The Alexandrian

IN THE SHADOW OF THE SPIRE

Session 14A: Many Unhappy Returns

When Ranthir awoke, he quickly prepared the magical rites he would need to analyze and identify the equipment they had taken from Morbion. Much of this proved to be magical, but perhaps the most valuable were the finely-crafted boots he had worn. These had been enchanted with a levitation charm.

I think managing your gear is an important (possibly essential) part of Dungeons & Dragons. I don’t think it should be a painful or belabored process (and have even gone so far as to create house rules to streamline gear management), but both the balance of the game and its narrative dynamic are driven by PCs managing their equipment.

Some people may think that sounds like a strange idea, but the current session offers a couple good examples of what I’m talking about.

The first, which I already talked about briefly in “Treasure With Context”, is the orrery: A valuable treasure which is difficult to remove from the dungeon due to its bulk. If you were in a campaign that tended to just gloss over matters of encumbrance, it might be simple to simply handwave this away, too. “Once the complex is cleared, you’re able to figure out how to extract the orrery and sell it. Add X amount of gold to your bank account.”

But because there are structures and expectations in place, this campaign defaults to the players needing to figure out exactly how they’re going to solve this problem. The solution they came up with (selling the location of the artifact instead of the artifact itself) was incredibly clever, and thus both entertaining and rewarding in itself. But it also pushed the PCs to enter into an arrangement/alliance with a powerful noble family. That sort of thing has consequences.

Eventually, however, Tee was able to use the boots to reach the high cavern and confirm that there was, indeed, a cindershard outcropping there. Tee threw a rope and grappling hook down to her companions below, allowing Agnarr and Tor to climb up and join her in harvesting the crystals.

The second is the cindershard expedition: Notice that overcoming the challenges preventing them from harvesting the crystals couldn’t be easily overcome until they were properly equipped. Realizing that you aren’t currently carrying the right tools for the job will force a group to disengage and then, importantly, re-engage with the dungeon. Or it will force them to improvise around the lack. Either option will tend to create multi-faceted interest in the form of both challenge and drama as the groups deals with either the immediate jeopardies involved with improvising around missing equipment or dealing with the strategic complexities (and evolving narrative) that comes from leaving and then returning to the dungeon.

Dungeon expeditions are, above all, expeditions: It is a prolonged journey into a dangerous unknown where you are, for the duration of the expedition, cut off and unable to resupply from civilization. The decision to take resource X will unlock certain experiences, but comes at the expense of taking resource Y (which would have unlocked different experiences).

And if you look at Dungeons & Dragons from 1974-2008, the structures of the game are all ultimately focused on (and balanced around) the strategic elements of expeditionary play. While D&D is flexible enough that you can do many different things with it, the further your get from expeditionary play – the further you drift from Arneson’s and Gygax’s expected play – the more mechanical problems you’re going  to find cropping up.

OTHER DYNAMICS

This is often mistaken for one-true-wayism. That’s not the case. Gear management is rewarding for D&D’s dynamic; it often isn’t rewarding for other play dynamics.

Blades in the Dark, Blades in the Dark - John Harperfor example, focuses on criminal crews performing scores. Such scores are generally intended to be (and usually work when they are) one-shotted. You don’t want to disengage and then reengage with them; you want to run them.

To create challenging and drama-filled runs, Blades’ game play is built around two pillars: First, improvisation and retroactive planning. Second, ticking clocks and resource ablation that pushes the PCs to the wall and makes them hurt. The game, therefore, uses an equipment system in which you select a specific Load before each score. The Load determines how many useful items of gear your character is carrying (3 for a Light Load, 5 for a Normal Load, etc.), but you don’t have to decide exactly what those items are until you use them. (Thus you can improvise freely by simply declaring that you planned for and brought exactly the right item for this circumstance, but are also faced with the possibility of running out of Load slots, leaving you unequipped for the next challenge.)

