IN THE SHADOW OF THE SPIRE

SESSION 41C: I’LL BE SEEING YOU

August 15th, 2009
The 23rd Day of Kadal in the 790th Year of the Seyrunian Dynasty

THE ALLIANCE MIRAGE

When the false dawn was still cresting the sky, Tee arose while the others still slept and left the Minstrel. She headed up to Castle Shard, where she found that even with the early morning hour Kadmus was waiting for her. He escorted her to Lord Zavere, who it seemed had arisen not long before.

“I’m sorry to disturb you so early in the morning,” Tee said. “But I have news about the Idol of Ravvan.”

Zavere was more than interested when Tee showed him the letter they had recovered from the Temple of the Ebon Hand concerning the Dawnbreaker, the Argent Dawn, and the unnamed “idol”. Zavere wasn’t as certain as Tee that the letter referred to the Idol of Ravvan, but he agreed that it was a definite possibility. “Keep me informed of anything you might discover.”

“We will,” Tee promised. “But there was one other matter.”

“What is it?” Zavere asked.

Tee quickly supplied him with an abbreviated version of the ambush from the night before.

“Is everyone all right?”

“Yes,” Tee said. “Barely. But we don’t know where we can go that would be safe. We were wondering if… Well, we were wondering if it would be possible to stay at Castle Shard.”

Zavere pondered it for a long moment, but then he said, “I’m sorry, but it’s not possible. Your relationship to Rehobath is too well known. If I were to give you or your comrades sanctuary – particularly Sir Tor – it would be seen as Castle Shard aligning itself with Rehobath.”

Tee chose her next words carefully. “I don’t trust Rehobath any more than anyone else should.”

“Be that as it may,” Zavere said. “It’s ultimately a matter of public perception, not reality. I have no desire to tip the scales in this matter. Nor do I want to antagonize the Commissar in this. The situation is simply too delicate.”

“I understand,” Tee said with a resigned sigh, and left to rejoin the others for breakfast at the Minstrel.

THE PACTLORDS OF THE QUAAN

As they were settling down to their meal, they were surprised to see Jevicca come through the front doors of the inn.

“Good morning!” she said cheerfully, waving her red-glass arm towards them.

“Jevicca!” Agnarr said, a huge grin creasing his face. “What brings you here this morning?”

“I have news,” she said. “We’ve identified the bone ring you gave me.”

‘Really?” Tee said.

“They belong to the Pactlords of the Quaan,” Jevicca said.

“The who of the what now?” Elestra said.

“They’re not very well known,” Jevicca said, “And they’re mostly dismissed as a minor criminal organization. They’ve also got a minor reputation in the slave trade.” (Tee’s ears perked up at the mention of the slave trade. Could there be a connection to the Brotherhood of the Blooded Knife?) “But the reality is something more than that.

“There is an ancient book known as the Tome of the Shadow Dragons. Or perhaps it is many books. Only fragments of it have ever been found, and even these are few and hard to decipher. This book speaks of the “teachings of Jessuk”, a body of lore dedicated to the warping and corruption of natural life – the transformation of the natural races into abominations.

“These arts were practiced en masse by both the Banelord and Ghul, among others. The Pactlords are the descendants of the creatures created by them. They hold themselves superior to the “natural races” and, ultimately, seek to subjugate us.

“The group is held together through a living pact which is focused through these bone rings. The nature of the pact – and the force which binds it – is a secret kept by the Pactlords themselves. As is the nature of the ‘Quaan’.

“They have never been seen to pose any true threat, but they consider themselves – like Ghul before them – to be the natural heirs of the Banelord’s secrets. This explains their interest in the Banewarrens, but that doesn’t appear to be the group’s only current activity: Slave raiders have been prowling the caverns around Kaled Del and attacking the trade caravans of the Delvers’ Guild. Some of the raiders have been reported to be wearing ‘rings of bone’.”

THE FORTRESS SUITE

Jevicca’s briefing gave them a lot to chew on. She asked after their progress with the Banewarrens, but there wasn’t much they could tell. (And even less that they wanted to.) As they turned to amiable chatting over the rest of their breakfast, they returned naturally to the question of their lodgings: Should they go? If so, where?

