The Alexandrian

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Excalibur's Sheath & Queen Morgana - Howard Pyle

Magic Swords are, universally, intelligent creatures. Possible explanations (some, all, or none of which might be true):

  • Prisons for higher-dimensional beings.
  • The matrix through which higher-dimensional beings communicate with the material world, and enact their will through mortal wielders.
  • The personality storage devices which preserve the personalities of the Ancients; or perhaps the crew of some interdimensional / interplanetary vessel.
  • Ancient artificial intelligence processing cores.

Arneson describes them as both the “Magic Swords of Mythology” and as “an entire family of magic swords”. The Swords comprised “most of the early magical artifacts,” with Arneson placing the statistics for each on an individual card.

Side: d8: Good 1-4, Neutral 5-6, or Evil 7-8

  • Sword will refuse to use its abilities for those on a different side.
  • Inflicts 2d6 damage on those serving the opposing side.

Intelligence: 1d12 + double the sword’s Intelligence modifier

  • Can be used for intelligence tests.
  • Swords will generally respect those with Intelligence equal to or greater than their own, but will tend to consider themselves in charge when wielded by lesser intellects.
  • Communication: No Communication 1-3, Pass on Gross Emotions 4-7, Speak 8-10, Telepathy 11+

Egotism: 1d12

  • Reflects the sword’s self-interest.
  • Make Egotism checks for things like: Leading wielder past better weapons, into greater dangers, demanding a share of the loot, payments made towards its interests (nicer scabbard, etc.), being captured by a character more likely to let it achieve its aims.

Powers:

  • Magical Bonus: To attack and damage rolls.
  • Damage Multiplier: Versus one or more monster types.
  • Ability Bonus: Applies to wielder’s Strength and/or Intelligence scores.
  • Special Values: Generally spell-like abilities, except for those listed below.
  • Magic Spells: A list of spells the sword can cast. This requires the wielder to use their action. They can cast a number of spells per day as indicated.

Special Values

  • Puissance: All enemies must make morale check when sword is drawn.
  • Morale: Morale bonus equal to magical bonus to morale checks for those on wielder’s side; twice that to the wielder.

RANDOM SWORD TABLE

D6D6D6
1A11K21Blue
2B12L22Purple
3C13M23Green
4D14N24Gold
5E15O25Grey
6F16P26Black
7G17Q27Maroon
8H18R28Pink
9I19Red29Yellow
10J20White30New Sword!

DESIGN NOTES

Simply waving away Arneson’s lengthy treatment of magical swords would have certainly been the easiest approach here. But it was also clear to me that magic swords WERE a central element of Blackmoor, particularly in its earliest days. (Where, as Arneson wrote, they were most of the magical artifacts to be found.)

The treatment of magical swords in the First Fantasy Campaign, however, is a confusing one. Much of the material clearly dates to the earliest days of Blackmoor when Arneson was using a system derived from Chainmail and amalgamated with any number of now unknown other mechanics. There are also clear indications that this material has been very lightly revised to make it superficially “compatible” with the published version of D&D. (One location where the terms “Intelligence” and “Brains”, the latter the original Blackmoor character stat, is the most significant giveaway of this incomplete revision.)  There are also any number of typographical errors, most likely introduced when Arneson’s handwritten notes were set to print by Judges Guild.

In order to render this material usable in my Blackmoor game, therefore, I needed to (a) figure out at least roughly how these mechanics had originally been used; (b) interpret the written descriptions of the swords accordingly; and (c) convert the swords to a format that could be used in OD&D. In this work, I have to thank DH Boggs, whose analysis of the swords helped me figure out how the mechanics would have originally worked in Arneson’s game.

In terms of adapting the swords: I chose to halve the original bonuses to Strength, Intelligence, and Combat and to implement “Double Value” as a doubling of damage against certain targets. I also randomly generated OD&D spells where the original sword descriptions simply indicated, for example, “6 spells”. (I first determined the maximum level of spell the sword was capable of casting using a table from the FFC, then simply randomly rolled from there.) I have also reverted the “Law vs. Chaos” elements of the magic swords to “Good vs. Evil”, for reasons that I’ll explain at a later date.

SWORD MATRIX


A +3 sword of detect evil/magic, puissance

x2 Damage: Dragons, Balrogs, Ghosts, Elementals

Ability Bonus: Strength +1, Intelligence +1


B +2 sword of detect invisibility, charm dragons

x2 Damage: Trolls

Ability Bonus: Strength +2, Intelligence +1


C +2 sword of invisibility

x2 Damage: Werewolves

Ability Bonus: Strength +2, Intelligence +1


D +2 sword of detect evil/invisibility, invisibility

x2 Damage: Dragons, Goblins

x3 Damage: Ghosts

Ability Bonus: Strength +1, Intelligence +2


E +2 sword of invisibility

x2 Damage: Giants, Orcs, Werewolves

Ability Bonus: Strength +1, Intelligence +1


F +1 sword of paralysis

x2 Damage: Giants, Werewolves, Wizards, Wraiths

x3 Damage: Dragons

Ability Bonus: Strength +2, Intelligence +2


G +1 sword of detect magic, invisibility, paralysis, see in darkness

x2 Damage: Elementals, Ghosts, Goblins

Ability Bonus: Strength +2, Intelligence +2


H +1 sword of puissance

x2 Damage: Dragons, Ghouls, Wraiths

Ability Bonus: Strength +1, Intelligence +2


I +1 sword of puissance

x2 Damage: Elementals, Humans

x3 Damage: Pudding

Ability Bonus: Strength +2


J +2 sword of invisibility detection

x2 Damage: Goblins, Ogres, Orcs, Pudding

x3 Damage: Balrogs

Ability Bonus: Strength +2, Intelligence +1


K +1 sword of detect magic, paralysis, puissance, see in darkness

x2 Damage: Ents

Ability Bonus: Strength +2, Intelligence +1


L +2 sword of detect magic, paralysis, puissance

x2 Damage: Balrogs, Giants, Ghouls, Mortals, Ogre

x3 Damage: Humans


M +2 sword of detect evil, puissance, see in darkness

x2 Damage: Ghouls, Humans, Orcs

Ability Bonus: Strength +2, Intelligence +1


N +1 sword of detect magic

x2 Damage: Werewolves

Ability Bonus: Strength +1


O +1 sword of detect magic, paralysis, morale (x2)