Another example is Trail of Cthulhu, which has a Preparedness skill. As long as an investigator has access to their kit, they can make a Preparedness test to see whether or not they have a particular piece of equipment. This is desirable in Trail because the game’s focus is the investigation; periodically putting the investigation Trail of Cthulhu - Kenneth Hiteon hold in order to prepare an equipment list doesn’t enhance the core game play, it distracts from it. You want to move from getting a clue to seeing the payoff from the clue; you don’t want to pause between those two points for an equipment break.

Why couldn’t you just takes Blades-style Loads or Trail-style Preparedness and graft them onto D&D?

Well, you could. But as I alluded to above, equipment management in D&D is only one of the ways in which the game is designed for an expeditionary dynamic: Wizard spell slots, long-term hit point ablation. The game was built on mounting expeditions into the dungeons below Castle Blackmoor, and virtually all of the core game play that isn’t built around a combat simulator is built around those expeditions. Tearing out one chunk of that game play and replacing it with something else isn’t going to single-handedly change the nature of the game. You’re going to end up with a mechanical chimera. One that may, or may not, work out.

(But, if you don’t give careful thought to the actual effect you’re trying to achieve, is more likely not to.)

Ptolus - In the Shadow of the Spire

IN THE SHADOW OF THE SPIRE

SESSION 14A: MANY UNHAPPY RETURNS

January 5th, 2008
The 3rd Day of Kadal in the 790th Year of the Seyrunian Dynasty

They returned to the surface just as the sun was slipping behind the Spire. They walked home in the Spire’s shadow, arriving as true evening fell and Ptolus’ second dusk began.

They weren’t sure when they had begun to think of the Ghostly Minstrel as home, but as they washed their bloody clothes and bodies in the stables, that’s how they thought of it. And all of them were looking forward to a long and well-deserved sleep in their own beds.

Ptolus - The Ghostly MinstrelBut before they could get there, Tee voiced a thought that was on many of their minds: “We need to talk.”

“Can it wait until morning?” Elestra asked. “Breakfast?”

Tee shook her head. “No. We need to talk now.”

They retired to Elestra’s room – the room that had once been Agnarr’s. Once the door was shut behind them, Tee turned to face Elestra: “What happened down there… That can’t happen again. You nearly got us all killed.”

“It’s not that simple,” Elestra protested. “My snake—“

“It is that simple. That door had to be closed. Agnarr knew it. And you kept opening it.”

Agnarr nodded, and then Tor joined in: “And this isn’t the first time. This is life and death. You have to be focused. If you ever put us in that situation again, I’ll kill you myself.”

“I don’t know about that,” Tee said.

“Better one of us than all of us,” Tor said bluntly. “Dominic can always heal her wounds if we survive.”

Tee didn’t have a response for that. She turned back to Elestra. “Look, you say you care about your snake, but you keep sending it into dangerous situations. And its gets us all in trouble.”

“I understand that,” Elestra said. “But what am I supposed to do?” Read more »

Blades in the Dark - Crew Mission Type Table

(click for PDF)

This PDF collects the mission types listed for each crew type in Blades in the Dark on to a random table that can be used as a procedural content generator. As detailed below, it’s particularly effective when used in conjunction with the more specific procedural content generators already found in the core rulebook.

USING THE TABLE

FIRST: Roll 1d6 + 1d4 to generate a mission type. Option: Roll 1d8 + 1d4, with results of 7 or 8 on the d8 defaulting to the crew’s type. (This creates a result that will be biased towards the crew’s type, while also leaving open a sizable opportunity for other mission types.)

OPTION #1 – USE OPPORTUNITY TABLES: Roll 1d3 + 1d6 on the appropriate crew’s opportunity table and combine with the mission type.

  • Assassins, p. 103
  • Bravos, p. 107
  • Cults, p. 111
  • Hawkers, p. 115
  • Shadows, p. 119
  • Smugglers, p. 123

Example: “Smuggle Arcane/Weird” + “Union organizers want to arm factory workers in advance of a strike” tells you what kind of weapons the union organizers are looking for.