Jevicca suggested the Nibeck Street mansion. It was currently abandoned, it would give them a base of operations as close to the Banewarrens as they might care to have, and it would let them defend the entrance to the Banewarrens.

On the other hand, as Agnarr put it, “Living over the hellmouth? No thanks.”

Greyson House was another abandoned building, but, as Tee pointed out, “The bad guys have already looked for us there. It’s no safer than here.”

“We could just go to another inn,” Elestra suggested.

“But that has all the same problems,” Tor said.

“Only if we stay in the same place,” Tee said. “We could just load everything we own into bags of holding and stay in a different inn each night.”

But that would prove troublesome for Ranthir’s research.

Tor proposed, as he often had in the past, that they buy a house somewhere in Ptolus.

“But that has the same problems, too,” Tee said. “It’s only a matter of time before they track us down, and then we’re vulnerable again.”

If they needed fortifications, then perhaps Pythoness House would be a solution. But Sir Kabel was already there, and while the others might be able to make that work, Tor would only be able to stay there if he abandoned his position within the Order of the Dawn. They briefly considered Tor staying at the Godskeep or the Holy Palace, but splitting the party seemed like a bad idea – particularly if it meant burrowing even deeper into the politics of the church.

Security through obfuscation, as Ranthir pointed out, was playing with fire: They could reset the clock, but eventually their new home (wherever it might be) would be found. And once it was found, they became vulnerable.

So they decided to stay where they were. Instead of hiding, they would bunker down. They laid out a plan for remodeling an entire wing of the Ghostly Minstrel: A false room with a secret door would be used as a pass-thru to a real suite of other rooms connected by new, interior doors.

They spoke with Tellith, who agreed to the remodel if they paid for it and if they also paid at a year’s rent in advance for the rooms they would be converting. This done, they spent several thousand crowns and arranged for more than twenty contractors (including several master craftsmen) to install the secret door, punch thru the two new connecting doors, and to strengthen the security on the existing doors. They also hired an arcanist to ward the windows with permanent alarms. And then they spent even more money to speed a project that should rightfully take weeks until it would take only two days to complete. On top of all that, Tee set aside enough money to pay every single person working on the project a hefty bonus to forget that they had ever worked on it.

Nasira was somewhat taken aback by the sheer amount of money they were able to throw at the project (more than 5,000 crowns when all was said and done). And while the project surely tapped deeply into their resources, they all felt it was an investment worth making.

THE NEXT STEP

While they were still drawing out their plans for the new suite, an invitation arrived.

INVITATION TO THE CRUISE OF THE VANISHED DREAM

We had hoped that this invitation might arrive on a most triumphant note – giving you proper congratulations on the apprehension of Shilukar and the ending of his scourged blight upon the city. With the recent news of his escape within the prison, that triumphant note is perhaps muted, but your accomplishment was nonetheless notable and worthy of great praise and equally great appreciation.

To whit, it would be our honor – both in light of the duty you have done for us and for those sundry other accomplishments which you have achieved in the name and for the betterment of our fair city – to attend upon us for a grand cruise of the Vanished Dream at the estates of House Abanar upon the Fifth of Noctural to celebrate the last rays of the year’s light and the coming of the Days of Night.

Dered Abanar
Merchant Prince of the Abanars

Ranthir quickly penned a positive and elegant acceptance, and they dispatched it by courier.

While Tee was drawing up the contracts and making the other arrangements necessary for the suite, Tor went to the Godskeep to continue his training with the Order of the Dawn. While he was there, he was informed that Rehobath had requested a meeting with him that evening at 7 o’clock. Tor wasn’t told what the meeting was about, but he could only suspect it had something to do with Dominic’s denunciation of Rehobath the day before.

Elestra, meanwhile, was checking the morning newssheets. The headlines were considerably less dramatic than the day before (“What a Whopper! Stranded Jellyfish as Big as a House!”), but there was also a report of another brutal murder in Oldtown: A priest had been killed on the Columned Row. His head had been ripped open, just like the woman who had been killed the night before on Flamemoth Way.

