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Before the PCs arrive in Elturel, we need to talk about the current state of the city, because there are some basic issues that should be addressed.

First, the city is broadly described as if the Fall of Elturel just happened. There’s one reference to a family’s supplies running out (although not how many supplies they had to start with), but other than that pretty much everything in Chapter 2 is described as if the city were still in the earliest hours and confusion of the crisis.

Except this isn’t true: It would take at least ten days for the first refugees to reach Baldur’s Gate. Even if we assume the gates were immediately closed (although that’s an iffy reading of the text), the PCs still need at least a couple of days to investigate the murders. Then it’s four days to Candlekeep. So Elturel was actually taken at least 15-20 days ago by the time the PCs show up.

On the flip side, when the PCs are done in Elturel they’re going to head out on a quest to find the Sword of Zariel. As they leave, they must suspect that they will be gone for at least days. In point of fact, it’s likely that they will be gone for weeks before they can return to save the city.

The problem is that nothing about the current situation in Elturel makes it seem plausible that there will be anything worth saving by the time the PCs get back: Demons and devils are freely roaming the streets of the city, more or less systematically slaughtering people in their homes. There’s no organized resistance and no reasonable expectation that there’s going to be one. (Ravengard supposedly “organized a defense,” but has actually just spent 2+ weeks cowering in a basement and now his meager retinue of guards has been wiped out.)

This creates a situation where the PCs need to do X in order to save the city, but have no reasonable expectation that they can actually achieve X in time to save the city. The result is not a sense of urgency, but rather a conclusion that the plan can’t work. A plan that doesn’t work, of course, will be discarded, and the PCs will end up looking for a different solution: They might stay in Elturel and try to spearhead a defense themselves. Or they might abandon the entire idea of “saving the city” and look for other alternatives, like simply escaping themselves or organizing some kind of inter-planar evacuation for as many people as possible.

Of course, you could use an NPC to say, “I promise you, as the Dungeon Master, that you’re supposed to go on this quest and I guarantee that the city will not fall and a bunch of people won’t be slaughtered in a devilish genocide while you’re gone.”

The result, however, still won’t be urgency: The players will probably go and do the thing, but Elturel will lose any sense of reality for them and the “crisis” will lose all meaning. Like a video game where the world remains frozen in a state of status quo until you hit the button labeled Next Plot Point, the world will be reduced to two-dimensional cardboard cut-outs.

So what we need are two things:

1. A clear understanding of what’s been happening in the city in the fortnight since it was sent to Hell, and what the current situation is when the PCs arrive.
2. Some form of status quo in which the city seems secure enough that the PCs can leave, do their quest, and have a reasonable expectation that there’ll still be a city to save when they come back.

However, we don’t want the status quo to feel too safe. The city is in Hell and being dragged to its destruction in the River Styx. There’s a very fine line that needs to be walked here between the PCs feeling that Elturel will still exist if they can hurry up and save it and the PCs feeling like there’s nothing to worry about.

For similar reasons, although we can easily imagine a scenario in which the status quo has already been firmly established by the time the PCs arrive (most likely some variant of Ravengard actually securing the city), that’s probably also the wrong direction to go: The PCs are walking into Hell. We want them to feel that; not enjoy some weird Pax Elturian.

WHERE ARE THE LEADERS? In the adventure as written, the highest surviving authority of Elturgard is supposedly a lone acolyte named Pherria Jynks. Descent Into Avernus tries to explain this with a meteor that fell out of the sky and destroyed most of the High Hall.

But that still doesn’t make a lot of sense, does it? Even in a Designated Survivor situation where the “entire” government is in a meeting that explodes, you still have the vast majority of the military and civilian infrastructure and chain of command intact. You don’t end up in a situation where the entire government is just one DMV clerk.

WHERE ARE THE DEVILS? Descent Into Avernus tries to explain why the legions of Avernus haven’t overrun the city already with the Battle of Elturel. At the very moment that Elturel popped in, a huge army of demons crossed the Styx and attacked the assembled legions. A huge battle broke out.

The battle has continued, without change, for 15-20 days.

It will continue, without any change, for the next several weeks.

Despite this, the battle is incredibly isolated: No reinforcements are arriving. No one in the area even seems to be aware of it.

In short, the Battle of Elturel is a valiant effort to explain why Elturel remains largely unmolested, but it actually contributes greatly to the sense that Elturel can’t possibly survive long enough for the PCs to save it. Yes, we know that the battle is just a permanent, unchanging video game instance with the same actions playing on an endless loop, but if you accept the situation at face value, then it would seem as if the battle would certainly conclude shortly and the city would be overrun.

THE PHYSICAL & METAPHYSICAL

The Companion now hangs low and large in the sky, basically on a level with the High Hall. It emits a strange, purplish-black light that mixes kaleidoscopically with the reddish light of Hell itself. Thunder from the lightning crackling across its surface intermittently cascades across the city.

Elturel is floating in the sky above the Avernian plains, connected to the Dock of Fallen Cities by huge chains.

THE CHAINS: The chains obviously have a physical reality, but they are also a metaphysical construct. They both represent the corruption of the city and are operant upon it. They are not just physically dragging Elturel down into Hell, they are also dragging down the souls of everyone in the city.