Example: “Sabotage” + “A master assassin has come out of retirement for one more job; many would pay well to know who their target is” means your mission isn’t just to figure out who the target is, but to prevent the master assassin from carrying it out.

OPTION #2 – USE WORK TABLE: Rolling 1d4 + 1d6 on the WORK table may seem superfluous, but can also combine with the mission type in unexpected ways (e.g., “Disappearance” + “Hollow or Revivify” resulting in a job where you need to kidnap a corpse in order to revive it).

  • Blades in the Dark, p. 306

Example: “Accident” + “Burglary or Heist”. It’s that much harder to kill someone and make it look like an accident when you ALSO need to purloin something from their person/house.

Example: “Augury” + “Poison or Arrange Accident”. Cult mission types can be difficult to interpret for other crews. In some cases, the crew may just be engaging in cult-like activity (attempting to gain a powerful augury by giving a noblewoman a very powerful poison that causes prophecies regarding their blood relations to appear as blood welts on their skin). You might also invert the scenario so that the crew is seeking to prevent a cult from carrying out the mission. Or the crew might be hired by the cult to do the mission.

FINALLY: Flesh things out with the other SCORES tables.

  • Client/Target, p. 306
  • Connected to Person/Faction, p. 307
  • Twist or Complication, p. 307

Play Blades in the Dark!

Castle Blackmoor's Dungeons - Dave Arneson

Newer readers may not be familiar with my old Reactions to OD&D series. If you haven’t read them, you may want to check them out first. It’s been more than half a decade since I last visited the series, but a recent discussion prompted me to track down and dust off some old notes.

Dave Arneson’s First Fantasy Campaign was published by Judges Guild in 1977. It “attempted to show the development and growth of his campaign as it was originally conceived.” (For those unfamiliar with the early history of D&D, the campaign in question is Blackmoor: The original dungeon, city, and wilderness setting in which Arneson created modern roleplaying games, and which would eventually become Dungeons & Dragons.) In practice, sadly, it is a deeply flawed book. It’s a haphazard concordance of lightly edited campaign notes, and Arneson, unfortunately, is not First Fantasy Campaign - Dave Arnesonparticularly effective in explaining what many of these notes mean or how they were supposed to be used in actual play. The confusing nature of the book is heightened because its contents span both the original Blackmoor material (starting in 1970), revisions made to his home campaign after D&D was published in 1974, and further revisions made to the material in order to run it at conventions from 1975-77… and Arneson is rarely clear about exactly which material is which.

To take one small example, let’s consider the BLACKMOOR DUNGEONS section of the book. The material described here is literally Ground Zero for every single roleplaying game ever published (and, by extension, a huge percentage of pop culture, literature, and gaming over the past 50 years). Being able to get a glimpse into how Arneson actually ran those games would be an incredibly cool insight into a cultural watershed.

It’s frustrating, therefore, to discover that the First Fantasy Campaign makes it basically impossible to puzzle out what Arneson’s actual procedures were. I’ve spent an incredible amount of time pouring over this section of the book, and it remains a tantalizing enigma. I have, however, managed to work out a few details which I think others might find interesting.

Before we begin taking a close look at the text, however, it’s important to note a key point of context:

The Castle itself is still blank since it has been destroyed twice and rebuilt twice and then taken over by non-player Elves when the local adventurers were exiled. Thus, there are no sheets or goodies for it and only a sketch of its appearance. The Cavern sheet of Encounters is also lost (at least the first ones and the new one is in use). For these deletions I apologize.

The first six levels of encounters were prepared in the last two years for convention games, and set up along “Official” D&D lines. The last (7th – 9th and Tunnel Cavern System) are the originals used in our game. Additional crazy characters that got into the game over the years have been the Orcian Way and Sir Fang the Vampire.

(…)

Details on room, Cavern shapes for the Tunnel/Cave system have been lost or misplaced.

