Out of Body, Out of Mind fails to think things through to their logical conclusions. A poorly conceived premise, killer traps, and an irrational set-up seriously undermine this module’s positive qualities.

Review Originally Appeared May 21st, 2001

PLOT

Warning: This review will contain spoilers for Out of Body, Out of Mind. Players who may find themselves playing in this adventure should not read beyond this point.

The plot of Out of Body, Out of Mind, in brief: Six hundred years ago this area of the world was a turbulent mass of fighting warlords. Then, one of their own numbers – Tirna’gael – gained in sudden strength and struck out against his fellow warlords, quickly coming to dominate the entire region before his death. The newly formed Order of Garadon entombed the warlord in his citadel: A castle of stone which hangs over the simmering cauldron of a volcano.

Although it is believed that the source of Tirna’gael’s power was the ring he wore, the Order of Garadon had actually discovered that Tirna’gael had become the host of a nescent – an invisible and incorporeal demonic entity which exists by possessing mortal bodies. The Order trapped the nescent by slaying the Tirna’gael host body and imprisoning it within an antimagic field.

Rumors now fly that the tomb – which has long been secured by mystic guards – has been broken into. The PCs are dispatched to stop the robbers. Unknown to the PCs, however, is that there is no robbery in process – and it is very likely that they will break the ancient seals on the nescent’s prison through their carelessness.

WEAKNESSES

All right, where to begin?

Let’s start with the premise… which makes no sense. First off, why wouldn’t the Order of Garadon brief the PCs about the true situation? More importantly, why isn’t the Order of Garadon sent in the first place – rather than handing the job over to the clueless? Second, if rumors are already flying about the break-in, why are the PCs dispatched to go to the prison in order to prevent the robbery that’s already happened from taking place?

Once the PCs reach the prison, these illogical premises continue unabated. For example, the mephits which were set to guard the prison don’t wake up until after the tomb has been opened and the nescent released. Apparently the author never understood the irony behind the saying “closing the coop after the chickens have flown.”

Nor is this the only variety of flaw in Out of Body, Out of Mind: Area 7, for example, has a killer trap. That trap can be avoided if a couple of die rolls are successfully made – otherwise it will most likely wipe out the entire party. The trap in area 9 is similarly designed so that escape is nearly impossible.

Out of Body, Out of Mind also uses the technique of keying multiple areas to a single set of text. I appreciate this technique when it is used appropriately. Unfortunately, it is not used so here.

STRENGTHS

Although outweighed by the adventure’s flaws, Out of Body, Out of Mind does have a few notable strengths:

First, Kapera creates the nescent by using the template rules. This idea of using the template as the monster is intriguing, and an interesting design point. I’m not quite sure if it works, but it’s noteworthy.

Second, although it is illogical for the mephit guardians to wake up only after the damage is done, once that happens Kapera introduces a rather interesting dynamic: The nescent will attempt to possess one of the mephits and control as many of the others as possible through its command lesser creatures ability – creating two factions within the fortress. This creates an interesting dynamic for the second half of the adventure (with the PCs trapped in a fortress full of fighting mephits), and if it had been more fully developed could have resulted in a truly fascinating adventure.

Of course, as interesting as it is, it only introduces a new problem into the adventure: Why would you set guardians over the nescent who can be controlled by the nescent? That’s like manning a prison with guards you know have been bribed by the prisoners.

And, at the end of the day, that’s the biggest problem Out of Body, Out of Mind has: The strengths it has are immediately undermined by the faulty foundation on which they have been built.

There are some salvageable elements to be found here, but they are deeply buried beneath the chaff.

Style: 3
Substance: 3

Author: Patrick Kapera
Publisher: Alderac Entertainment Group
Line: Adventure Boosters
Price: $2.49
Product Code: 8306
Pages: 16

For an explanation of where these reviews came from and why you can no longer find them at RPGNet, click here.

DISCUSSING
In the Shadow of the Spire – Session 45B: On a Hill of Corpse Flowers

Several stone sarsens jutted up from the ground, forming a rough and imperfect circle. Each of the sarsens bore the sigil of Alchestrin and were worn with age and crept-over with moss. The grass had grown tall around them, and here and there even taller plants had sprung up with broad, shiny leaves and brightly-colored flowers. More disturbingly, they could see the corpses of small animals scattered here and there around the sarsens.

A faint whiff of pungent decay wafted down the hill towards them, but they decided to brazenly ignore the animal carcasses and head straight up the hill towards the sarsens. As they drew near the circle, they could see in its center a large iron plug etched with bronze and set into the earth….