This is possible due to the influence of the Companion and the Writ of the Pact. To be clear, this process doesn’t mind control the people in the city or somehow make them evil. It’s subtler than that; a contamination of the city’s collective souls with something akin to original sin. Conversely the city remains afloat because the souls of the city are fighting against this taint.

As described in “The Metaphysics of Elturel’s Fall” (Part 4B), the final stroke comes when the city completes its descent into both sin and the Styx: The population drowns not only in the waters of the river, but in their own sin at the very moment that their minds are wiped clean and the Pact completes.

DOCK OF FALLEN CITIES: Elturel is not the first city to suffer this fate. It is actually tethered to an ancient facility known as the Dock of Fallen Cities. The chains are connected to huge pillars that rise out of the Avernian plains. Between and around these pillars are the overlapping layers of countless cities which have been pulled down and drowned in the Styx. The river still floods their broken and forgotten streets.

These cities are most likely drawn from across the multiverse, so when the PCs pick their way through the ruins you should feel empowered to get romantic with your descriptions of the melancholic, cyclopean ruins. They are most likely haunted by strange will o’ wisps, which are perhaps related to the Many Colours Out of Space that are here the spiritual detritus left behind by a dozen dead civilizations.

WHERE ARE THE DEVILS? The Dock of Fallen Cities here takes the place of the Battle of Elturel: There was no demonic invasion. There is no endless, looping confrontation.

So why hasn’t Zariel sent her legions into Elturel to pacify the city?

Largely because she doesn’t need to. With a few key exceptions (described below), killing the population before they can drown in the Styx is actually contradictory to her goals. There are some devils stationed around the pillars to make sure no one messes with the chains (not that there’s actually anything the PCs or anyone else in Elturel can do to the chains without a lot of help, see Part 6), but they honestly don’t care if a few people manage to “escape” the city.

HOSTILES

Even though Zariel isn’t motivated to stage an invasion of a city she’s already conquered, that doesn’t mean that the city is in any way safe.

ZARIEL CULTISTS: Zarielites from across Faerun had learned what was coming and made the city a sort of pilgrimage site in the final days before its Fall. (They knew it was going to Hell and they hitched a ride.)

Once they arrived in Hell, groups of these jubilant cultists emerged onto the streets in a millenarian orgy of sin and destruction. Many have indiscriminately pillaged and burned. Others have set up little gangland fiefs of oppression and misery. Regardless, they all know the party ends when the city hits the Styx, and they’re mostly okay with that (believing that in the moment of the Pact’s completion they will be exalted as powerful devils).

In addition, while many members of the Cult of the Companion (see Part 3B and Part 4B) fled the city before its Fall (much like Thavius Kreeg), others remained. Many of those became Hell Knights (see below), but others remain as a sort of fifth column. (Adding such a fifth columnist to the refugees in the High Hall is an obvious choice.)

Devil cultists have the shadows of devils here. Those in the former group tend to delight in this; those in the fifth column will obviously take efforts to hide it.

HELL KNIGHTS: Before the Fall, the High Knights were the upper echelons of the Elturian government. The term originally applied to those who could lead (or had led) a grand expedition of the Hellriders, including the High Rider and the High Watcher of Helm’s Shieldhall. The use of the title formalized and then expanded over time until essentially every senior member of the government was a High Knight (along with a fair number of lower positions as well).

By the time Thavius Kreeg became High Observer, many of the High Knights were already Zarielites, and Kreeg made sure that most of the remaining High Knights were also replaced by cultists.  By the time of the Fall, the High Knights were largely synonymous with the inner circle of the cult. These cultists had sworn special oaths above and beyond the Creed Resolute, and as Elturel was pulled into Hell they immediately transformed into devils, becoming Hell Knights.

These Hell Knights had two immediate goals: First, they began slaughtering the other knights under their command. As noted previously, any Elturian knights who had sworn the Creed Resolute and were killed after Elturel was sent to Hell had their souls immediately claimed by the Pact. Here in Hell itself, this meant that any knight killed was immediately transformed into another Hell Knight.

Second, as their ranks swelled with devils, the Hell Knights targeted wizards, clerics, and other high-level or important characters who might pose a threat. Most of their targets were eliminated within the first few hours of chaos, and the Hell Knights continue hunting for those who escaped the initial purge.

(You can use any devil stats for a Hell Knight, with specific recommendations being given in Part 7G. They generally still wear the armor of their former orders.)

DEVIL RAIDERS & DEMON INVADERS: Although Zariel is not sending in her legions, Elturel is not free from devils. Small groups of devil raiders from the Avernian plains have snuck into the city to loot and rend what they can before the city’s final destruction. (Would you sell your soul to escape Hell? They can offer that, too.)

In addition, a lieutenant of Yeenoghu named Liashandra has led a platoon of demonic troops into the floating city. They’re perhaps the most immediately dangerous to the common people of the city, reveling in wanton destruction as is their demonic wont. However, Liashandra’s primary mission is to sabotage the Fall of Elturel if she can and prevent Zariel from recruiting the entire city into the ranks of her legions.

This means that all of these hostile factions (Zarielites, devil raiders, and the demonic incursion) are as likely to be fighting each other as anyone else. Liashandra might also be an unexpected ally in saving the city.