x2 Damage: Balrogs, Giants, Orcs, Trolls

Ability Bonus: Strength +1, Intelligence +1


P +1 sword of detect invisibility, see in darkness

x2 Damage: Mortals, Orcs, Werewolves

x3 Damage: Humans

Ability Bonus: Strength +2


Q +1 sword of detect magic, paralysis

x2 Damage: Ghosts, Goblins

Ability Bonus: Strength +1, Intelligence +1


R +2 sword of detect evil

x2 Damage: Elemental, Giants, Ogres, Werewolves

Ability Bonus: Strength +1, Intelligence +1

Magic Spells (2/day): charm person, light, read magic


RED +1 sword of detect invisibility/magic, morale, paralysis, puissance

x2 Damage: Elementals, Ghouls, Orcs, Trolls

Ability Bonus: Strength +3, Intelligence +2

Magic Spells (10/day): detect magic, hold portal, read magic, read languages, protection from evil, light, charm person, sleep

Note: Last owner was the Baron Wesley


WHITE (SILVER) +2 sword of detect invisibility/magic, puissance

x2 Damage: Mortals, Ogres, Orcs, Wraiths

x3 Damage: Dragons, Goblins

Ability Bonus: Strength +3, Intelligence +3

Magic Spells (11/day): continual light, detect invisible, detect magic, light, protection from evil, sleep


BLUE +3 sword of detect invisibility, invisibility, paralysis, puissance

x2 Damage: Balrogs, Ents, Ghouls, Giants, Goblins, Orcs

x3 Damage: Elementals, Wizards

Ability Bonus: Strength +2, Intelligence +3

Magic Spells (4/day): continual light, haste, hold portal, locate object, protection from evil, protection from normal missiles


PURPLE +2 sword of detect evil/magic, paralysis, see in darkness

x2 Damage: Balrogs, Ents, Giants

x3 Damage: Werebears

Ability Bonus: Strength +2, Intelligence +3

Magic Spells (5/day): detect evil, invisibility, knock, locate object, protection from evil, read languages


GREEN +3 sword of detect invisibility/magic, puissance

x2 Damage: Balrogs, Elementals, Goblins, Ogres, Orcs, Werebears, Werewolves

x3 Damage: Trolls

Ability Bonus: Strength +2, Intelligence +1


GOLD +1 sword of detect magic

x2 Damage: Elementals, Ents, Ghosts, Orcs

x3 Damage: Goblins

Ability Bonus: Strength +3, Intelligence +3

Magic Spells (6/day): Any 1st level spell


GREY +4 sword of morale, paralysis, see in darkness

x2 Damage: Balrogs, Ghouls, Giants, Goblins, Mortals, Pudding, Wraiths

Ability Bonus: Strength +3, Intelligence +3


BLACK +2 sword of detect invisibility, paralysis, puissance, see in darkness

x2 Damage: Ghosts, Ghouls, Ogres, Mortals

x3 Damage: Balrogs

Ability Bonus: Strength +5, Intelligence +3


MAROON +1 sword of detect invisibility, see in darkness

x2 Damage: Dragons, Ghosts, Giants, Goblins, Trolls

x3 Damage: Balrogs, Humans

Ability Bonus: Strength +3, Intelligence +3

Magic Spells (9/day): continual light, ESP, infravision, invisibility (10’), protection from evil (10’), read languages


PINK +2 sword of detect magic, morale, puissance, see in darkness

x2 Damage: Elementals, Ents, Ghosts, Giants, Ghouls, Trolls, Werebears, Werewolves, Wraiths

Ability Bonus: Strenght +2, Intelligence +2

Magic Spells (2/day): conjure elemental, hold person, fly, phantasmal forces, protection from normal missiles, teleport


YELLOW +2 sword of detect invisibility

x2 Damage: Elementals, Ogres, Wraiths

x3 Damage: Dragons, Giants

Ability Bonus: Strength +2, Intelligence +2

Magic Spells (8/day): detect evil, ESP, fly, locate object, phantasmal forces, read languages, sleep, slow


Next: Castle Background & Features

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Golden Ornament from Panagyurishte Gold Treasure - Adam Jones

See Part 1 to determine if a room has treasure and what type of treasure it contains, then roll on these tables.

GOLD

LEVELGOLD
1st / 2nd Level1d6 x 100 GP
3rd / 4th Level1d6 x 500 GP
5th / 6th Level1d6 x 1000 GP

POTIONS & AMULETS

(1d6: Potion 1-5, Amulet 6)

2D6POTION/AMULET
2Shape Changing (Polymorph Self)
3ESP or X-Ray Vision
4Longevity
5Flying
6Giant Strength
7Sustenance
8Speed
9Heroism
10Control (Animals 1-2, Human 3-4, Giant 5-6)
11Invisibility
12Teleportation

Potions: Alchemical, liquid transmuted by technomantic process, or nano-particles in a liquid suspension.

Amulet - David RingAmulets: Amulets either harness and imprison minor demons, feyish spirits, or some other powerful entity. Or they are ancient technomantic artifacts; the enduring technology which serves as a template for the cheap, modern “spell eggs” (see below). 1d50 charges. The former either expend or release their trapped spirit; the latter can be recharged with battery power.