The first thing is that, as noted before, sections of Arneson’s notes as presented in the First Fantasy Campaign had been revised for convention play. This has, for better or worse, eradicated some amount of crucial information. The second is that the notes have also been partially (but not wholly) revised through actual play.  And the third is that Arneson has deliberately not included some of his notes because he’s still using them in actual play. So you can already see that there are multiple layers of obfuscation here, made worse by the fact that some material has simply been lost due to the passage of time.

With that being said, let’s take a look at what Arneson is able to give us:

First Fantasy Campaign - Dave Arneson(click for larger version)

The other obstacle we almost immediately encounter here is poor proofreading.

For example, Arneson lists Group I, Group II, and Group III for monsters. Later he says: “The Grouping of the Monsters were Level I for 1st and 2nd levels; Level III Creatures for 3rd and 4th levels, etc . . .” It seems fairly certain that “Level III” here should be read as “Level II”. One might initially conclude, both due to similarity of usage and the use of the capitalized term “Grouping”, that “Group I” and “Level I” are meant to be the same thing, but they are clearly not. (Balrogs on the 1st level of the dungeon would be an unusual design choice.)

Level I most likely refers to something equivalent to OD&D’s Monster Level Tables, so Arneson is saying to use the “Level I” (sic) tables for the 1st and 2nd level maps of Blackmoor. But if “Level I” and “Group I” aren’t the same thing, what are the Group listings used for? Ultimately, after going over the text several times, I’m forced to conclude that there simply isn’t any explanation given for why he created the Groups or what purpose they served. (Perhaps the order of the Groups was inverted and they ARE the same thing as the Levels, with Balrogs being Group III creatures instead of Group I?)

THE ARNESONIAN DUNGEON

Here’s what I think can be worked out with a fair degree of certainty. If you want to run Blackmoor in a style similar to how Arneson originally ran it:

1. You’ll need Level I, Level II, Level III, Level IV, and Level V monster tables.

  • 1st / 2nd level: Level I
  • 3rd / 4th level: Level II
  • 5th / 6th level: Level III
  • 7th / 8th level: Level IV
  • 9th / 10th level: Level V

These tables are not provided in the First Fantasy Campaign, but it’s likely that these were D10-based tables. (He writes “all dice throws were with 10-sided dice.” Although this appears as almost a non sequitur in the text, the only logical use of the D10s here would be on the monster tables.) To stock the tables, I would probably try to pull a full list of monsters appearing on the Blackmoor key and the anomalous “Group” listings and then distribute them appropriately. (You might also consider stocking all of the creatures found in Chainmail.)

2. You’ll need to pull the point values for creatures from Chainmail. (And “due to the addition of new Creatures beyond those given in Chainmail” create point values where necessary. Additional values might also be gleaned from other sections of the First Fantasy Campaign.)

3. There is a “magic protection point” encounter budget that is determined by the dungeon level:

  • 1st level: 5 points
  • 2nd level: 15 points
  • 3rd level: 15 points
  • 4th level: 25 points
  • 5th level: 35 points
  • 6th level: 40 points
  • 7th level: 50 points

(It feels extremely likely that the value listed for either the 2nd or 3rd level is a typo. I’m guessing the values should either be 10 & 15 or 15 & 20.)

4. For each room, roll an encounter chance:

  • 1st level: 1 in 6
  • 2nd level: 2 in 6
  • 3rd+ level: 3 in 6

5. If an encounter is rolled, roll 1d6 for a 1 in 6 chance that the room includes “a higher (stronger) creature”.

(By default, I would assume “stronger” just means “use the next Level monster table,”  but you might have some chance of using encounters from even stronger Level tables. There’s also “a chance that weaker creatures would be present”, but it’s not spelled out. It’s possible Arneson just winged that. You might also consider rolling 1d6 and using a weaker encounter on 1 and a stronger encounter on 6.)

6. Roll on the appropriate Level table, then purchase creatures of that type using the “magic protection point” budget. If you don’t have enough points, then either “reroll or place a weaker version of the creature within the room (extremely old or young).