THE VAMPIRE LORD: When the Companion first appeared in the sky above Elturel, the vampire lord High Rider Ikaia was not destroyed. He fled into the vast cavernworks beneath the city and lurked there for decades. Now the Companion is gone and the High Rider has emerged.

He does not, however, command a slavering horde of vampires. He and a select few “sons and daughters” are actually a bastion in the northeast of the city: Elturgard maintained vast storehouses in the caverns beneath the city, with supplies that could support hundreds of thousands of people for months if the surrounding farmlands had to be evacuated into the city and a heavy siege were laid. Ikaia has secured some of these storehouses that were scooped up along with the rest of the city and is now distributing them to people in need (see Part 5C).

A STABLE ELTUREL

Last but not least, what needs to happen for the situation in Elturel to feel stable enough that the PCs will feel comfortable leaving?

Well, to some extent I think we’ve tweaked things enough so that the city still feels like a warzone without feeling like such a genocidal horror that the PCs would reasonably expect everyone to be dead within a week. So it’s possible that you’ll just glide past this point without the PCs thinking about it.

Failing that, there’s also the clear cosmological deadline of the city being drawn down into the Styx. Yes, you could help here, but it’s all meaningless unless someone can get the sword and save the day!

But it’s quite possible that the players will still feel it necessary to help stabilize the situation in Elturel. Or maybe you’re just interested in exploring that idea.

Unless you want to radically expand this section of the campaign, what you’ll want is a Grand Gesture That Turns the Tide; i.e., one big thing that the PCs can do (or help do) that can be framed as essentially putting things on the right track. Possibilities might include:

• Joining the east and west sides of the city. This might be leading attacks on the bridges, clearing them of demon infestation, and helping Ravengard set up garrisons there.
• Forging alliances between the surviving enclaves. This would send the PCs around the city essentially as ambassadors.
• Securing the supplies necessary for survival. Ravengard, for example, might know that somebody on the east side of the city has a cache of supplies. When the PCs investigate, they find High Rider Ikaia. They might negotiate with him for access to the supplies; or they might track Ikaia’s people back to the cache they’ve secured and then clear them out.
• Some sort of mass combat (most likely with Ravengard and his men). That might be leading a siege on Helm’s Shieldhall and shattering the stronghold of the Hell Knights. Or returning to the cemetery and cleaning it out.

I’d recommend following the players’ lead here: They’re unlikely to just say, “We need to secure the city… but how?!” Rather, they’ll have some specific problem that they’re looking to solve (the population is starving, Ravengard doesn’t have enough soldiers, etc.). They might even have a plan. You just need to make sure to give them the opportunity to carry out that plan and then frame the outcome as the city turning a corner in its struggle for survival. “This has made all the difference. Now go get that sword!” says Ravengard (or whoever).

If you DO want to radically expand this section of the campaign, then you’ll want to provide a structure for the PCs’ efforts. This will most likely consist of specific needs that the city has and flexible options for how those needs can be achieved. Off the top of my head:

• Food & Water. Seizing or gaining access to Ikaia’s storehouse. Finding alternative storehouses. A magical fountain. Organizing rationing.
• Security. Eliminating specific threats. Forming alliances. Restoring one of the demonseals which once protected the major citadels of the city by scavenging components from each.
• Shelter. Forming neighborhood patrols. Securing citadels which can house refugees in safety away from the demon-infested streets.

Once again, be flexible in responding to and empowering ideas the PCs come up with to fulfill these needs. I would go so far as to track these needs with specific gauges; i.e., put hard numbers on this and let the PCs’ schemes score points towards filling those gauges. (And, conversely, allow enemy factions to damage the gauges.)

THE RETURN TO ELTUREL

Later in the campaign, the PCs will return to Elturel. What do they find when they come back? How has the situation developed?

To a large degree, the answer to this should be extremely idiosyncratic and heavily based on what the PCs did: The version of Elturel where the city ended up divided between Ravengard in the west and Ikaia in the east is very different than one where the PCs managed to form a Council of the Resistance which included Liashandra as a prominent member.

If we’re talking about a baseline situation where the PCs did very little to shift the status quo in Elturel, then here’s what I’d suggest:

• High Rider Ikaia has secured the eastern side of the town. Citizens have volunteered to become vampires in order to have the strength to defend themselves and their fellow citizens, and these Vampire Riders run regular patrols and control the bridges.
• Things are much worse in the west. The Hell Knights have mustered their forces and laid siege to Ravengard in the High Hall.

Go to Part 5B-A: Arrival in Hellturel

(click for PDF)

Jonathan Tweet and Mark Rein-Hagen first published Ars Magica in 1987. It was a revolutionary game, including:

• A system of spontaneous magic (allowing you to cast any spell you could imagine at any time).
• Troupe-style play, in which players took on the roles of many different characters (and could even swap GMing responsibilities) in the course of a single campaign.
• Long-term play, in which the group created a covenant of wizards and developed not only their individual characters, but the covenant as a whole.

The 5th Edition, revised by David Chart, was released in 2004 by Atlas Games. When David took over the Ars Magica line he proposed a series of 40 supplements. He then released them like clockwork, one every three months for 10 years, until all 40 books were released. The result is arguably the single most complete and deliberately comprehensive RPG product line to ever exist.