SPECIFIC ENTRIES

Heroism: 10% chance the effect of the potion is permanent, but works by replacing the current version of the character with one from an alternate future/dimension. Amulet’s effect lasts for as long as it is worn, expending 1 charge per day.

Sustenance: Drinking the potion renders it unnecessary for the drinker to imbibe food or water for a month and a day. The amulet works like a create food spell.

ARMS & ARMOR

2D6ARMS & ARMOR
2Lightning Bolt Thrower (Laser)
3Blue Armor
4Armor or Shield +2
5Armor or Shield +1
6-8Magic Sword
9Bow +1
10Bow +2
11Magic Arrows
12Fireball Thrower

Blue Armor: This armor is formed from an extraordinarily light blue metal. The greaves each have a panel of multi-colored buttons, but these only work when the armor is fully assembled (as per a lightning bolt thrower, a fireball thrower, and 1d3 random pieces of Equipment.) When generated, determine which piece is present randomly:

D6BLUE ARMOR
1Helmet
2Breastplate
3Vambrace
4Greaves
5Gauntlets
6Roll Again Twice (stacks)

Each additional piece of armor adds a +1 bonus to AC. (Thus a complete suit is +5 armor.) However, when a complete suit is worn the onboard AI activates and takes control of the suit. (Those wearing the suit can sometimes be heard screaming, “Let me out! No! Stop!”)

Fireball Thrower: 1d100 charges. 6th level fireball.

Lightning Bolt Thrower (Laser): 1d100 charges. 6th level lightning bolt.

EQUIPMENT

3D6EQUIPMENT
3Transporter 1-4, Dimensional Transporter 5-6
4Battery Power 1-4, Generator 5-6
5Medical Unit
6Communicator
7Skimmer 1-3, Flyer 4-5, Borer 6
8Crystal Ball
9Spell - Formula 1-3, Egg 4-6
10Storehouse of Normal Items (roll GP value)
11Ancient Books, Manuscripts, and Maps (roll on sub-table)
12Triorder
13Mount (Super Horse 1, Worg 2, Unicorn 3, Clockwork 4, Roc/Tarn 5-6)
14Illusion Projector
15Screener
16Mercurial Water
17Robot 1-5, Controller 6
18Time Machine
D6ANCIENT BOOKS, MANUSCRIPTS, AND MAPS
1Technical Manuals
2-4Maps (General 1-3, Treasure-Gold 4, Treasure-Equipment 5, Treasure-Magic 6)
5Educator
6Entertainer
D6ROBOTS
1-2Fighting Machine
3Water Machine
4Flying Machine
5Teleportation Machine
6Humaniform

Battery Power: A battery of the ancients. They can be used to recharge technological items of the ancients.

  • Generator: Generators are large, generally immovable facilities that create energy. This energy may be harvested from the environment by comprehensible means (geothermic, solar, etc.); or it may be based on incomprehensible technology (space-time crystals, etheric harvesting, etc.). Generators can be used to recharge batteries. 10% of generators can also create one dose of mercurial water per week.

Borer: 1d100 charges, 1 charge per hour of use. Can dig through ten yards of any material every hour. Makes a hole 10’ x 10’ as it goes. It has no weight but can only move about 1 mph.

Communicator: 10% chance it is found with a paired device.

Crystal Ball: Per OD&D. Images displayed looking like they’re composed from “ragged lines” (like a holographic CRT display).

Flyer: A lightweight vehicle of the ancients that can be folded up to relatively compact dimensions. As per broom of flying (50%), flying carpet (40%), or a flying carpet that can carry up to 12 people (10%).

Illusion Projector: 1d100 charges. Can create the 3D image of anything and animate that image. Range is line of sight, no limit, and image must be less than 100 yards on a side.

Medical Unit: Coffin-sized unit. Will heal all wounds in 24 hours, but there’s no way to get out early. 1% chance per person healed that the unit loses power.

Mercurial Water: Silvery liquid. Can be used to refuel robots, skimmers, time machines, and other vehicles of the ancients.

Screener: 1d100 charges. Creates spherical sphere of energy. Cuts out all outside light, magic, etc. Those within the barrier are behind the equivalent of +5 Armor. Magic cannot pass the barrier. Lasts 10 minutes per charge. 5% chance it malfunctions and cannot be lowered manually (staying up until the current charge runs out).

Skimmer: A lightweight vehicle of the ancients that can be folded up to relatively compact dimensions. Can cross stretches of water at great speed, 50 mph and greater, as well as marsh and short (10 yards) stretches of low unobstructed land. Hitting a snag will wreck the Skimmer and cause the occupant one Hit Die in damage per 5 mph of speed. Chance of hitting a snag is about 1% per 100 miles of water, 5% in marsh, and 5% everytime any land is crossed. All encounter chances can be ignored due to its speed.

Spell Egg: Technomantic, clockwork devices. Modern spell-eggs are inferior to those of the ancients (which are classified as amulets), and are one-use only items.

Note: Ancient manufacturing facilities known as Laboratories crank out spell eggs (the Egg of Coot controls one). Newer facilities, seeking to reverse engineer the Laboratories, are known as Workshops (the Ran of Ah Fooh has created one).

Spell Formula: These are plans which allow one to make spell eggs. The arcane arts are based on figuring out how to adapt the details of these plans (most of which are reverse-engineered from amulets) so that they can be performed as magic rites (i.e., spells). So one trained in the arcane arts can also use these formula to either make spell eggs (the equivalent of scrolls) or learn the spells (customizing rites into their spellbooks).

Time Machine: See Robots.

H.G. Wells - The Time Machine

Transporter: These are large, generally immovable facilities, similar to a Star Trek transporter pad. One can use the equipment to transport somewhere else. If one has access to a crystal ball or similar distance viewer, they might also be able to transport people to the pad. 1% chance per person transported that the facility loses power.