(Arneson gives no indication for mixed encounter types. You might wish to do so: Perhaps generate No. Appearing using OD&D methods and then, if you have points left over, check for additional encounters in the same room. OTOH, Arneson’s keys and wandering encounters give no indication that he ever used encounters with mixed creature types.)

CONCLUDING THOUGHTS

It remains unclear whether this was a “restocking” procedure that Arneson used between sessions or if he randomly determined results during play as rooms were being explored. It has the feel of a during-play system, but look at the key for the 7th to 10th levels (the ones set up according to the original schema and not revised for post-D&D convention play):

Note that the “Protection in Points” entry doesn’t consistently list points; it also lists specific creatures which have been generated with those points. If these are the notes Arneson was running the adventure from, then he was using the Protection Point system to restock. (For more on re-stocking dungeons, see (Re-)Running the Megadungeon.)

On the other hand, look at the similar key given for the Glendower Dungeons:

First Fantasy Campaign - Glendower Dungeons - Dave ArnesonThose entries would appear to be the “Protection Point” or “Magic Point” values for those rooms, without the nature of that protection being predetermined. In the description of Loch Gloomen, Arneson also writes:

Defense of Area

30 – 180 Magic Points Creatures (two six-sided dice): 2) Giant; 3) True Trolls; 4) Roc; 5) Air Elemental; 6) Ogre; 7) Basilisk; 8) Goblins; 9) Ghouls; 10) Lycanthrope; 11) Balrog; 12) Dragon

The fairly clear intention here is to roll 3d6 x 10 to determine the number of Magic Points, and then roll 2d6 to determine the creature type.

So it seems quite likely that the Protection Point system was a flexible one. Arneson could:

  • Stock the dungeon with specific creatures (using the Protection Point system as a procedural content generator).
  • Quickly note “there should be X amount of protection in this room” (and then either specify it later or generate it during play).
  • Randomly stock the dungeon room by room during play.

However, there are still several points which I find confusing. You might notice the “(Magic)” values given in the key for the 7th level of the Blackmoor dungeons, for example. It’s unclear what this entry is supposed to be: In any single entry it might be interpreted as an empty room’s encounter budget, the total cost of the listed “protectors”, or an unspent number of “magic protection points” that is meant to be spent in addition to the listed protectors. But no explanation seems to satisfactorily explain all instances (and any given explanation I’ve ventured is frequently contradicted by one of the usages). My suspicion is that he actually had a point system for determining how many magic items were located in each room (similar to the point budget for monsters in each room), but if so there’s no surviving evidence of how it would have worked.

Based on the key, it’s also likely that Arneson had some method for generating “Wealth” values independently from the Protection Points, but it’s not detailed here. (I’m guessing it was not dissimilar from that described in OD&D: 1 in 3 chance for treasure in occupied room; 1 in 6 chance in unoccupied room. And then rolls on some associated treasure table based on the dungeon level.)

It’s also unclear whether Arneson used wandering monster checks in addition to these room stocking procedures. It seems likely, but whatever method he may have used isn’t detailed. (Note that the poorly described “Wandering Monster Area” quadrant system described in the First Fantasy Campaign is part of the revision done to the material for convention play.)

Arneson also mentions that he would intermittently create “Home Bases for the Orc Tribes” and “special treasure troves”. These appear to have been completely arbitrary in their creation, but he would randomly roll to determine which level of the dungeon they would be added to. (“Thus the upper levels would occasionally have quite powerful encounters.”) The special distinction of the “Home Bases for the Orc Tribes” (as opposed to lairs for other creatures) seems significant, but I’ve been unable to tease it out. (And it may be entirely illusory.) There were four orc tribes in the campaign: Red Eye Orcs, Orcs of the White Hand, Isengarders, and Orcs of the Mountains, but the only information given relates to outdoor adventures, and it’s unclear what their agenda/function within the Blackmoor dungeon would have been.

