanit activity in the Twin Cities. Alicia was sent to conduct an investigation. She had tracked the cult activity to kidnappings at Harriet Tubman’s Asylum for Colored Orphans (Node 4), but gotten no further in her investigation at the time of her death.

Investigators may suspect that Corey was directly targeted in response to her investigation, but this is not the case. Her exposure to the Tophet serum whiskey was coincidental.


ALICIA COREY’S DIARY

Flipping through this thin red volume – well-worn and weather-beaten despite containing pre-printed entries only for the year 1925 – reveals that the first half is completely blank and unused. In July of this year, however, entries in a fine and elegant script begin (mostly in a blue ink, although there are some scrabbled out in pencil and others in a black ink; all appear to be of the same hand, however).

At first glance, most of the entries appear to be concerned with sightseeing around the Twin Cities. But in aggregate an odd pattern appears: The sites she is notating as if they were tourist attractions generally… aren’t. They’re common businesses or even private residences. Mixed in among these curious entries you notice a recurring mention of the name Tanith, and also one reference to “a defacement of the eye of Ra”.

Over the past month, the entries become fixated around a single location: Harriet Tubman’s Asylum for Colored Orphans, located in the Rondo neighborhood of St. Paul. The exact nature of these notes is difficult to discern as they are partly written in some form of code, but they seem to catalog the comings and goings of numerous individuals, tracking their movements in some detail.

If Lost, Please Return Me to
169 Page Street West, Saint Paul, Minnesota

Go to Node 4: Harriet Tubman’s Asylum for Colored Children

 

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