  • Dimensional Transporter: Dimensional transporters work the same, but can also access locations in other dimensions. Each dimensional transporter generally only has 1d6 such dimensions currently accessible, although it may be possible to load additional dimensional tables into them.

Tricorder: 1d100 charges. Will give the operator complete physical information about any item it is pointed at. Has a range of 100 yards, only metal will block its effect. Will only give out information that it is specifically asked for. When asked general questions, there is a 25% chance it can be found in its limited databanks.

ANCIENT BOOKS, MANUSCRIPTS,  AND MAPS

Educator: Teaches you how to use the mechanical marvels of the ancients. One tape in the machine, other tapes can be used as treasure finds, etc.

Entertainer: Any jolly you ever wanted, and some that might kill you. User loses track of time and is open to attack. Roll 1d10 for hours of use. Cures all fatigue and raises fighting level by one for the rest of the day.

Technical Manual: Describes the function and use of Ancient technology.

ROBOTS

  • Base Stats: 1d6 AC, 1d6 HD; there is a 10% chance that any robot is a lightning thrower (20 bolts, 6d6 damage).
  • Controllers: Allows players to get Robots to do what the player wants. Otherwise, there is only a 20% chance you can use the Robot, 20% chance it is defective, 60% that it is hostile.
  • Size (1d6): Small 1-3, Medium 4-5, Large 6
    • Small: Autonomous unit. Roughly human in size.
    • Medium: Capable of being piloted (requires training/educator) by a single passenger.
    • Large: Capable of carrying 3-18 passengers.
    • The fact the larger sizes can operate as vehicles is not immediately apparent.

Fighting Machine: A tripod combat platform. +2 HD.

Flying Machine: A hovering droplet of liquid silver metal with a rippling, ridged, perfectly reflective surface.

Humaniform: A humanoid robot or android. Some are quite lifelike in their simulation of humanity (or other species).

Teleportation Machine: Generally tripod robots, although humaniform variants have been reported. These entities can, upon request, teleport you and/or themselves to a location of your desire. (Or use the same function as a devastating offensive capability and/or means of flight.)

Time Machine: Roll a d6 to determine the type of temporal manipulation the machine is capable of. The machine’s power requirements are quite severe, however, requiring mercurial fluid for each temporal manipulation.

  • 1, 2, 3: Stopping time for 1d6 rounds, during which time it can take actions.
  • 4, 5: Travel forward through time, reappearing in the same spot at a later time of their choosing.
  • 6: A true time machine, a la H.G. Wells. Its incredibly convoluted control schema, however, requires a save vs. spells. On a failure, the character has inadvertently (and irrevocably) shunted themselves into an alternate timeline.

Water Machine: Amphibious robots that operate freely in water. Some take the form of articulated, modular robotic sea serpents.

DESIGN NOTES

As far as treasure generation is concerned, there is some evidence that Arneson originally used a point budget to stock treasure, too. Or, at least, magical treasure. Unfortunately, as far as I can tell, no details of this system are available. The method developed here is based on the basic methodology found in Volume 3 of OD&D, using additional methodology inspired from the incomplete Loch Gloomen and Bleakwood stocking tables, and original magic tables stocked with Arneson’s science fantasy items and his magic swords.

Most of the items found here originate specifically from Arneson (with a few exceptions, such as mercurial water). I have made a number of entries much more specific in their description, however, reflecting my personal creative impulse. (For one example of this in practice, see Arneson’s Machines.) I have also added a number of specific mechanics for items, perhaps the trickiest of which was the Time Machine (which I thought about eliminating entirely due to the self-evident difficulties such a device would create in actual play… before deciding, “Fuck it, let’s go for it and see what might happen.”)

What I consider the most important thing to grok about the Blackmoor setting is that it is post-apocalyptic and much of its “magic” is actually super-science technology. You can see that reflected in the treasure tables here and, if anything, I’ve leaned even more heavily into this concept. I find it interesting, but also perhaps unfortunate, that every iteration of Blackmoor seems to have stripped away more and more of this unique character, leaving behind an increasingly generic D&D milieu.

My personal vision is that there is a source or cache of ancient technology deep beneath Castle Blackmoor. There is also, as established by Arneson, a “gate to Hades”. (These may be one and the same thing, but, at least for myself, I think not.) As the forces of Evil migrate up through the dungeon, they bring the Ancient technology with them, making its secrets available to the world above. It also means the further down you go into the dungeons, the more they become a technomantic, super-science complex.

The other thing I love about Arneson’s items list is how many of them unlock new game play (rather than just enhancing the existing cycle of play). When you get a dimensional transporter, the game is going some place it hasn’t before. If you get your hands on a borer, your whole relationship to the campaign changes. (I’m assuming that’s how the original Blackmoor players ended up constructing the Orcian Way, a tunnel straight from the first level of the dungeon the tenth.)

Other notes…

What about silver pieces and copper pieces? I found no evidence in the First Fantasy Campaign that Arneson was using either prior to D&D.

My vision of amulets and spell eggs is an example of leaning into Arneson’s science fantasy. When Arneson spoke of “manufacturing spells”, he was almost certainly just talking about “formula scrolls”, but I follow my inspiration here. Same thing with the nano-particle potions.

Next: Magic Swords

Go to Part 1

War of the Worlds - Tripods - Henrique Alvim Corréa

D10SPECIALPOINT COST
1Basilisk100
2Giant Animal150
3Robot100
4Vampire100
5Man-Eating Seaweed150
6Black Pudding / Green Slime50 / 15
7Succubus / Incubus50
8Living Statue150
9Ghost (roll on sub-table)100
10Normal Monster With A Special Power+50

Basilisk: Has 4-24,000 GP in its lair.

Giant Animal: Each of these giant animals claim a demesne within the dungeon. And are named. (See Supplement II: Blackmoor for additional Giant Animal stats, but increase their HD.)