On her way back to the Ghostly Minstrel, Tee stopped by the Delvers’ Guild and left a message posted for Arveth:

Arveth—

Eye’ll be seeing you.

“Do you think she’ll break my code?”

Running the Campaign: Home Base Renovations – Campaign Journal: Session 41D
In the Shadow of the Spire: Index

M., T. & J. ask:

I needed to roll up some treasure in the middle of my last session, so I cracked open the 2024 Dungeon Master’s Guide, but couldn’t find any treasure tables! What gives?!

This question seems to be in high demand at the moment and my Let’s Read reactions to the new Dungeon Master’s Guide on the Alexandrian Discord and Bluesky seems to have people reaching out to me for answers.

I understand why the question is being asked. I was also a little confused when I first looked at Treasure in the new rulebooks. But there is a method to the madness, even if the essential information has been spread out between multiple chapters, and once you understand the procedure, it’s pretty straightforward.

TREASURE TYPES

Monsters are assigned a suggested treasure type, often including a treasure theme, in the Monster Manual.

Monetary Treasure can be coins, trade bars, trade goods, gems, or art objects. (DMG p. 213-15) When a monetary treasure value is determined, as described below, use it as a budget to “purchase” an appropriate mixture of monetary treasure.

Individual Treasure: Roll on the Random Individual Treasure table (DMG, p. 120) to determine how much monetary treasure they have.

Treasure Hoard: Roll on the Random Treasure Hoard table (DMG, p. 121) to determine monetary treasure and number of magic items. Then roll on the Magic Item Rarities table (DMG, p. 218) for each magic item to determine its rarity. Finally, use the Treasure Theme to determine their nature.

TREASURE THEMES

The page number for each theme’s random magic items table is given below, as well as the nature of their monetary treasure.

• Arcana (DMG 326): Gemstones
• Armaments (DMG 328): Coins, trade bars.
• Implements (DMG 329): Coins, trade bars, trade goods.
• Relics (DMG 330): Art objects.

Hoard – Any: For this treasure type, monetary treasure can be of any type. Roll 1d4 for each magic item to randomly determine which theme table to roll on (1 = Arcana, 2 = Armaments, 3 = Implements, 4 = Relics).

BONUS: RANDOM MONETARY TREASURE TYPE

One tool missing from the Dungeon Master’s Guide that I think would be useful is a Random Monetary Treasure Type table. This would be useful for both individual treasure and the Hoard – Any treasure type. Use it when you’re having trouble deciding what to use or just to inject a little random inspiration into your adventure.

TABLE: RANDOM TREASURE TYPE

Use this table when you just want to generate one random treasure item type other than coinage. Useful for individual items, but also, for example, what a specialized merchant caravan might be carrying.

TABLE: POCKET CHANGE

The Pocket Change table is designed for rifling through an NPC’s pockets. This table has a strong bias towards the type of monetary wealth a character is most likely to be carrying around in their daily lives.

Interesting Object: This character is carrying mostly coins, but also one unusual item, which will usually have a value of 20% or less of their total monetary treasure. Roll on the Random Treasure Type table (above) to determine type.

Strange Pocket Change: Roll 1d3 times on the Stash & Cache table. Why the heck was this guy carrying around a rare painting and two Avernian rubies?

TABLE: STASH & CACHE

This table can randomly generate all five monetary treasure types. It has a slight bias towards coins, but should give more varied treasures. Consider this table when rolling up the monetary treasure in a Hoard or otherwise stocking a room. For example, what a hag might be keeping hidden under her cauldron or a goblin under their mattress.

PARCELS

To get a more varied stash, divide the total monetary value of the treasure into 1d3 parcels and roll on the Stash & Cache table separately for each parcel. (It’s okay if you roll the same result multiple times. That will just change the ratio between different treasure types and mix things up.)

If you want, you can obviously increase the number of parcels for large hoards. (Although, equally obviously, this will increase the amount of rolling you need to do and will tend to homogenize your treasure results.)

A generic fantasy adventure with some interesting twists on the familiar tropes of the genre. This one deserves a closer look than you might first suspect.