Part of my job at the current RPG Producer at Atlas is to figure out what’s next for Ars Magica. When I got the job I ironically noted that I had played all of Atlas’ current RPGs, but none of the current editions. (This was also true for Ars Magica, which I’d been introduced to via 3rd Edition in the ’90s and did some brief dabbling with 4th Edition around 2001 or 2002.) I’ve spent much of the last year familiarizing myself with these games one by one (and also diving deep into everything we’ve published for them) and the time has come for me to run a full-fleged 5th Edition campaign.

To that end, I’ve developed one of my system cheat sheets for Ars Magica 5th Edition.

WHAT’S NOT INCLUDED

These cheat sheets are not designed to be a quick start packet: They’re designed to be a comprehensive reference for someone who has read the rulebook and will probably prove woefully inadequate if you try to learn the game from them. (On the other hand, they can definitely assist experienced players who are teaching the game to new players.)

The cheat sheets also don’t include what I refer to as “character option chunks” (for reasons discussed here). In other words, you won’t find the rules for character creation here.

HOW I USE THEM

I usually keep a copy of the system cheat sheet behind my GM screen for quick reference and also provide copies for all of the players. Of course, we’ll also keep a copy of the rulebook at the table, too. In the case of Ars Magica, I’ve found it even more advantageous than usual to have a copy of the book for EVERY player:

• Character creation features a lot of detailed decisions from rich lists of evocative options. You’ll find that the whole process can be finished in literally a fraction of the time if access to the rulebook isn’t a chokepoint.
• Play in Ars Magica will intermittently see the players break apart into essentially simultaneous solo play (particularly during season-based play), during which access to various elements of the rulebook is frequently useful. Once again, removing this chokepoint speeds things up tremendously.
• The spontaneous magic which is the crown jewel of the game is greatly facilitated by having easy access to the Technique & Form guidelines on pages 116-161. (I’m looking at potentially prepping these as a separate quick reference packet.

Another way of understanding this is that Ars Magica is a game intensely interested in the “character option chunks” — not just during character creation at the beginning of the game, but throughout the entire campaign. Even character advancement is usually not a bit of bookkeeping separate from play, but rather an organic part of the character’s lives. As such, while these cheat sheets will, like my other cheat sheets, speed things up by serving as a comprehensive system reference and cutting down the amount of time required for many rulebook references, I’ve generally found that there many aspects of play unique to Ars Magica (compared to most other RPGs) that will still benefit from easy, frequent access to the rulebook.

The organization of information onto each page of the cheat sheet is designed to be fairly intuitive. The actual sequencing of the pages is mostly arbitrary (although topics are obviously grouped together if they require multiple pages):

PAGE 1: Core mechanics.

PAGE 2: The Botch Table. Kind of weird for this to just be hanging out on a page all by itself, but I haven’t found a better place for it. You can probably also skip this page if you’d like.

PAGE 3: Less fundamental core mechanics.

PAGE 4-8: Hermetic magic. All basic Casting rules on page 4; all the rules for Magic Resistance on page 5; additional rules on pages 6-7. Page 8 has the rules for designing spells.

PAGE 9: Warping & Twilight.

PAGE 10-12: Laboratory. Basics on Page 10, Projects on Page 11, and Enchanted Items on Page 12.

PAGE 13-16: Texts & Books, Familiars & Apprentices, Advancement, Aging.

PAGE 17-19: Combat, Advanced Combat, and Fatigue & Wounds. This includes non-combat damage.

PAGE 20: Realms & Creatures. These two topics are only lightly associated with each other, but they both fit on the same page to round things out.

This cheat sheet includes the Ars Magica 4th Edition rules for movement, filling in what I consider to be a fairly essential bit of utility that got dropped from 5th Edition. These rules are indicated in blue text.

This proved to be the largest cheat sheet I’ve done to date, which I actually found quite surprising. The 5th Edition rulebook is generally so well-organized and clearly presented that reading it and using it belies how much detail is actually packed into the game. You can get some sense of that from the cheat sheets themselves, which — despite their bulk at 20 pages — nevertheless break down comfortably into very clean modules.

MAKING A GM SCREEN

These cheat sheets can also be used in conjunction with a modular, landscape-oriented GM screen (like the ones you can buy here or here).

Personally, I use a four-panel screen and use reverse-duplex printing in order to create sheets that I can tape together and “flip up” to reveal additional information behind them.

Due to the bulk of the Ars Magica cheat sheet, though, even this technique (which puts 12 pages of data at your fingertips) is insufficient. You’ll either want to create an additional “flip layer” (so you have a front sheet; can flip that up to reveal two more; and can then flip up the next sheet to reveal two more) or make some editorial choices. Due to the COVID-19 pandemic, I haven’t had a chance to actually experiment with this in actual play.