In my experience, it’s difficult to take a simple environmental hazard and turn it into compelling gameplay at the table. Not impossible. The same principles that make for compelling traps can also apply to natural hazards. I just find, without the element of human ingenuity behind the construction of a deliberate trap, that it’s harder to justify those principles.

With that being said, this session demonstrates a fundamental design principle that I find incredibly useful: If you have an environmental hazard, you can add almost literally any creature to the encounter and you’ll instantly make both the hazard and the creature more interesting.

If I had just added corpse flowers around the entrance to Alchestrin’s Tomb, it would have taken, at best, a trivial effort by the PCs to burn them away. Similarly, if they had found nothing except a coldsnake curled up on top of the iron plug, the result would have been a pretty perfunctory combat encounter. Either way, it would have been a pretty forgettable experience.

But put the two together and… Presto! You’ve got a unique experience.

This principle works, in part, because it can:

• Force target selection. Which problem are the PCs going to deal with first? (If they only have one target — or their targets are indistinguishable — then there’s no meaningful choice. As soon as you have multiple options, however, there’s an opportunity for tactical choice.)
• Create weird and unexpected interactions and/or synergies, potentially giving a fresh spin to even familiar abilities.
• Offer tactical opportunities that can be taken advantage of by either the bad guys, the PCs, or both.

You get similar results from combining multiple monsters of different types into the same encounter.

Fortunately, Tee – trying to suppress a cough that seemed as if it would rip out her lungs – spotted one of the tall, brightly-colored flowers turning towards them with an almost sadistic purpose. Making an intuitive leap she realized that the flowers – not the serpent – were the true source of the noisome plague. She shouted out a warning to the others while lurching towards the nearest flower, but her weakly-swung sword failed to produce any effect on its thick, armored stalk as she collapsed.

In this case, I hadn’t actually planned for the PCs not to realize the source of the poisonous malaise afflicting them, but it’s exactly the sort of thing that can just spontaneously emerge from encounters like this.

LOOTING BESTIARIES, REDUX

I’ve previously discussed how I’ll systematically loot bestiaries as part of the development cycle for a campaign. In this case, as I prepared Alchestrin’s Tomb, I went on a mid-campaign survey looking for stuff that would be cool to plug into the adventure:

• Corpse Flowers are from Creatures of Freeport.
• Coldsnakes are, unfortunately, from a disreputable publisher I won’t direct you towards because they scammed me.
• The iron plug and its riddling inscription is taken from the brief description of Alchestrin’s Tomb in the Ptolus)

I love RPGs with lots of high quality adventures, because those can be plugged directly into a campaign structure. But even better is an RPG with tons of modular material that can be plugged directly into scenario structures and scene structures (i.e., encounters). It’s just so much fun to go browsing through these toys, grabbing the coolest ones that catch your eye, and then seeing how they can be combined into cool stuff.

Campaign Journal: Session 45C – Running the Campaign: Agenda Pressure
In the Shadow of the Spire: Index

SESSION 45B: UPON A HILL OF CORPSE FLOWERS

October 31st, 2009
The 25th Day of Kadal in the 790th Year of the Seyrunian Dynasty

HOMUNCULI OF THE CITY

They wanted to get an early start the next day, but Elestra was still immersed in her meditations. And Tor had his training at the Godskeep. On the way there, Tor spontaneously decided to stop and purchase a bull whip. He had a few ideas for how it might come in useful.

While they waited for Tor to return, Tee grabbed the morning newssheets. The Columned Row Killer had struck again, but this time it had been seen in the act: A “tall, muscular creature with blue-black skin, glowing yellow eyes, and lanky black hair” had attacked a merchant passing through the Old City Gate. The creature had been driven off by the city guard, but not before leaving its victim in paralytic coma.

With a sinking feeling in their hearts, they recognized the description: It was the troll-spawn that had been freed from the Banewarrens. An evil that had been locked away for centuries now walked the streets of Ptolus.

Agnarr was also able to pick up the mage-touched chain that Hirus had been working on for Seeaeti. While the others discussed the troll-spawn, he took Seeaeti out near the Minstel’s stables and spent some time training him in the wearing of the mail.

Around noon, Tor returned to the Ghostly Minstrel and they went upstairs to check on Elestra. They found her missing: Her communion with the Spirit of the City had taken her on a walk-about through the streets of Ptolus, collecting bits of brick and rough cast which she eventually took to the heart of Midtown and there assembled into a geometrically fractal cairn. This final act of symbolic linkage complete, the cairn had risen up as the animated extrusion of the Spirit itself: A homunculi of the city.