  • Giant Worm: Sinak
  • Giant Insect: Siliar

Robot: Roll on the Robots treasure table. If generated here, they are not quiescent.

Man-Eating Seaweed: Infests an entire section of the dungeon. It fights like a multitude of entities (purchase with its point total), but can only be permanently destroyed by finding and burning out its roots.

Living Statue: Each has the likeness of a Greek God. Only Poseidon does not appear; he was defeated and left broken somewhere in the dungeon.

Ghost: Roll on sub-table.

Normal Monster With a Special Power: Roll on appropriate Group table, then roll on the Potion/Amulet treasure table to determine the creature’s innate power.

GHOSTS

D20GHOST
1Ghosts of the Black Hall
2Ghosts of the Library
3The Dog Duke
4Marcellius
5The Wizard's Howl
6The Forgotten Maiden
7Headless Baron
8Lady of Lust
9Lord Calvin
10The Jungle Beast
11The Child's Room
12The Ghost Rats
13-14Tortured Soul
15-16Soul from the Black Pit
17-18Dead Delver
19-20The Lords' Council

Ghosts of the Black Hall: 40 years ago Ben-Hassock barbarians invaded. A diplomatic delegation was conducted to the Reception Hall. The barbarians had a wizard disguised in their ranks, who released a spell through the ten enemy representatives, transforming them into abominations. 10% chance this encounter is actually with the 10th enemy abomination (who was never found; use stats of Type II demon from Supplement III: Eldritch Wizardry). Otherwise it’s with a ghost from those slain in the Black Hall.

Cap'n Goldsack - Howard PyleGhosts of the Library: These are the spirits of the noblemen who were slain by the Weasel when he sought to betray Blackmoor to the Egg of Coot. Only glimpses are seen, for it is said they are still bound to the Library in some strange way. They cry out for release.

The Dog Duke: Seeks to augment his horror with blood-letting and death. (His body is interred in the Tombs.)

Marcellius: A hero buried in the Tombs. This ghost will come to the aid of those in the dungeon, quenching its thirst for blood on evil heads.

The Wizard’s Howl: A Wizard who, due to his black arts, was walled up within his laboratory beneath the Castle and left to die. His ghost is, at any time, obsessed upon the casting of a single spell.

The Forgotten Maiden: A Duke who feared the Castle would fall during a siege walled up his wife within the dungeon along with a plethora of his other treasures. He died in the siege and no one knew where he had hidden her. Her screams echoed up into the Castle for weeks before she died (and still do upon occasion). If someone reminds her of her husband (90% if male, 25% if female), she will lead them into deadly danger. Otherwise, she will seek to lead them to her body (and the treasure she lies upon).

Headless Baron: The headless ghost of Baron Alveraz, who was killed in a surprise barbarian attack some years ago and whose supposed appearance foretells doom.

Lady of Lust: Her fate for being an uncooperative wife is to take any man into her grasp, leaving their face horribly transformed into a gray rictus.

Lord Calvin: Fell victim to the Lady of Lust and killed himself in despair at the fate that had befallen him. Since that time, he rather graphically takes out his anguish on whomever is in the room when he appears.

The Jungle Beast: A Baron kept this beast as a pet. The Beast eventually had enough of him and put an end to the Baron. It vanished with the Baron’s remains.

The Child’s Room*: A somewhat dirty child’s room. It will appear randomly in various rooms of the dungeon; if you leave and return, it will be gone. Sometimes it becomes seemingly attracted to particular people, seeming to “follow” them around. Sometimes you leave the room and you’re in a completely different section of the dungeon. The child itself is never seen, but the rocking horse in the corner will gentle creak back and forth.

The Ghost Rats*: A carpet of surging, ectoplasmic rats. They don’t attack, but their passage can drain the life from those who can’t get up off the floor.

Tortured Soul: One of many slain in the Torture Chamber beneath the Castle. Their spiritual forms show the wrack wrought upon their bodies in their death.

Soul from the Black Pit: This scorched and blackened spirit escaped (or was released) from Hades through the portal somewhere deep within the depths of the dungeon.

Dead Delver: So many have died exploring the dungeons beneath the Castle. Here’s another one.

The Lords’ Council: The other apparitions of past rulers are, for the most part, scary but harmless apparitions who do quite a bit of horsing-around (and sometimes wander down into the dungeons). It seems as if any who rule from Blackmoor’s throne and is buried within or beneath its walls is cursed (or blessed?) to wander its halls and catacombs as a restless spirit.

OTHER GHOSTS OF BLACKMOOR

Lord Alfred and His Wife: Lord Alfred was caught by his wife with one of the serving wenches. The resulting foray by his wife and her battle axe made a permanent impression upon her husband and the servant. The gory act is recreated upon occasion within the room where it happened. The room has been sealed up in response. Years later a lord locked his wife and wealth and children in the room during a siege (not realizing what room it was), and they were killed by Lord Alfred’s wife, too. The room was sealed again; the cursed treasure not removed.

DESIGN NOTES

The special monsters listed here are all inspired by the original Blackmoor keys or other accounts of play with Arneson. A few are a bit more of a stretch than others, however: Robots appear only in the treasure tables, not any of Arneson’s keys (but having autonomous robots running around down here feels right). The “Man-Eating Seaweed” appears only as that name and I’ve creatively expanded upon it. Normal Monster With A Special Power is based on “Air Elemental W.A.S.P.” from the original key (for which testimony exists that W.A.S.P. stands for With A Special Power); it follows logically that other special monsters might receive special powers. Living Statues are perhaps the largest reach, being based entirely upon the description of a broken statue of Poseidon found within the original dungeon.

Among the Ghosts, most are drawn directly from Arneson’s notes on the haunted halls of the Castle. (It might be interesting to run a session set within the Haunted Castle during an epoch when it’s been sacked or otherwise abandoned.) The exceptions are the Child’s Room and the Ghost Rats, both of which I created from wholecloth. A few other details have also been added as they struck my fancy (such as the idea of the heroic Marcellius being a helpful ghost to be feared by the Bad Guys.)