As a newbie 5th Edition GM, my gut instinct is to prioritize:

• Page 1: Core Mechanics / Page 20: Fatigue & Wounds / Page 4: More Core Mechanics
• Page 4: Hermetic Magic – Casting / Page 5: Magic Resistance / Page 6: Hermetic Magic – Casting Options
• Page 8: Hermetic Magic – Designing Spells / Page 18: Combat / Page 19: Combat – Advanced
• Page 11 – Laboratory / Page 12: Laboratory – Projects / Page 13: Laboratory Enchanted Items

If I was going with just four panels:

• Page 1: Core Mechanics
• Page 18: Combat
• Page 4: Hermetic Magic – Casting
• Page 6: Hermetic Magic – Casting Options

But, as I say, these are currently just best guesses. And your mileage would probably vary in any case.

FUTURE THOUGHTS

Moreso than most, this cheat sheet is still a work in progress. You may notice that the sheets are a little more “loosely packed” than similar sheets I’ve done in the past. This is partly in anticipation of laying in additional material from the previously mentioned voluminous library of supplements. Not all of the mechanics to be found therein (that way lies madness), but key stuff that jumps out. (For example, you’ll already find a reference to the laboratory personalization rules from the Covenants supplement. I’m probably going to actually move those onto the sheets in some capacity.) This is likely to be at least somewhat idiosyncratic and a reaction to the immediate needs of the Rhine Tribunal campaign I’m currently running, but I think there’s decent odds you’ll see an “advanced” version of this sheet popping up here at the Alexandrian in the future.

If you’re still on the fence about trying Ars Magica, the 4th Edition of the game is currently available as a free PDF. Although obviously different from 5th Edition in a number of ways, the game is fundamentally unchanged and this can give you a pretty good sampler of whether or not it would be something you’d be interested in.

Nick LS Whelan has this really cool site where he reads RPG-related blog posts. They’re great whether you need accessible content or are just looking to load up some podcast-like audio for your commute.

Nick has posted readings of a couple different posts from the Alexandrian:

Blogs on Tape – Episode 74: The Day the Old School Died

Blogs on Tape – Episode 79: Spells – Parasites of the Mind

The first looks at the weird urban legends surrounding the publication of The Palace of the Silver Princess in 1983. The latter is an alternative look at what it means to prepare a spell.

You can find the original articles here and here if you’d rather just read them.

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Gargauth in the Shield of the Hidden Lord has the potential to be a persistent element that accompanies the PCs for the entire campaign… or he might be gone before they even realize what and who he is.

GARGAUTH: ROLEPLAYING TEMPLATE

NAME: Gargauth (Once-Treasurer of Hell, the Tenth Lord of the Nine, Lost Lord of the Pit, the Hidden Lord, the Outcast, the Lord Who Watches)

APPEARANCE: A shield of silvered, vanadium steel embellished with bronze decorations suggesting the horns, eyes, and fangs of a pit fiend.

QUOTE: “You have no idea the secrets which I could share with you! If you would only serve me!”

ROLEPLAYING:

• Wants nothing more than to be released from its prison.
• Craves power, with little care for what form it takes.
• Speaks in either a sibilant, seductive whisper or a baritone roar.

BACKGROUND: See “Lore of Gargauth” in Part 3B: Lore of the Vanthampur Investigations.

STAT BLOCK: See Descent Into Avernus, p. 225.

MEETING THE SHIELD OF THE HIDDEN LORD

When the PCs first find the Shield of the Hidden Lord, Gargauth will claim to be the Shield of Silvam and that the Vanthampurs stole him from the Hhune family.

The Shield of Silvam is one of the Kuldannorar artifacts once held by the Tethyrian royal line. A DC 16 Intelligence (History) check will reveal that the Shield of Silvam was created before the Eye Tyrant Wars, was lost during the Strohm Dynasty (between the 5^th and 9^th centuries), and briefly resurfaced in the 14^th century before vanishing again.

A DC 18 check will recall that the chronicles record that it was a mithral shield with an inset “eye” of crystal (i.e., not at all what the Shield of the Hidden Lord looks like). If confronted with this fact, Gargauth will at least initially attempt to claim that the Shield of Silvam recovered in the 14^th century was a forgery.

FREEING GARGAUTH

Gargauth’s overriding objective is to free himself from the shield, so let’s briefly discuss how he can do that.

First, he can fulfill the pact with Zariel by bringing thirteen cities to Hell. Having succeeded with Elturel (which may or may not be his first success), he’s now looking for the next viable target.

Second, the shield can be unmade in Bel’s Forge in Avernus. As it was originally created there, so can it be destroyed.

Third, Gargauth can be freed by Asmodeus or any Archduke or Archduchess of Hell who touches the shield and says his name.

Finally, Gargauth can be temporarily freed by casting dispel evil and good on the shield. Each casting has a 1% chance of freeing him for 1 minute. Using a higher level spell slot to cast the spell can either increase the percentage chance of him being freed (stepping 5%, 10%, 25%, 50% for each additional spell level), the duration of his release (stepping 10 minutes, 1 hour, 12 hours, 24 hours for each additional spell level), or a combination of both. (For example, a 9^th level spell slot could have a 10% chance of releasing him for 1 hour. Or a 50% chance of releasing him for 1 minute.)

Note: This section explicitly supercedes the “Freeing Gargauth” section of Decent Into Avernus.