I’ll also admit that I stopped trying to make sense of Arneson’s key for Blackmoor when I realized that he had 32 dwarves keyed to a room that’s 20′ x 10′. In the lower levels, there’s a point where he keys “250 Dwarves (living quarters)” into a room 10′ x 40′ long. There’s clearly some method to the madness here, but it’s beyond my ability to figure it out.

Go to Arneson’s Machines

Back to Reactions to OD&D

Blades in the Dark - System Cheat Sheet

(click here for PDF)

UPDATE: These cheat sheets have been revised and improved. I recommend checking out Version 3.

As those who follow me on Twitter already know, I’m in the early stages of a Blades in the Dark campaign. As I do with virtually every RPG that I run, I’ve prepped a cheat sheet for the game, and now that it’s been put through its paces a few times it’s ready to be shared with all of you.

Blades in the Dark is a really cool little game with three major claims to fame:

  • A detailed system for running and developing a criminal crew.
  • An innovative system for running heist scenarios using a combination of flashbacks and an “engagement roll”.
  • A very unique approach to framing action resolution through a combination of setting position and level of effect.

I’ll likely be discussing all of these in more detail at some point as I get a more experience with actually running/playing the game. (The last bullet point, in particular, is almost certainly going to be discussed as part of the Art of Rulings, because it bends your brain by pushing different paradigm in the way that you mechanically perceive and define action in the game world.)

As with my other cheat sheets, this cheat sheet is designed to summarize all of the rules for running the game — from Action Roll resolutions to Downtime activities. It is not, however, designed to be a quick start packet: If you want to learn how to play Blades in the Dark, you’ll want to read through the core rulebook. These cheat sheets are a long-term resource for both GMs and players, and can serve as a great tool for experienced players teaching newcomers, but it’s a cheat sheet, not a textbook.

These cheat sheets also do not include what I refer to as “character option chunks” (for reasons discussed here). You won’t find the rules for character creation, the character playbooks, or the crew sheets here. (Although you can find many of those resources at bladesinthedark.com.)

HOW I USE THEM

I usually keep a copy of my system cheat sheets behind my GM screen for quick reference and I also place a half dozen copies in the center of the table for the players to grab as needed. The information included is meant to be as comprehensive as possible; although rulebooks are also available, my goal is to minimize the amount of time people spend referencing the rulebook: Finding something in the 8 pages of the cheat sheet is a much faster process than paging through the full rulebook. And, once you’ve found it, processing the streamlined information on the cheat sheet will (hopefully) also be quicker.

The organization of information onto each page of the cheat sheet should, hopefully, be fairly intuitive.

Page 1-2: Core Resolution. This includes all of the core rules for action resolution, including action rolls, resistance rolls, fortune rolls, consequences, harms, stress, and progress clocks (plus additional resources related to those topics).

Page 3: Crews & Factions. I’ve also dropped the rules for Incarceration onto this page.

Page 4: Scores. All the rules for running a score.

Page 5-6: Downtime. And once your score is done, everything you need for downtime activities (including vices).

Page 7: Miscellanea. Collecting together rules for Coins, Rituals, and Crafting.

Page 8: Principles. This page includes the game’s “core loop”, the standards for who controls which types of decisions (Judgment Calls), and the best practices/goals for players and GMs alike.

MAKING A GM SCREEN

These cheat sheets can also be used in conjunction with a modular, landscape-oriented GM screen (like the ones you can buy here or here).

I usually use a four-panel screen and use reverse-duplex printing in order to create sheets that I can tape together and “flip up” to reveal additional information behind them. I’m currently still experimenting with how I want to arrange the pages for my own personal screen. My initial arrangement did not work very smoothly, so I’m going to reorganize and try a different approach. (I’ll post an update when I figure it out.) At the moment, I’m fairly certain that Page 1 and Page 2 should be on top (visible at all times by default) so that I can quickly reference roll results, consequences, and the magnitude table at a glance. Beyond that, I still need to play with it a bit.

 


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