Review Originally Published December 29th, 2000

You’ve seen these RPG books before: Questionable cover art. Amateurish lay-out. “Compatible with any fantasy roleplaying system” (*cough* D&D *cough*).

So you think you know what’s inside: A generic adventure that could have been popped out of a cookie cutter, in a flat fantasy world rip-off populated with paper-thin logic.

PLOT

Warning: This review will contain spoilers for The Fantastic Adventure. Players who may end up playing in this module are encouraged to stop reading now. Proceed at your own risk.

So obviously you know exactly what to expect:

Evil villagers send the PCs on a quest for a nonexistent item.

Hold it…

The Fantastic Adventure takes the familiar traits of a fantasy adventure and then gives them just enough of a twist to provide an entertaining gaming experience which keeps your players just a little off-balance.

Basically the adventure goes like this: The people of Westfork have been burned by one too many adventuring parties of questionable morality in the past (just imagine that the Knights of the Dinner Table have come through town one too many times), and have hatched their own plan for revenge. Upon arriving in town the PCs are feted as heroes, but then framed as criminals and forced to seek the Anomaly Stone in order to clear their names.

However, the Anomaly Stone does not actually exist: It is the result of the nightmares of a faerie which have been imprisoned in the nearby ruins of the Auctumnix Monastery. When the PCs go there, they’ll discover the truth… and the faerie.

One last twist: While on their way to the Monastery the PCs will run across a group of horrible “monsters” (a giant, a satyr, a minotaur, and a witch orb). These guys aren’t villains, though: They’re another adventuring group, come to save the faerie (who is the childhood friend of the satyr).

STRENGTHS

In addition to the general cleverness of the central concepts driving The Fantastic Adventure, the entire adventure is set in the Red Marches. In this small slice of their Winter Dark campaign setting (which is available as a separate product), Troll Lord Games has created a really nice, generic fantasy area. The primary economy here is driven by the forest’s rilthwood trees, which are tall, white, and, in the fall, covered with bright red leaves (hence the name Red Marches). Its a simple concept, but one which results in an area which is subtly alien,  successfully capturing the essence of the fantastic without having to blow the players away with fireball-like intensity.

This is nicely done – showing a subtle creativity and attention to detail which many larger companies lack — and makes me look forward to reading the complete campaign setting.

WEAKNESSES

The Fantastic Adventure has a good idea – take the tropes of fantasy and turn them on their head – but like an injured quarterback it never runs with it. I would have liked to see the villagers deliberately send the PCs on a dangerous and misguided fool’s errand (perhaps complete with the catch that, if the PCs succeed, they will have mistakenly done a great wrong). I would have liked to see the encounter with the monstrous adventuring group (a nice twist in and of itself, mind you) designed so that there was a greater chance of the PCs mistakenly attacking their counterparts. And so forth. There is a hesitancy about embracing the really cool idea on which The Fantastic Adventure is based which, unfortunately, flaws what had the potential to be a really outstanding module.

The other problems here are entirely aesthetic: The cover artwork and lay-out on the product is poorly done – lending the entire product an extremely amateurish feel.

CONCLUSION

The Fantastic Adventure is a little shaky, but the foundation is fairly solid – with a couple of easy tweaks you could easily transform this one into a real winner. A couple of other nice touches definitely make this one worth the measly $5 the Troll Lords are asking for it.

Note: Troll Lord Games is planning to release The Fantastic Adventure, along with the modules Mortality of the Green and Vakhund — which I hope to be reviewing shortly – on a CD-ROM, complete with D20 conversions. You can check out their website.

Style: 2
Substance: 3

Grade: B-

Title: The Fantastic Adventure
Authors: Mac Golden
Company: Troll Lord Games
Line: Sword & Sorcery
Price: $5.00
ISBN: 0-9702397-3-4
Production Code: TLG1301
Pages: 24

I’ll be honest, until this review cued up in my reprint queue, I had completely forgotten The Fantastic Adventure. It was a weird opportunity to read a review I had written while having no actual memory of the book I was describing.