THE MANY AGENDAS OF GARGAUTH

Gargauth is an incredibly clever, incredibly perceptive, and incredibly persuasive devil who is keenly aware of how vulnerable he is while trapped within the Shield of the Hidden Lord. He will adapt to whatever situation he finds himself in. He will deceive freely. He will prey on trust, but not abuse or alienate it needlessly. To be most effective, he needs to be in the possession of someone who will do what he says; but what he needs to avoid at all costs is to be stuck in a position where he cannot influence anyone around him. He will endure a weak position and bide his time for an opportunity to turn it to his advantage, rather than losing his temper and burning his bridges.

Upon encountering (and most likely being acquired by) the PCs, his first agenda will probably be to get away from them. He’s been around the block enough to know that wandering heroes who go around trying to save the world are terrible candidates for helping him achieve his goals, and Baldur’s Gate is filled with far more promising prospects.

Thus, his first strategy of posing as the Shield of Silvam so that they’ll return him to his “rightful owner.”

If that fails, another plausible strategy Gargauth might employ is using his telepathy to “call for help” from anyone nearby who might be more receptive to him. You can use this to justify the “Knights of the Shield” encounter in Part 4A: The Road to Candlekeep, for example, by assuming that at some point while they were walking through Baldur’s Gate with the Shield of the Hidden Lord, the PCs happened to pass a member of the Hhune family and Gargauth telepathically contacted them. (You can easily imagine any number of similar hijinks.)

If there comes a point where Gargauth perceives the PCs as perhaps being in a serious position to save Elturel, then he would be highly motivated to stop them from doing that. (Sucking cities to Hell is not particularly easy, he needs thirteen of them, and he put in 50+ years on this one.) My guess is he’d go for subtle misdirection and disinformation here.

In Part 4C: At the Threshold of Hell, when Sylvira says she’d like to keep the Shield of the Hidden Lord to study it, Gargauth might have one of two reactions: If he thinks it will be easier to take advantage of Sylvira’s fascination with the Nine Hells and corrupt her, he’ll happily jump ship. If he’s already got a good thing going with one or more of the PCs, on the other hand, he may make some strong offers to convince them to keep him.

On the other hand, when Traxigor tells the PCs that they should drop the shield into the River Styx in order to destroy it, Gargauth is going to get real serious real quick. He might telepathically reach out to Sylvira and offer to help her in her research, potentially seeding a debate about whether the shield should stay or go. Alternatively (or if that fails), he’ll try to make himself appear as useful as he possibly can to the PCs. (First up: He knows Avernus and can serve as a valuable guide.)

Once they’re in Avernus, Gargauth is likely going to try to get them to take him to Bel’s forge and then manipulate them into destroying the shield (and freeing him). One tactic might be to telepathically convince someone the PCs are interacting with to tell them how the shield can be destroyed at Bel’s forge (while conveniently not mentioning that this will free Gargauth, not destroy him). Another might be to simply take the PCs to Bel’s forge while pretending to guide them somewhere else (and then hoping he can spin the situation accordingly).

If the PCs are intransigent, Gargauth will probably continue trying to arrange for his escape. (Signaling nearby devils and ruining PCs’ attempts to sneak through Elturel, for example.)

If pushed absolutely to the wall (i.e., they’re on the banks of the Styx and about to throw him in), Gargauth will be willing to negotiate his knowledge for how to save Elturel. He’ll be able to tell them that they have to destroy the contract, destroy the chains, and arrange for Elturel to return to the Material Plane (see Part 7). He can even offer up his own services (if they free him!) in destroying the chains.

INTO THE RIVER STYX

What actually happens if the PCs do throw the Shield of the Hidden Lord into the River Styx? (Which is, I think, the most likely outcome.)

Option #1: It’s destroyed. Trapped in the shield as he is, Gargauth is entirely an entity of nous (or mind). His memories are thus the entirety of what he is, and when the shield is dipped into the River Styx he is utterly destroyed. As Gargauth is the source of the shield’s powers, all that is left is a well-crafted, mundane shield.

Option #2: A tabula rasa spirit. Gargauth’s mind is wiped clean. What’s left inside the shield is an incredibly powerful pit fiend with no memories and no innate form. In a campaign about Hell, damnation, and redemption, this has the potential to become a powerful thematic opportunity: How is this essentially newborn entity possessed of tremendous power influenced by the PCs and their actions? Is this new entity saddled with Gargauth’s sins? As this entity’s personality develops, does that influence what powers the shield manifests? If the PCs lead this new entity down a path to goodness and then later free it from the shield, what actually appears? A reformed pit fiend? An angel? Something else?

Option #3: Punt it down the road. Traxigor emphasizes that the shield has to be immersed in the Styx for several days (or a week or a month or whatever). The only realistic option is to just toss it into the deepest part of the river and walk away.

Go to the Avernus Remix

The Quiet Year is a map-making storytelling game by Avery Alder. The group will collectively tell the story of a community which, after a long war, has finally succeeded in driving off the Jackals. The community doesn’t know it, but they will have one quiet year — a time to come together, to rebuild, to prepare for the future — before the Frost Shepherds arrive and the game comes to an end.

The central focus of play is the map itself: We begin with a blank sheet in the middle of the table and a brief setup phase will see the group quickly sketch in the broad strokes of their community. We will also determine which Resources are important to our community, and which one of those Resources is in abundance (with all others being in scarcity).