The original Vampire — literally the first vampire in all of D&D! — was the player character Sir Fang. (Who, in turn, prompted the creation of the Cleric class to oppose him.) In the epoch at which I’ve chosen to diverge from established, the Baron Fant is not yet wandering these halls as Sir Fang. But vampires are cool.

Next: Treasure Stocking

Running Castle Blackmoor

September 29th, 2018

Castle Blackmoor

October 1st is Dave Arneson Day, a celebration of the Father of Roleplaying Games on the day of his birth. After writing up Reactions to OD&D: The Arnesonian Dungeon, I decided that I wanted to celebrate Dave Arneson Day this year by running Castle Blackmoor. And I specifically wanted to do so in a way which would closely emulate the feel of that very first session when Arneson’s players walked into the basement, discovered Castle Blackmoor, and ventured down the stairs into the dungeons beneath it.

I relatively quickly decided on a few mission parameters for this endeavor.

First, I wasn’t interested in trying to re-engineer the original rules Arneson used, if for no other reason than that this is, in fact, flatly impossible. Arneson kept no records of those rules, he never shared them with anyone (including the players), he redesigned them so often that I doubt even he remembered what the original rules were by 1973, and I’ve already done the “explore mysterious ur-text mechanics and cobble a game out of them” thing (see Reactions to OD&D).

Second, my specific point of interest was the way in which Arneson organically created the dungeon; i.e., the game structures he used for stocking and re-stocking the dungeon. As described in The Arnesonian Dungeon this is something that we’re able to tease out of the surviving record with a fair amount of detail (if not necessarily the specific charts and so forth).

Third, my interest in exploring the established canon of Blackmoor was fairly minimal. This can be a fascinating topic (although frustratingly scant; so many players, but very few memories, and the memories that have been recorded often contradict each other and the written records), but Blackmoor was (and arguably is) a living campaign with 40+ years of history which has been inconsistently reflected in disparate printed sources. Rather than enmeshing myself in that sort of Byzantine continuity, what I was interested in was creatively positioning myself in the same place Dave Arneson creatively positioned himself on Day 1 of the Blackmoor Dungeons and then moving forward from there.

What did this approach mean in practice?

  • Take the original maps of the dungeon as presented in the First Fantasy Campaign.
  • Recreate the original monster and treasure stocking tables to the best of our ability, then use them to stock the maps.
  • Establish a minimal baseline of “established lore”, largely based on the material in the First Fantasy Campaign.
  • Set up a scenario reminiscent of Greg Svenson’s recollection of The First Dungeon Adventure.
  • Run the game using just the original three OD&D booklets.

I want to be quite clear here and reiterate that my goal is not to perfectly recreate Arneson’s original dungeon key. Or even to take the limited information we know about that dungeon key and then fill in the holes around those fragments. For example, the fact that I haven’t put 2 Lycanthropes in Area 18 of the 8th Level (as found in the FFC key) is not a mistake; that’s simply not what I’m trying to do here.

I was rather hoping to have all of this prepared for public presentation several weeks ago so that others could also use it for Dave Arneson Day this year. Unfortunately, I ended up going down a few too many rabbit holes with my research. (And, as I write this, I’m still trying to figure out to exactly what degree I want to rely strictly on the maps from the First Fantasy Campaign and to what degree I want to avail myself of other efforts to correct shortcomings and inaccuracies in those maps.) Hopefully you will still find it of interest, and perhaps some of you will find some other occasion for using this material.

If nothing else, there’s always next year, right?

STOCKING THE DUNGEON

STEP 1: CHECK FOR INHABITED ROOMS

  • 1st Level: 1 in 6
  • 2nd Level: 2 in 6
  • 3rd+ Level: 3 in 6

STEP 2: DETERMINE PROTECTION POINTS

  • Roll 1d10 and multiply by the level’s protection factor.
LEVELPROTECTION FACTOR
1st Level5 points
2nd Level10 points
3rd Level15 points
4th Level25 points
5th Level35 points
6th Level40 points
7th Level50 points

STEP 3: ROLL ON MONSTER LEVEL TABLES

Simple Option: Once a creature type is determined, purchase the maximum number of creatures allowed by your protection point budget (minimum 1).

Complex Option: Roll Number Appearing on the OD&D monster tables. (This is indicated on the monster level tables for ease of reference.)

  • Purchase as many monsters of that type as your protection point budget allows up to the Number Appearing generated (minimum 1).
  • If you run out of Protection Points before hitting the Number Appearing and have points left over, purchase a weak version of the same creature (baby, etc.).
  • If you purchase the full Number Appearing and have Protection Points left over, roll again on the monster level table to create a mixed encounter.

STEP 4: GENERATE TREASURE

Determine Presence of Treasure: 3 in 6 chance for occupied rooms; 1 in 6 chance in unoccupied rooms.

Determine Treasure Type

D6TREASURE TYPE
1-2Gold
3Potions & Amulets
4Arms & Armor
5Equipment
6Roll Again Twice (Stacks)

MONSTER LEVEL TABLES

Use:

  • Group I for 1st and 2nd dungeon level
  • Group II for 3rd and 4th dungeon level
  • Group III for 5th+ dungeon level

GROUP I

D10MONSTER# APPEARINGPOINT COST
1Orc30-3002
2Elf / Fairy30-3004
3Dwarf40-4002
4Gnome40-4002
5Goblin / Kobold40-4001.5
6Sprite / Pixie10-1004
7Hobbit30-3001.5
8Giant Spider1-1015
9
Roll Special
10
Roll on Group II Table

GROUP II

D10MONSTER# APPEARINGPOINT COST
1
Roll on Group I Table
2Lycanthrope (Wolf 1-2, Lion 3-4, Bear 5-6)2-2020
3Fighting Man (Level = Dungeon Level)30-30010 * Level
4Wizard (Level = Dungeon Level)30-30010 * Level
5Roc / Tarn1-2020
6Troll / Ogre3-1815
7Ghoul2-2410
8Gargoyle2-2415
9
Roll Special
10
Roll on Group III Table

GROUP III

D10MONSTER# APPEARINGPOINT COST
1
Roll on Group II Table
2Balrog*1-675
3Dragon / Purple Worm1-4100
4Elemental (Air 1-2, Earth 3-4, Water 5, Fire 6)1100
5Ent2-2015
6Giant1-850
7True Troll2-1275
8Wraith (Nazgul)2-1610
9-10
Roll Special

* 2 in 6 chance the Balrog is guarding something (60% magical, 40% wealth).