Elestra returned to the Ghostly Minstrel and introduced the others to her new companion. They gathered in the common room for lunch and then left for the Necropolis.

POLLEN PLAGUE

With the information Ranthir had retrieved from the Administration Building on the 22^nd they found the tomb easily enough. Near the apex of a gently sloping hill (which Ranthir’s papers named Darklock Hill) they spotted several stone sarsens jutting up from the ground, forming a rough and imperfect circle. Each of the sarsens bore the sigil of Alchestrin and were worn with age and crept-over with moss. The grass had grown tall around them, and here and there even taller plants had sprung up with broad, shiny leaves and brightly-colored flowers. More disturbingly, they could see the corpses of small animals scattered here and there around the sarsens.

A faint whiff of pungent decay wafted down the hill towards them, but they decided to brazenly ignore the animal carcasses and head straight up the hill towards the sarsens. As they drew near the circle, they could see in its center a large iron plug etched with bronze and set into the earth.

Before they could actually enter the circle, however, Agnarr spotted dark scales slithering through the grass – marking the passage of a massive, coal-black serpent with scales that glimmered like black ice beneath the stars. In its wake, it left a thin veil of frost upon the grass. At nearly twenty feet in muscle-rippled length, it must have been wrapped around one of the sarsens to escape their notice. Now it reared up, gaping a mouth from which issued faint plumes of glittering, icy mist.

Tor and Agnarr moved forward to meet the serpent, but as they did so a sudden nausea settled over the group. The serpent must have been exuding some sort of disquieting aura or perhaps noxious fumes. The effect only seemed to intensify as it focused the gaze of its coal-black eyes upon Nasira, locking her in a paralytic gaze that stopped her stone cold.

The nausea, which sent Tor reeling, disrupted their concerted attack and Agnarr – although largely unaffected – found himself getting bound in its icy, limb-numbing coils. Before the serpents’ tightening curves could draw tight, however, Agnarr was able to stretch his mighty thews and break free, sending the serpent spasming away.

But then the real panic set in as Tor started coughing up black blood and oozing black blood from his eyes. The symptoms of the others were beginning to worsen as well, and with only Agnarr fit to face the serpent, it seemed unlikely that its threat would be ended before they were all unconscious or dead or worse.

Fortunately, Tee – trying to suppress a cough that seemed as if it would rip out her lungs – spotted one of the tall, brightly-colored flowers turning towards them with an almost sadistic purpose. Making an intuitive leap she realized that the flowers – not the serpent – were the true source of the noisome plague. She shouted out a warning to the others while lurching towards the nearest flower, but her weakly-swung sword failed to produce any effect on its thick, armored stalk as she collapsed.

Ranthir and Elestra, meanwhile, managed to retreat to a safe distance. Near the foot of the hill they discovered that they were beyond the plague-pollen of the flowers. With her lungs almost immediately alleviated, Elestra sent her homunculi to start hauling people to a safe distance.

Then Agnarr managed to finally plunge his flaming sword down the icy throat of the ebon snake. Wrenching his blade free he swung it towards the nearest corpse flower, but as he hacked it apart the flower exploded in a massive cloud of poisonous vapor and pollen – a visible blackening of the air that seemed to cling to skin and eyes, clawing its way through mouth and nose and down into the lungs.

Agnarr (at the heart of the explosion) and Ranthir (caught unexpectedly in its edge) collapsed. Elestra, in a panic, rushed in to heal the badly wounded Agnarr… and promptly collapsed from the pervasive pollen of the remaining flowers.

Thus all of them were unconscious upon the flanks of the hill, their bodies being slowly consumed by the plague pollen.

Fortunately, the homunculi continued carrying out its last orders: To carry the unconscious to the base of the hill and out of the pollen cloud. Several of those who were hopelessly ill before managed to recover once they were taken far enough away from the flowers and they were able to tend to the rest.

Once everyone had been restored to at least a semblance of health, they backed off to an even safer distance and then sent the homunculi to kill the rest of the flowers.

Running the Campaign: Monster + Environment – Campaign Journal: Session 45C
In the Shadow of the Spire: Index

Look, the robbers are living right next door to the man-eating ghouls! The Crypt of St. Bethesda is a textbook example of how not to write an adventure.

Review Originally Published May 21st, 2001

Let me just cut to the chase on this one: The Crypt of St. Bethesda strains credulity beyond the boundaries of sanity.

You’ve got a band of robbers living right next door to man-eating ghouls. Man-eating ghouls who wander through the lair of a giant spider. Giant rats which compete with a carrion crawler over the food provided by an inn’s garbage dump. And all of them live within shouting distance of a pseudo-undead on a killing spree to replace its decaying host.