(The Resources section of the setup phase is subtly brilliant: There are no predefined Resources. Instead, each player creates a Resource and adds it to the list. This, all by itself, radically alters the game each time you play it. A community in which Transportation, Solar Power, and Food are the key Resources is a completely different community than one in which Clean Water, Steel, and Mana are the key Resources.)

Once the setup phase is complete, the game proceeds in turns. On their turn a player will:

• Draw a card
• Advance active projects
• Take an action

CARDS: The game is played with a deck of standard playing cards. There are fifty-two weeks in a year and fifty-two cards in a deck, and thus each turn represents a week of time. Each suit of cards represents one season (hearts are Spring, diamonds are Summer, etc.), and each season of cards is randomized.

Generally speaking, each card you draw will offer you an option between two questions. The active player has to answer the question, which will also often mean adding to the map or updating the map. For example, if you draw the 10 of Hearts you must choose between:

• There’s another community somewhere on the map. Where are they? What sets them apart from you?
• What belief or practice helps to unify your community?

Whereas the 5 of Spades offers a choice of:

• Winter elements destroy a food source. If this was your only food source, add a Scarcity.
• Winter elements leave everyone cold, tired, and miserable. Project dice are not reduced this week.

The game ends immediately when the King of Spades is drawn (and the Frost Shepherds arrive). This can happen at any point in the last season of thirteen cards (even the very first week of winter), so as the year continues more and more uncertainty about how much time you have left will begin to creep in. (And this will naturally influence the group’s predilection towards breaking ground on new projects vs. other options.)

ACTIVE PROJECTS: Various cards and actions will establish projects. Most projects are entirely the creation of the player initiating them and will be given a timeline of 1-6 weeks (i.e., turns). These projects are tracked on the map using six-sided dice, and the dice count down one pip each week.

TAKE AN ACTION: Finally, a player can choose one of three actions. They can Start a Project; they can Discover Something New; or they can Hold a Discussion. Each of these influences the story of the community in different ways.

THINGS I DON’T LIKE

There’s one other “significant” mechanic in the game: Contempt tokens. I’ll let the rulebook explain them:

If you ever feel like you weren’t consulted or honoured in a decision-making process, you can take a piece of Contempt and place it in front of you. This is your outlet for expressing disagreement or tension.

(…)

If you ever want to act selfishly, to the known detriment of the community, you can discard a Contempt token to justify your behaviour. You decide whether your behaviour requires justification. This will often trigger others taking Contempt tokens in response.

And that’s it. As a mechanic, Contempt tokens are empty and meaningless. They’re also somewhat incoherent: The beginning of the rulebook specifically points out that we, as players, have two roles in the game: To represent the community itself and care about its fate and ALSO to “dispassionately introduce dilemmas … create tension and make the community’s successes feel real.” So how is acting to “the known detriment of the community” something that needs to be “justified”? Furthermore, there IS no “decision-making process” in which you can be consulted; the game explicitly tells you NOT to discuss the decisions you have to make in the game.

Having played with Contempt several times, I’m simply going to be dropping them from future sessions. They don’t add anything to the game and, worse yet, simply confuse new players due to their incoherence and lack of point.

THINGS I DO LIKE

Everything else.

The Quiet Year is a beautiful game that creates beautiful stories. The choices presented in each season are elegantly balanced to push play in particular directions without drowning out the creative input and interests of the players.

The storytelling engine is specific enough to push interesting events into the narrative, but general enough to never constrain you: You can set The Quiet Year in a post-apocalyptic wasteland, a Martian colony, the African savannah, or a Middle Ages village just after it’s been scourged by the Black Death and never hit a discordant prompt.

You can learn The Quiet Year in about 15 minutes, you’ll get 3-4 hours of play before the Frost Shepherds arrive, and then — if you’re anything like the people I’ve played with — you’ll immediately begin trying to figure out when you can play it again.

(There’s also an alternate setup you can use for a shorter game if you’d like.)

A FEW OTHER DETAILS

The game is designed for 2-4 players, but I found that it expanded well to 5 or 6. (I did not play with only two players, although I am curious what that experience would look like.) The designer has noted in online discussions that the primary problem with a larger player count is the down time between turns, so this will be at least somewhat dependent on how much your group is entertained in the audience stance. (Players also often have narrative input on other players’ turns.)

In addition to an $8 PDF, The game is also available in a $50 bag that contains everything you need to play: Rulebook, custom cards (with the text printed on them so you don’t have to consult the tables in the rulebook), dice, and counters. I, personally, don’t think the experience offered by The Quiet Year is worth that much, but your mileage may vary.

A QUIET YEAR

I wasn’t sure how well The Quiet Year would play online in the Era of COVID-19, but it was actually a spectacular experience. You’ll obviously need some form of shared whiteboard for the group (I found that one built into Zoom worked just fine). You can try to get fancy with the playing cards, but I found it easy enough to just act as a facilitator with a physical deck of cards to one side of my keyboard.

The one thing I will say, is that I think post-apocalyptic narratives have a completely different feel when you’re playing them during an actual apocalypse. And this impact is particularly substantial if it’s an interactive medium.

To give you some sense of what The Quiet Year is capable of, this is the narrative of one game that I played: Our community collapsed completely and murdered each other in internecine warfare. (So the year was perhaps not as quiet as it might have been…)

Our village was located in a valley. At sunrise and sunset we all stopped and collectively meditated upon the passing of the days.