Hobbit: Use kobold stats.

Giant Spider: Use Ogre stats, with a poison that deals full damage a second time on failed save.

DESIGN NOTES

Castle Blackmoor’s dungeons descend to Level 10 in the printed maps. (Reputedly only one expedition ever discovered the 11th Level, but the dungeons were said by Arneson to go as far down as the lava pits on the 25th level.) Despite this, the Protection Factor table ends at 7th Level because that’s as far as Arneson provided information. Beyond 7th level the value would have either capped or continued to increase. (But you run into additional problems in any case in the lack of Group IV monsters.)

I’ve used the OD&D # appearing entries here out of a sense of purity, although due to the “generate a tribe” mentality of those numbers they largely negate the point for the Group I creatures. You might consider ripping them out and replacing them with more dungeon-appropriate numbers (perhaps sourced from a later edition). The complex method utilizing the # Appearing entry is not strictly Arnesonian in any case. Use to taste..

Next: Special Monsters

RUNNING CASTLE BLACKMOOR
Part 2: Special Monsters
Part 3: Treasure Stocking
Part 4: Magic Swords
Part 5: Castle Background & Features
Part 6: The Dungeon Key
Part 7: Restocking the Dungeon
Part 8: Special Interest Experience
Part 9: Special Interests
Part 10: Blackmoor Village Map
Part 11: Blackmoor Player’s Reference
Part 12: Lessons Learned in Blackmoor

Reactions to OD&D: The Arnesonian Dungeon
Reactions to OD&D: Arneson’s Machines

The Blackmoor Cruxes

 

IN THE SHADOW OF THE SPIRE

Session 15B: The Ghostly Minstrel Plays

The Ghostly Minstrel - Malhavoc Press

In setting up the In the Shadow of the Spire campaign, I was fairly certain that the PCs would choose to settle down in the Ghostly Minstrel: The campaign hook had them awaking there with missing memories, which I felt would create a certain gravitational pull all by itself. I then spiked the situation a bit more by prepaying their rent. (So that going anywhere else would incur additional expense.)

I was basically right. In more than a hundred sessions there have only been two occasions when I think their position at the Ghostly Minstrel was seriously jeopardized: The first relatively early in the campaign when it seemed as if they might all move into Tee’s house. (A different set of rent-free lodgings!) The second later in the campaign when various would-be assassins kept finding them at the Minstrel and they began to conclude that it was no longer safe for them there. (They found a different solution to that problem.)

Tor also had a long-standing fascination with the idea of buying a house, which is only poorly reflected in the campaign journal (as it usually only came up tangentially during other conversations). He never seemed able to convince anyone else of the virtues of real estate investment, however.

Knowing that the PCs would be staying at the Ghostly Minstrel, I wanted to make sure to bring that building to life for them. To make it feel like a real place. To make it feel like home.

I’ve previously discussed the graphical advantages of using Cook’s elaborately detailed setting. This included not only multiple pictures of the Ghostly Minstrel, but also complete floorplans of the entire building. But what would really breathe life into the Ghostly Minstrel would be its patrons.

I knew that establishing would be a long-term project. Dumping them on the PCs all at once wouldn’t create meaningful relationships; it would just be informational overload. These NPCs needed to become familiar faces.

BUILDING A CAST OF CHARACTERS

Ptolus - The Ghostly Minstrel (Malhavoc Press)

The first step was to actually establish who the characters at the Ghostly Minstrel were. Here, too, Monte Cook had done the initial work for me, astutely including a list of “regulars” at the tavern: Sheva Callister, Daersidian Ringsire, Jevicca Nor, Rastor, Steron Vsool, Urlenius the Star of Navashtrom, Araki Chipestiro, Mand Scheben, and the Runewardens.

Some of these characters resonated with me. Others did not. I culled the list and then supplemented it with other characters that I knew would likely feature later in the campaign. Then I did a little legwork to pull details on these characters together onto a single cheat sheet for easy reference during play.

USING THE CAST

At this point what you have is something that’s not terribly dissimilar from the Party Planning game structure I’ve discussed in the past. The primary difference is that rather than being crammed into a single big event, the interactions in the Ghostly Minstrel’s common room were decompressed over the course of days and weeks. Using the Party Planning terminology:

  • Who’s in the common room each night?
  • What’s the Main Event Sequence for tavern time?
  • What are the Topics of Conversation?

For the first few days of the campaign, I took the time to hand-craft these elements. This allowed me to think about the pacing and sequence for introducing different NPCs. (Would it be more interesting for them to meet Jevicca and have her mention Sheva? Vice versa? Meet them both at the same time?)

Eventually, the campaign moved beyond that phase. At that point, an evening at the Ghostly Minstrel would consist of:

  • Looking at my cheat sheet and randomly selecting a mix of characters to be present.
  • Looking at my campaign status sheet to see what the current news on the street was and assuming that those would likely be the current Topics of Conversation.
  • Occasionally interject a specific, pre-planned development – either in terms of character relationships or scenario hooks.