What I do remember, and what this review reminded me of, is how much I truly adored Troll Lord’s campaign setting. Even now it’s hard to describe what I found so enchanting about it. There was something richly textured and deeply mythological. There was beautiful imagery woven into a tapestry that tempted you to step through into its fantastic realms.

Several years later I ended up working on a couple of books for Troll Lord Games. I wish I had been paid for them.

The Fantastic Adventure has been updated and re-released several times: Under the D20 System trademark for D&D 3rd Edition, then for Troll Lord’s Castles & Crusades game, and then again for D&D 5th Edition.

For an explanation of where these reviews came from and why you can no longer find them at RPGNet, click here.

I don’t like vicious mockery.

It’s a weirdly dissociated mechanic. If you kind of squint at it in the right light, you can almost see an association. Magically enhanced insults so utterly devastating that they can literally kill you with psychic damage seem like a thing you put your thumb on.

But can you actually describe in character what the spell is doing? If a bard casts vicious mockery and kills a dolphin, what actually happens? If you’re targeted by the spell, what does it feel like?

Your mileage may vary, but this is one of those mechanics that, when the players trigger it, I’m completely uncertain how to describe what actually happens. That’s a red flag, in my opinion. (See, also, non-divine guidance.) More often than not, it feels like casting the spell means we all disconnect from the game world for a bit, do some dice stuff, and then reconnect to the game world with no clear description of anything actually happening (except maybe someone keeled over and died).

Alternatively, you’ve got the issue where players feel like they need to improvise the insult they hurl at the target of the spell. (Or, often, the DM will demand it of them.) That, too, seems fine. But, if we can be honest for a moment, how easy do you find it to improvise an insult so withering that someone falling over dead after hearing it seems like a reasonable outcome?

What actually happens most of the time, of course, is a sort of comical mismatch:

Player: I call the dolphin “fish-face”!

DM: This insult overwhelms the dolphin, who instantly dies!

Yes, I understand that the insult has been “laced with subtle enchantments.” But, again, what does that actually look like?

The mechanics of the spell — first introduced in the Player’s Handbook 2 for 4^th Edition before being adapted for the 5^th Edition Player’s Handbook — are also getting more dissociated over time. In 2014, for example, your target had to hear the insults, “though it need not understand” them. (Which kind of raises the question of why it needs to be an insult at all.)

In the 2024 Player’s Handbook, however, this requirement is dropped. The target of the spell is now “one creature you can see or hear within range.”

So we’ve gone from insults that drive your foe into a blind rage to a spell where the target doesn’t even need to understand what you’re saying (I guess they can just tell from your tone) to, today, your target standing in a silence spell while unable to see you, but still being completely wrecked by how mean you’re being to them.

Mechanically speaking, though, there’s nothing wrong with “Wisdom save or suffer damage and disadvantage on your attack roll.” It also provides pretty core functionality for bards, so I don’t want to just nix it from my game.

So can we tweak the presentation of vicious mockery to achieve the same or similar mechanical effect without the issues?

ETHEREAL SONATA

With the aid of subtle enchantments, you pitch your voice so that it vibrates through the Ethereal Plane instead of through air. As these ethereal tones resonate with a target you can see and who can hear you, they psychically damage and discombobulate them.

VICIOUS MOCKERY (REDUX)

You utter an epithet from the primal ur-language which was used by the gods to carve the minds of the first sentient races in the multiverse. Infusing the curse with magic, you precisely tune it to a target you can see and who can hear you. On a failed Wisdom saving throw, the target’s mind momentarily rewrites itself, shaking them with the sudden belief that your disparagement is utter truth.

SONIC BARRAGE

Weaving your magic, you tune and focus the perfect pitch of your choice into a killing word directed at a target you can see and who can hear you.

Note: This version would be an evocation cantrip dealing thunder damage instead of psychic damage.

FURTHER READING
Guidance Sucks in 5th Edition

DISCUSSING
In the Shadow of the Spire – Session 41B: The Return of Arveth

At Myraeth’s, they found a bag of holding formed from links of golden chain with a dragon worked in crimson links within it. It was larger than the ones they already owned and Tee – envying the dragon design – was depressed to find it was too bulky and heavy for her to carry.

Ranthir took it instead, nesting it among his many bags and pouches.