Some among us even went so far as to worship the Sun.

Expeditions beyond the mountains to the west returned with members horribly burned by a “bright light.” Clearly they had found the place where the Sun sets and been burned for their hubris.

The Sun Sect grew.

To the southeast there was a horrible Pit; a bottomless black void. It was surrounded by skulls and strange runes. No one had placed them there; no one dared to touch them.

One day a woman named Petra climbed naked out of the Pit and came to the village.

Other outsiders came who wore Moons on their clothes. They were ostracized.

Petra and another girl named Sibyl convinced many young members of the village to enter the Pit and learn its mysteries.

They did not return.

We reclaimed the mine to the southwest. Our supply of metal was abundant! But we discovered that those working at the site contracted a strange disease that made them incredibly pale. They were referred to by the slur of “moon-facers,” and this term was soon being used to also refer to those who wore the symbol of the Moon.

Around this time, a flood destroyed our food stores. Tensions grew between the Sun Sect and the Followers of the Moon.

Faced with this persecution, some of the Followers of the Moon assassinated three of the four Elders who led our village. They then fled to the northern end of the valley, leaving the last remaining Elder — a man named Jonas — in charge.

Jonas was a member of the Sun Sect. He took control of the citizen’s militia and reforged it as the Swords of Dawn.

A few weeks later, foresters heard the voices of Petra and Sibyl among the trees of the forest. Their words could not be understood, but they seemed filled with portent.

A beam of purple energy shot out of the Pit. The faces of the others who had gone down into the Pit could be seen writhing within it. Petra herself emerged from the beam and declared herself a Priestess of the Moon.

Jonas died in his bed, pale as if moon-touched. The community was left leaderless. (Elders could only be nominated by existing Elders, Jonas had refrained from doing that, and now all the Elders were dead.) The Sun Sect moved into the power vacuum and the Swords of Dawn enforced order.

The Sun Sect declared that the Pit had grown ascendant because we had turned out back on the Sun. They decreed that a child must be taken to the highest mountain in the east and sacrificed to the rising sun.

This was done. Almost the entire Sun Sect marched up to the mountain peak.

But as the sacrifice was about to be performed, a huge avalanche wiped out the entire expedition.

Petra and the moon-facers took control of the village. A string of murders followed, leaving mutilated bodies in the woods. Then the beam of energy from the Pit washed across the sky, blotting out the Sun.

One of the last surviving members of the Sun Sect — angry, vindictive, and driven mad by this last divine sign — set fire to the forest! Our stores of lumber and the entire northern forest was destroyed.

When the envoys from the south arrived to trade their grain for our lumber, we were unable to pay them. Trade collapsed. The famine worsened.

But the morning after the fire, a beam of golden energy shot up into the sky from the site of the child sacrifice.

So there was a golden beam to the northeast and a purple-black beam to the southeast.

A new religious leader emerged: Wren argued that we had strayed too far from the Way of the Sun and we needed to sacrifice MORE children into the Sun’s golden beam, to at least match the number who had passed into the Pit.

Wren led a pilgrimage up into the mountains and they did, in fact, cast many children into the golden beam. The energy of the golden beam spread, blotting out the black dome that had shaded the valley and replacing it with a golden dome of sun-like light.

But the light shone 24/7.

Many in the village suffered from sleep deprivation as the eternal light shone on.

The valley was then hit with a plague, which further decimated the population. Then a massive thunderstorm rolled in. It rained for days and days and days. The river flooded, wiping out our village and forcing the population to scatter into the hills, creating a number of small, scattered “niche” communities.

As the waters receded in the valley below, we saw — in the burnt fields of the forest — what we at first thought were new trees. New trees that grew rapidly with the blessing of the Sun’s eternal light!

But what actually grew was strange: Purple-pink growths that fruited large, pear-shaped fruits that glowed with a bluish light.

Strange goliaths, of whose existence we had seen hints on our earlier expeditions, came from the west and settled among the strange trees, somehow feeding upon the glowing fruits.

An entire niche community vanished mysteriously overnight. When people from a neighboring community arrived, they found food still cooking over open fires. The only clue was the word RELLIK scratched into the dirt.

At the opposite end of the valley, it was discovered that the skulls and bones of the children sacrificed to the golden beam had appeared in the bone ring around the Pit. This connection between the two beams raised metaphysical questions that our desperate community had no time to properly consider.

A children’s crusade led almost all of our remaining children back down to the floor of the valley. There they ate of the glowing fruits.

Petra was badly beaten. She was forced into hiding, circulating from one family to another to hide her from the Sun Sect.

One of these families, seemingly driven mad, killed and ate her.

Other incidents of cannibalism forced the niche communities into armed compounds that no longer spoke to each other.

Strange changes were seen among the children eating of the purple pears.

The Swords of Dawn marched on the mine to wipe out that source of the “moon-faced plague.”

As the mine burned, the Frost Shepherds arrived.

A QUIET YEAR.

Style: 4
Substance: 4

Author: Avery Alder
Publisher: Buried Without Ceremony
Cost: $8.00 (PDF)
Page Count: 15