REINCORPORATION

The final step was to reincorporate the Ghostly Minstrel NPCs into other facets of the campaign (and vice versa). You can see that, for example, with the Harvesttime celebration at Castle Shard, where Sheva and Urlenius both showed up. Conversely, although he also appeared on Cook’s list of regulars at the Ghostly Minstrel, I introduced Mand Scheben first as someone looking to hire the PCs and then had them notice him hanging out in the common room.

FINAL THOUGHTS

Lately I’ve gotten a little lazier when it comes to the cast of characters at the Ghostly Minstrel. Other parts of the campaign have gotten quite complicated, and there are a lot of balls being kept in the air without also juggling in tavern time. The PCs themselves are also less focused on the Minstrel, and their penchant for simply teleporting directly into and out of their rooms also bypasses the traditional “you see so-and-so and so-and-so chatting in the common room” framing that often marked the end of a long adventuring day during these early sessions.

Ghostly Minstrel - Ptolus - Monte CookFortunately, if you put in the early work on this sort of thing, it builds a foundation that you can comfortably coast on for a long a time. For the players, the Ghostly Minstrel is a real place that they have a personal history with, even if it’s been awhile since it’s had a spotlight shone on it. And it only takes a few light reminders – and a few familiar faces – for the Ghostly Minstrel to surge back to life for them.

Recently, however, we’ve had a new player join group and this, for lack of a better term, complacency has become problematic: The simple references which resonate with the other players simply have no resonance for him.

(At the most basic level, think of it like this: When I say, “You walk into the Ghostly Minstrel,” to the long-established players, a vivid and fully-detailed image is conjured up in their mind’s eye. That’s all it takes because we’ve all collectively done the work, right? That doesn’t happen for the new player, though, because it’s not a place that already lives in his imagination. The same thing applies, but even moreso, for the relationships with the NPCs.)

As such, I want to kind of beef up the group’s engagement with the Ghostly Minstrel again for at least a little awhile. It was probably time to do so any way, because a lot of these relationships had just been kind of floating along in a gentle haze for a long time now.

Because I do have so many other aspects of the campaign I’m juggling, however, I’ve decided to approach this through a slightly more formal structure. (The structure allows me to offload at least some of the mental load, right? It frees up more of my brain to focus on other things during actual play.) So what I’ve developed is:

  • A random guest list for determining who’s in the common room on any given night that the PCs stop in. (Roll on it 1d6 times.)
  • Stocking each guest with a short sequence of conversational gambits or interpersonal developments.

My expectation is that I should be able to very quickly reference this page in my campaign status sheet and rapidly generate a 5-10 minute roleplaying interaction any time the PCs choose to engage with the common room.

EXAMPLE OF PLAY

So this is the random table I set up:

1
Sheva Callister
2
Parnell Alster
3
Daersidian Ringsire & Brusselt Airmol
4
Jevicca Nor
5
Rastor
6
Steron Vsool
7
Urlenius
8
Mand Scheben
9
Cardalian
10
Serai Lorenci (Runewarden)
11
Shurrin Delano (Runewarden)
12
Sister Mara (Runewarden)
13
Canabulum (Runewarden)
14
Aliya Al-Mari (Runewarden)
15
Zophas Adhar (Runewarden)
16
Talia Hunter
17
Tarin Ursalatao (Minstrel)
18
Nuella Farreach
19
Iltumar
20
The Ghostly Minstrel

I roll 1d6 and get a result of 4. Using d20 rolls, I note that Aliya Al-Mari, Serai Lorenci, Shurrin Delano, and Urlenius are in the room. (There’s probably also other people, but these are the notable characters, several of whom the PCs have previously been introduced to.)

Next I look at the short list of topics I had prepped for these characters. I actually prepped the adventuring party known as the Runewardens as a group, so this particular slate of results simplifies things somewhat:

RUNEWARDENS

  • Serai Lorenci has joined the Inverted Pyramid. Drinks all around!
  • Canabulum is challenging people to arm wrestling.
  • Aliya Al-Mari storms out of the common room. She’s angry because Serai has told her he’s in contact with Ribok again.

URLENIUS

  • Interested in the rhodintor. (Heard about their presence in the White House from City Watchmen.) He has had visions foretelling that they both were and will become a great threat to Ptolus.
  • He spoke with Dominic recently. Matters weigh heavily with him, but he is trusting to Vehthyl.
  • Tells a rambunctious story about how he, Soren Clanstone, and six soldiers of Kaled Del once transformed a cavern into a fortress and withstood the siege of two dozen dark elves. Then demands a PC tell a story.

Some of these notes may only make sense with the full context of the campaign and/or the Ptolus sourcebook behind them, but hopefully the general thrust here is clear. (Ribok, for example, is a chaositech expert who made introductions between Serai and the Surgeon in the Shadows. Serai almost got himself in quite a bit of trouble when the Surgeon attempted to modify his body, and the other Runewardens barely bailed him out. So Aliya isn’t happy he seems to be dabbling with this dangerous technomancy once again.)

When in doubt, I’m going to default to the first bullet point. And given the preponderance of Runewardens my dice have generated, a celebration of Lorenci’s acceptance by the Inverted Pyramid makes sense. (I also decide that the other Runewardens will show up later in the evening if the PCs engage here.)

Urlenius might be doing his own thing, but he knows members of the Runewardens, so let’s go ahead and just have him drinking with them. The PCs know him better than the members of the Runewardens present, so he can also invite them over. The Runewardens can chat about their news, then Urlenius will ask the PCs about the rhodintor. Might prompt the Runewardens to mention their own run-ins with rhodintor or rhodintor lore. (I’ll check my rhodintor notes for that.)

I’ll mark these items as used on my campaign status sheet, and as part of my prep for the next session I’ll replace the bullet points I’ve used with new points.

Ptolus: Delver's Square - Malhavoc Press

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