And all of them live in the basement of an abandoned church!

Ummmm….

(Actually, now that I think about it, it sounds like a bad premise for a sitcom.)

Add in the dash of an illogical adventure hook (which the author knows is illogical because he spends nearly two pages discussing exactly how to force your players to swallow this ridiculous pill – and only succeeds in making it more ridiculous), and you’ve got a truly… ummm… memorable experience.

This one’s a very big dud, folks. Pass it by.

Style: 3
Substance: 1

Title: The Crypt of St. Bethesda
Author: James Macduff
Publisher: Alderac Entertainment Group
Line: Adventure Keep
Price: $2.49
Product Code: 8307
Pages: 16

Because these adventures are so short, the reviews are also short. When I started reviewing them, I actually grouped multiple reviews together to give them a little more bulk. But it turned out that messed with people’s ability to find them through RPGNet’s search function, so as I continued my reviews of the series I started doing them one at a time. Even if they were brief.

Next AEG Booster Review: Out of Body, Out of Mind

For an explanation of where these reviews came from and why you can no longer find them at RPGNet, click here.

DISCUSSING
In the Shadow of the Spire – Session 45A: By Commissar’s Decree

“I’m glad you could come here today,” Carrina said. “The Commissar appreciates all of the work and sacrifices you have made for this city.”

“Happy to oblige,” Tor said.

“As your recent actions in the Temple District suggest, you’re already familiar with the recent surge in cultist activities within the city,” Carrina continued.

“Intimately so,” Tee said.

“Just so,” Carrina smiled thinly. “That’s why the Commissar has chosen to deputize you to investigate the cultist activity.”

“We’re already doing that,” Elestra blurted.

“Then it should be no great hardship to do it in the Commissar’s name,” Carrina said. “You will each be paid 75 gold pieces a month, with additional bonuses to be paid at my discretion for tangible results.”

One of my favorite things to do as a GM is having powerful and important people – the people in charge – recognize and acknowledge what the PCs have been doing in the campaign. Sometimes this is a good thing. Sometimes it isn’t. Often it’s a little bit of both. But either way, this is almost always guaranteed to excite the players.

Focusing on just the good stuff for the moment, recognition in my games have resulted in the PCs being:

• Recruited to exclusive organizations
• Featured in news reports
• Invited to exclusive social events
• Deputized to solve a problem
• Given a spaceship
• Granted lucrative contracts
• Knighted
• Given noble titles

Sometimes this acts as a kind of reverse patronage: Instead of having someone rich and powerful offer them payment up front, they instead materialize after the fact and give the PCs a monetary or material reward for something they did for completely different reasons.

An earlier example of recognition as reward in this campaign was the Harvesttime party at Castle Shard. In that case, the social event reward also served as a way to advance several threads of the campaign, introduce new NPCs, and drop a number of clues.

Similarly, in this session, the PCs are getting deputized, giving them official recognition and a small stipend for doing the thing they’re already doing (investigating the chaos cults). Deputization is also an example of the techniques I talk about in Random GM Tips: Calling in the Little Guys, where the official response to the PCs calling the cops (or the local equivalent) is to say, “Wow! Yeah! That’s definitely a problem! Can’t wait to see how you resolve it!” So, in this case, I’m kind of preemptively taking “let’s go to the authorities!” off the table: Yes, the Commissar would definitely be interested in stopping the chaos cults. Rather than letting that potentially sideline the PCs, let’s instead seize the opportunity to put them in the spotlight!

In other words, delivering recognition as reward can often serve multiple purposes at the same time.

As such, no matter how positive the immediate recognition, it’s also almost always a double-edged sword: Being recognized as important also means painting a target on yourself. You’re an important superhero? Then supervillains may want to preemptively take you off the board. You’re known to have the ear of the crown prince? That makes you a target for grifters, conmen, and others who see the PCs as a means to their ends. (This is also what happened when Rehobath schismed the Imperial Church.)

To flip this one last time, though, the reason recognition attracts negative attention like moths to flame is specifically because the PCs are burning so bright! Even without a formal position (like becoming deputies), recognition can be as empowering as any magic item. Often moreso. Having the ear of the crown prince isn’t just really cool, it also lets you do things that would otherwise be impossible.

This not only enhances your current camapign. It’s also a signal that you’re ready for a new kind of adventure.

Campaign Journal: Session 45B – Running the Campaign: Monster + Environment
In the Shadow of the Spire: Index