Something you may notice throughout the campaign journal is me giving specific, unique descriptions to various items. Sometimes I’ll even go so far as to prep visual handouts for them.

This is probably even more prevalent at the actual table, since only the most notable or pertinent examples actually make it into the journal.

(I should mention that I’m not prepping all of these ahead of time. A lot of them – including the bag of holding described above – are being improvised at the table. The principles of smart prep apply here.)

Some of these descriptions end up being ephemeral – useful for a moment to conjure an image of the world before the inner eyes of the players, but otherwise largely or entirely forgotten.

Others, however, will stick.

Which ones?

Nobody knows.

Sometimes I try to predict it (“this is so cool, they’ll obviously remember it forever!”), but I’m almost certainly wrong more often than I’m right. What sticks with this sort of thing is usually a lot more situational than you might think. Attention and memory can be fickle things, and which objects sentimental value and notoriety attaches to often has at least as much to do with what’s happening to both characters and players at that precise moment as it does the object itself.

The point, though, is that for anything to stick you have to keep throwing stuff out there. Enough stuff that you can start winning the numbers game.

Although, on the other hand, you don’t want to throw out so much stuff that it overwhelms the players and becomes indistinguishable noise. Not every rusty sword the PCs find in a moldering crypt needs to be lovingly detailed. And, if you are giving an item the bespoke treatment, you don’t need to lavish it with multiple paragraphs. Usually just one or two cool details will get the job done. (Maybe three on the outside.) Even if you know that not every item you describe will ultimately stand out, you still want every object to have the opportunity to do so.

Which is why, in D&D, I’ll often focus this descriptive detail on magic items. It inherently narrows the field for me. I also want magic items to feel special. For example, it’s easy for every bag of holding to glob together into a generic nonentity, and they really shouldn’t.

(Although by no means should this dissuade you from occasionally hyping up a mundane item with a cool description. It certainly doesn’t stop me.)

This is not going to be a comprehensive discussion of all the different ways you can give objects cool descriptions, but here are a few things I like to think about.

First, what’s the utility of the object? What does it actually do? How could that be reflected in the structure of appearance of the object?

For example, a staff of fire gives its wielder resistance to fire damage and can be used to create flame-based effects (burning hands, fireball, wall of fire). Some quick brainstorming suggests various options:

• Someone attuning to the staff is limned in a flickering flame.
• The staff is topped be a large ruby, inside which is trapped an eternally burning flame (and all the various fire spells blast out from this ruby).
• The entire staff is actually made from a frozen flame.
• The staff is warm to the touch.
• When one attunes to the staff, it scorches the hand holding the staff, leaving a brand depicting the arcane sigil of the wizard who created it.
• The staff is a long shard of obsidian, split down the middle. To create one of the staff’s fire effects, pull the two ends of the staff apart, revealing the heart of flame held within.

Second, add one other purely decorative or incidental detail. If the utility hasn’t already added some flash to the item, this is a good opportunity to do so. These details might also suggest ownership, origin, or similar information. (Which may just be flavor, but could also reveal relevant information about the situation or scenario.)

Let’s do another one. A keycharm, from Eberron: Rising from the Last War, allows you to cast alarm, arcane lock, and glyph of warding spells that alert the holder of the keycharm if they’re triggered or bypassed. The item description suggests that this looks like a “small, stylized key.” If we stick that, we might still look at options like:

• The key is formed from a black stone with strange purple veins running through it.
• The key is made from taurum, the true gold and its bow bears the sigil of House Abanar.
• The key is a living “bud” sprouted from the heartwood of a dryad’s tree by druidic arts.
• A plain key of battered copper, but the bits of the key are a whirling, ever-shifting blur.

As you’re improvising these descriptions, remember that you can put your thumb on the scale of the party’s reaction by thinking about what you know the players or their characters already love (e.g., Tee’s infatuation with dragons) or hate.

(I would honestly pay good money for a book that was just a dozen different “looks” for every magic item in the Dungeon Master’s Guide.)

Campaign Journal: Session 41C – Running the Campaign: Home Bases
In the Shadow of the Spire: Index